Freeway

I remembered Kiefer Sutherland played a psychotic killer....and IMDB lead me right to this one. I had seen bits and pieces of this movie on cable and couldn't believe how good it was, but back in those days we didn't have "channel info". This movie is wickedly funny, and Reese Witherspoon plays the most hilarious, bad-girl, tough trailer trash role I've ever seen and plays it fantastically. The slutty makeup and outfits she wears as well as the endless stream of profanity she swears are definitely a lot different than her "modern day" good girl roles she seems stuck in now. This movie is funnier than you can possibly imagine, as things keep happening that just blow you away or shock the pants off you and no main character is what they seem to be at first. Definitely unpredictable, this dark comedy is a rare lost gem I was glad to find again.

Although it started out slow, it really picked up the pace when Vanessa gets into Bob's SUV type vehicle. As the movie went on, it easily turned out to be one of the best movies I've seen in years. Dark, gory and still full of laughs in a twisted way. How Reese Witherspoon didn't win an Academy Award for this is a mystery. I have found new respect for Reese and glad to know she isn't all about fluff movies catering to woman (i.e., "Sweet Home Alabama"). I hope Reese digs into the grittier side of life again and does another movie of the "Freeway" caliber and leave her mantle of "the next Meg Ryan" at home!

Way to go Reese, this movie is definitely worth owning!

I know, it may seem ridiculous to some, but actually, even after all these years (now well into 2012), this is still a film to watch, and no one could have delivered the key role more perfectly than Reese Witherspoon. She is simply spectacularly spot on with her characterization of the theme and culture that is her character here.

The story is a bit hard edged for some, but sadly, not entirely outside the realms of reality in the current world.

Do characters like hers in this film really exist as portrayed? Absolutely yes. Do characters like that portrayed by Sutherland, the predatory pedophile sociopath who appears to be so acceptably "normal" to the outside world? Absolutely yes, as recent history has shown only too clearly.

On the surface this may have appeared to be a sort of whacky, creepy crime thriller, but actually, if one actually takes the time to watch this film, there is much more to this than the ad copy may have suggested at the time.

It is still currently viable, to this very day . . . has stood the test of time.

And it is absolutely one of Reese's best ever performances.

Sadly, her more recent work has sort of flattened out into much less risky, complex roles, but hey, a great actress she is.

Matthew Bright stuns with his outrageous directorial debut 'Freeway', one of the most original and subversive movies to emerge from Hollywood in years. Bright wrote the utterly bizarre 'Forbidden Zone' over twenty years ago (once seen, never forgotten!), but 'Freeway' shows he is a major talent. His only real competition in the hyper-real pop art black comedy stakes is Gregg Araki, whose 'Doom Generation' and 'Nowhere' display a similar kick ass sensibility.

Reese Witherspoon is dynamite as the white trash lethal Lolita Vanessa Lutz. Along with 'Election' her best role to date. Kiefer Sutherland gets his most interesting part in years as her nemesis, the slimy Bob. And the supporting cast is equally strong, especially dependable character actor Dan Hedaya ('Blood Simple', 'The Usual Suspects'), the cute Brittany Murphy ('Clueless') who oozes sex appeal, and Amanda Plummer ('Pulp Fiction') and Michael T. Weiss (er... 'Howling IV') as the parents from hell. I also got a real kick out of the cameo by veteran Sydney Lassick ('..Cuckoo's Nest', 'Sonny Boy'). Pity we don't get to see much of him here, or anywhere for that matter!

Witherspoon has gone on to well deserved stardom, but this remains one of her finest accomplishments. Bright faltered with the largely disappointing 'Freeway 2', but my money is on him. Anyone who can create a movie this fresh and cool deserves to be remembered!

Based on the classic Grimm Brothers tale, Little Red Riding Hood; Freeway is the disjointed and frankly weird odyssey following a young girl on the way to her grandmother's home. The film begins much like any other hitchhiking film, with a young girl being picked up by a slightly sinister driver. However, you won't be able to predict where it's going to go from there, as Freeway continually puts its characters in absurd situations and delivers the unexpected. The plot doesn't exactly adhere to the story of Little Red Riding Hood, and after the basics have been laid down, it's basically anyone's game right down to the gripping and hilarious climax. The film sees Reese Witherspoon's juvenile delinquent being picked up by Kiefer Sutherland's child psychologist after fleeing from her home when her mother and step father are arrested. After telling the psychologist of her relationship with her step father, she soon realises that he's enjoying what she's saying a little too much; and it's not long before she asks him if he's the infamous I-5 killer, and he doesn't do anything to convince her he's not...

Freeway doesn't introduce any characters that are particularly likable, and all are guilty to a degree. Most audience members will be on the side of Witherspoon's character, as although she certainly has personality problems, she's great fun to watch and her twisted logic isn't usually far from being spot on! Witherspoon got one of her best roles in this film, and really does carry it despite her young age. Kiefer Sutherland stars alongside her, and it's rather odd seeing him in the psycho role after getting so used to him being Jack Bauer in 24. He does do it great, however. Perhaps the best thing about this film is the pitch black humour that goes hand in hand brilliantly with the absurdity of the piece. The plot is really freewheeling, and the film jumps from road thriller to prison drama to the court room in the blink of an eye, and this helps to ensure that the audience is always kept on their toes. This film won't appeal to people that don't like their movies to be pitch black and unpleasant, but anyone who enjoys a good does of absurdity shouldn't hesitate to track this film down!