For Ever Mozart

Godard has create yet another confounding, challenging, beautiful, sad and passionate visual essay. the film is rich with ideas, meanings, questions, and images.

...said a couple exiting the movie theater just as I was entering to watch this. Hmm, not a good sign, but who knows? Different strokes for different folks, after all. Well, nope. They were being kind. Godard has released work that is passionate (Contempt), entertaining (Band of Outsiders), sometimes both (My Life to Live). This is just dull intellectualism, that grates on the nerves pretty quickly. During my showing, literally half of the audience had walked out by the end of the film. If only I had been so wise.

Godard's sombrest film, this meditation on the triumph of art over atrocity illustrates the Balkans' horrors as the slapdash Brechtian theatre of LES CARABINIERS. But both the world and Godard have changed in the last forty years, and the approach seems offensively academic. Even in films as recent as FIRST NAME: CARMEN and KING LEAR, Godard sprinkled atop his gnomic aphorisms and contrapuntal poetry moments of chaotic, dissonant humor. Here, blank-faced actors recite "Isn't the presence of evil worse than the absence of good?" as if off cue cards. In the pearly, mystical clarity of his images and his sounds--the latter appearing both more naturalistic and rhapsodic than ever--Godard remains a world-class master. But since his recent JLG PAR JLG, it would seem the last movement of his career is toward a crotchety cultural conservatism. His garret full of Goya, Musset and Marivaux seems colder, lonelier and less companionable than ever.

The first point that calls the attention in "For Ever Mozart" is the absence of a plot summary in IMDb. The explanation is simple since there is no story, screenplay, plot or whatever might recall the minimum structure of a movie. Jean-Luc Godard is one of the most overrated and pretentious directors of the cinema industry and this pointless crap is among his most hermetic films. I believe that neither himself has understood what is this story about; but there are intellectuals that elucubrate to justify or explain this messy movie, and it is funny to read their reviews.

My vote is one.

Title (Brazil): "Para Sempre Mozart" ("Forever Mozart")

I just saw this film last night at the UC theatre in Berkeley CA. It was great; I'm only 23 so I see Goddard's classic movies in a different context than the generation that saw them released. For anyone who says "they" don't make movies like this, hey, Jean=Luc does. NOt "Terminator 4" Not "The Fatal Bolero". The movie will definitely displease anybody with hang-ups about continuity. But for those who appreciate aesthetics and politics, this will be a treat.