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6.2/10
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Story of the early life of genius and Nobel Prize-winning physicist Richard Feynman.Story of the early life of genius and Nobel Prize-winning physicist Richard Feynman.Story of the early life of genius and Nobel Prize-winning physicist Richard Feynman.
- Director
- Writers
- Stars
Raffi Di Blasio
- Robert
- (as Raffi DiBlasio)
Josh Keaton
- David
- (as Joshua Wiener)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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What a nice movie! If you do not know who Richard Feynman was, then this is a great way to be introduced. He was a brilliant, eccentric, witty scientist who came of age during the 1930s and 1940s. This movie doesn't show his entire life, just the parts that lead up to his involvement with the atomic bomb and the Manhattan Project during WWII. It's based on his books called 'What Do You Care What Other People Think?' and 'Surely You're Joking. Mr. Feynman!' The Movie doesn't deal with his actual scientific work so much as his unconventional approach to it. It also deals with his first marriage to Arline, who was very ill with systemic tuberculosis. The movie takes you from his childhood and university years to his marriage and time at the famous Los Alamos Lab. I think I liked this movie because it doesn't come out and tell you what to think, it just shows snippets of his life and how he overcomes the sad times with humor and grace. I can't say enough about this film. It's that good.
This was a very worthy project of the Brodericks, mother and son, and one which I would have liked to have tackled myself, having read and greatly enjoyed both "Surely You're Joking, Mr. Feynman!" and "What Do You Care What Other People Think?". To concentrate on the deep love story between Feynman and his first wife Arline, which coincided with his work on the Manhattan Project at Los Alamos, was, I feel, a good filmic move in order to give the story an anchor (not to mention the fact that it truly is one of the most romantic real love stories I've ever heard of). Every movie adaptation has to make sacrifices, and this one obviously had to sacrifice all the other interesting stuff that happened to Feynman in the years after the war. So I don't have a problem with the quality of the script, and they also had a big enough budget to get the period feel.
However, this film falls down in a major way on the characterisation of its lead character. Surprisingly, for Broderick is not a bad actor, he just comes across as being Broderick - a good looking young man who can look lovingly at Patricia Arquette and add a bit of passion to his voice when explaining complicated physics. But we've all seen the real Feynman on television and in film - he was LARGER than life! He was intensely charismatic, a brilliant expositor of scientific ideas and a great teacher.
It seems to me that instead of succumbing to the temptation of directing, that Broderick should really have got someone else direct, so that he could concentrate on really getting inside the head of Feynman and reproducing on screen some of that charisma - something I'm quite sure Broderick is capable of doing.
So ultimately this is a missed opportunity. You learn some of the facts about what happened, but you don't really meet the real Richard P. Feynman.
However, this film falls down in a major way on the characterisation of its lead character. Surprisingly, for Broderick is not a bad actor, he just comes across as being Broderick - a good looking young man who can look lovingly at Patricia Arquette and add a bit of passion to his voice when explaining complicated physics. But we've all seen the real Feynman on television and in film - he was LARGER than life! He was intensely charismatic, a brilliant expositor of scientific ideas and a great teacher.
It seems to me that instead of succumbing to the temptation of directing, that Broderick should really have got someone else direct, so that he could concentrate on really getting inside the head of Feynman and reproducing on screen some of that charisma - something I'm quite sure Broderick is capable of doing.
So ultimately this is a missed opportunity. You learn some of the facts about what happened, but you don't really meet the real Richard P. Feynman.
I first caught most of this film on T.V. I love Matthew Broderick, so I stopped to watch it. I was totally engrossed in this story, and couldn't pry myself away. It is a complicated movie, but I think Broderick did a wonderful job acting and directing. I think the thing that most captured me is not the story, but of how Broderick portrayed, Feyneman. His expressions represent his character better than any words spoken in the film. Broderick portrayed his character extremly well. He showed a man who was complicated and had many tough decisions to make, and did it to the best of his ability. On this alone, I give Infinity a 10 out of 10.
Not only is Matthew Broderick one of the most GORGEOUS men on the planet, he delivers a stunning and beautiful performance. One of my favorite lines is "I'm working on a job for the government. I'm getting paid. This way I can take care of her, at last." That line slays me. When she...you know, and he breaks down...well, I just start crying like a baby at that point. Patricia Arquette is always wonderful, of course, and she takes the cake as Arline Greenbaum. The running gag in the joke is when they say, "What do you care what other people think?" to each other. And when she says, "I think I'm a very lucky woman to have Richard Feynman for a friend." And then the look on Richard's face, so full of love for this woman who "knew him by heart". Patricia Arquette's voice when she sings is kinda...eecky, but it has that swinging bluesy quality that was popular when the movie takes place. All in all, Matthew Broderick is HOT and SEE THIS MOVIE. Matty is an INCREDIBLE DIRECTOR!!!!!!!
For fans of Feynman's books, this will be a disappointment. Matthew Broderick's performance doesn't capture the fire, playfulness and wonder of Feynman's personality (as do documentaries of his lectures). Furthermore, his direction botches many of the anecdotes, missing the points of emphasis and undermining the quirky humour and sense of irony in the original telling. For example, in the Chinese abacus scene (which is shifted to a much earlier period in Feynman's life), Broderick has Feynman initiate the challenge, whereas in real life, it was the hapless abacus salesman who challenged him, completely unaware that he was taking on a renowned physicist. Therefore, the sense of irony, and of Feinman's idiosyncrasy in the world of mere mortals, is lost. Only Patricia Arquette seems to have captured the essence of the memoirs, despite her often unintelligible dialogue.
Did you know
- TriviaThe gate scene at Los Alamos is accurate and Richard had many more pranks that he pulled while working there. Most notably he picked locks. The one unique combination of locks was a series of file cabinets in a mathematicians office where the combinations began with the first few digits of the natural logarithm of e.
- Crazy creditsThe film has a 1997 copyright date in the credits, despite being released in 1996.
- SoundtracksUgly Chile (You're Some Pretty Doll)
Written by Clarence Williams
Published by Shapiro, Bernstein & Co., Inc. (ASCAP)
Copyright renewed
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Oändlig kärlek
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $195,170
- Opening weekend US & Canada
- $78,976
- Oct 6, 1996
- Gross worldwide
- $195,170
- Runtime
- 1h 59m(119 min)
- Color
- Sound mix
- Aspect ratio
- 1.66 : 1
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