Khamoshi the Musical

This film is a true masterpiece. Though it may seem slow-paced at first, especially for our fast-paced times, it profoundly touched my heart. It goes beyond just entertainment; the performances of these remarkable actors speak directly to the soul.

Nana Patekar's portrayal is extraordinary, immersing himself so completely in the role that his expressions alone convey deep emotion. Manisha Koirala is equally impressive, bringing her character to life with grace and emotional depth. While I may not rewatch this film often due to my selective taste, its one-time magic and lasting impact make it a genuine work of art.

After rewatching HDDCS, I had to go to this again... Khamoshi is a beautiful, emotionally resonant directorial debut from Sanjay Leela Bhansali that absolutely lived up to its musical name "The Musical".

This film's core strength is its powerful central conflict: a daughter caught between the world of music she loves and the silence of her deaf-mute parents.

The film is anchored by genuinely good acting all around. Manisha Koirala is luminous, Nana Patekar and Seema Biswas are intensely moving, and the most underrated performance was by Salman Khan, who brings necessary charm and sincerity to the central love story.

Furthermore, the film is a delight for visual fans, with exquisite art and animation (cinematography) that captures the Goan backdrop perfectly. The top songs are, quite simply, timeless.

However, one could argue that the early emotional buildup and the childhood portion of the story feel slightly over-extended, making the pacing a touch slow at times. Additionally, the character of Raj, while charmingly played by Khan, could have benefited from a little more depth compared to the powerhouse family drama surrounding him.

Despite these small pacing issues, this film is a magnificent, heartfelt piece of cinema driven by magnificent music. A strong 8/10.

In this award-winning drama, Annie (Manisha Koirala) is the hearing daughter of a deaf couple, and finds herself divided between two worlds. When Raj (Salman Khan) arrives bringing romance and music, her life takes a new direction, and she is torn between her new love for Raj and her duty towards her parents.

This is poignant and heartwarming film, with a strong message of faith and family. Some of the songs are particularly lovely. While both Koirala and Khan were good in their roles, the supporting cast of Helen, Nana Patekar, and Seema Biswas were fantastic. I highly recommend this lovely movie

Kahmoshi The Musical, is Sanjay Leela Bhansali's first directorial venture - a sensitive, introspective film about a deaf mute Catholic couple living in Goa. The world of Joseph (Nana Patekar) and Flavy (Seema Biswas) is a silent one and into this world in born their first child Annie (Manisha) who can speak and hear & loves music. She is trained in music by her grandmother Maria (Helen) but the family is so poor they have to sell many cherished belongings including their piano. Annie's younger brother dies tragically leaving the family stunned and music is banished from their lives. Into Annie's world walks in the dashing Raj (Salman Khan) a budding musician. Raj falls for Annie and wants her to sing his songs. Annie's father hates Raj - the usual confrontations, despair follow. Annie's meeting up with Raj is followed by a catastrophe and we wait for the outcome while the story is told to us in flashback.

The musical is naturally full of music - some of it is hauntingly beautiful - songs like Bahon ke Darmiyan, Jaana suno hum tumpe marte hain, Yeh Dil Sun Raha Hai and extremely touching in the film. But there is just too much music. After about an hour I was cowering at the thought of yet another number as the hero and heroine would run up and down the steps of the lighthouse. Some songs are just fillers and do not add to or move the story forward in any way. With some crisp editing, and a few fewer songs, Khamoshi would have clocked at 2 hours and been a perfect film. The marriage of music and the serious content of the material also jarred at times.

The acting: Manisha steals the show utterly and absolutely. Is there anything she cannot do? Her break down when her father throws her out of the house is a virtuoso performance. Salman is the best he will ever be, handsome, no overt gimmicky moves or gestures, just plain and simple acting - after seeing Khamoshi I can see what people saw in Salman. But even Mr. Bhansali could not keep his restrained for ever and we got Samir in HDDCS! Nana Patekar was okay - actually he was the biggest disappointment - his acting was sort of repetitive and he did not age at all in the span of 20 years showed in the film. Seema Biswas was awesome - seeing her I felt all the anguish and pain a mute person would feel at their inability to communicate. She blew me away as the film opened and she put her ear to the big speaker and "felt" the music. Helen was excellent - a great role for her too - one of her better ones where she was required to act. The little girl who played the young Annie was amazing.

The story is simple yet very effective, the direction is deft but Bhansali shows his self indulgence even in this minimal film. There is a monologue by Nana Patekar (being 'translated' by Salman) that tell us the whole story all over again - is it necessary? But overall this is an excellent directorial debut and a movie worth watching. Be warned that this is serious fare and will require patience.

This is form of art. Wonderful storyline, super acting by everyone. Salman charms you throughout the film, manisha makes you fall in love with her, and whatever I am going to say about couple Nana Patekar and Seema will be very little. People say Salman can't act or Salman doesn't do art films, well this is the film that will shut everyone's mouth. Sanjay Leela Bhansali Excels in his debut direction. Songs are addictive especially Aaj main upar and Baahon ke darmia. The cinematography of Baahon ke darmia is excellent.

On the whole this is treat for movie lovers.