Killer Barbys

The Legendary Spanish director Jess Franco is known for some fantastic cinema, alas this certainly isn't among them and will be a blotch on his record.

It follows a female fronted rock band as they break down on route to their next gig and get invited into a foreboding looking castle for the night.

Essentially our antagonist is a blatant ripoff of the Countess Elizabeth Báthory with a couple of human minions who help her acquire the blood of the young (Virgins not required in this instance)

Though advertised as a horror this is a very camp attempt and more like a comedy. One character in particular played by Santiago Segura (Blade 1998) is so over the top and so zany any hope of the film being taken seriously went out the window.

The movie has a decent lead and memorable soundtrack though they really should have considered writing more songs and not playing the same one on a loop.

The Good:

Great leading lady

The Bad:

Looks very dated

Not exactly a horror

Soundtrack gets repetitive

Dumbest ending in cinema history? Definite contender

Things I Learnt From This Movie:

Before throwing a naked woman out a window to her death it's only polite to put a nightie on her first

I'd been warned this was bad before I watched it, but nothing could prepare me for just HOW bad! If this was made by some nameless hack I would have watched it and immediately forgotten about it, but as it's directed by Jess Franco, the man responsible for cult favourites like 'Vampyros Lesbos', 'Succubus', 'Eugenie De Sade', 'A Virgin Among The Living Dead', 'Sadisterotica' and 'Faceless', I couldn't help but be a little depressed... 'Killer Barbys' is absolute garbage any way you look at it and a sad low point for Franco. It's very hard to think of one good thing to say about it. Okay, The Barbies lead singer Silvia Superstar is pretty hot and their song 'Love Killer' isn't bad and rocks in a similar way to The Muffs or The Donnas. That's about it for praise. Apart from that, this movie stinks. Franco has done wonders on minimal budgets before in his long career, so that's no excuse for how poor this is. There are some talented people in the cast too - spaghetti western regular Aldo Sambrell, who will be a familiar face to Sergio Leone fans, co-star of the wonderful 'The Day Of The Beast' Santiago Segura, and Mariangela Giordano ('The Sect'). But the script is awful, the special effects lame, and the dubbing on the DVD I watched atrocious. If you hold Jess Franco in high esteem like I do, it's best to avoid this rubbish. You'll just feel cheated and sad. Highly UNrecommended!

Jesús Franco's late work Killer Barbys is a mixed bag to me - it got some real good fun gore and horror scenes and some schlocky, sexy fun too, but there are, sadly, some rather lengthy and boring parts too, that weaken the experience rather considerably. Anyway, Killer Barbys is still recommendable to the die-hard connoisseur of Jesús Franco's oeuvre, who just craves for new junk food, but if you are new to his work I would recommend rather other movies to enter the maestro's wonderland of trash, cheese and schlock: Count Dracula, Vampyros Lesbos, Bloody Moon, and Venus in Furs are good movies to begin your journey. Exact rate: 3.5.

Jess Franco's "Killer Barbys" is to the band The Killer Barbies what Aki Kaurismäki's "Leningrad Cowboys go to America" was to the Leningrad Cowboys. Both are movies starring an existing band and both are typical products of the directors. Kaurismäki is known for his deadpan black humor presented in films totally weirding you out and "Leningrad Cowboys go to America" is a weird and funny tale of the Leningrad Cowboys going to America. Franco is known for erotic horror movies and "Killer Barbys" is a mix of horny rockers and cannibalists.

But there's more. Kaurismäki made a sequel, "Leningrad Cowboys Meet Moses", an attempt to make the worst movie ever. To a certain degree he succeeds in doing so. Franco's "Killer Barbys" doesn't try to do so, but it's difficult not to see how many horror cliches you can see in this film: at night you hear the sound of wearwolves, it's often twelve o'clock, there's cannibalism, there are some dwarves, most of the rockers constantly want sex, a semi-naked girl is being chased in the woods, there's lot of blood and someone even ends up being crushed. How much gore can you get into one movie?

But movies like "Killer Barbys" and "Leningrad Cowboys" never meant to be original. They are mainly there to let you know the band exists. And if anything they are much more enjoyable than your average rockumentary. And even though Franco made lots of no-budget movies where anyone can see through the special effects, I suspect him here of making the effects as bad as possible (if you can't see that the dead bodies are dummies, you desperately need to get your eyes checked.)

It is true that Franco could have tried harder and that the movie could have been better, but it's common knowledge that Franco's best movies can't be found in the nineties. Most of those movies are even badly acted, so it's very ironic to realise that two rockers act better than Franco's cast of regulars (Lina Romay, Linnea Quigley, ...). "Killer Barbys" is the only decent movie Franco recently made, so if you want to see some of his later work, this is the best choice you can make. As long as you remember it's a Frankenstein experiment of combining gore and rockumentaries.

By the way "Love Killer" is a nice song.

In KILLER BARBYS, the rock band of the same name -led by Flavia (Sylvia Superstar)- happen upon a remote castle after their vehicle breaks down.

Said castle is the home of an ancient Countess (Mariangela Giordano) who happens to be a vampire, and she's very thirsty! It's not long before our heroes are being killed off by The Countess' henchman and his eeevil dwarfs!

KILLER BARBYS is another wonky, erotic spook-fest from Director Jess Franco. It contains the requisite gore, nudity, and a semi-cohesive story line.

EXTRA POINTS FOR: The Countess! She's hot, ruthless, and downright animalistic!

Gorehounds will want to stick around for the death-by-steamroller denouement...