A juror in a Mafia trial is forced by a compulsive mob enforcer to convince the other jurors to vote not guilty.A juror in a Mafia trial is forced by a compulsive mob enforcer to convince the other jurors to vote not guilty.A juror in a Mafia trial is forced by a compulsive mob enforcer to convince the other jurors to vote not guilty.
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I thoroughly enjoyed this movie and am at a total loss as to why it scored such a low vote. I guess these days a movie just can't be a big hit unless it has lots of fancy special effects and sex scenes. 'The Juror' has a strong, easy to follow plot and some really great acting; Alec Baldwin's role was terrifyingly real! I'm no fan of Demi Moore, but she played her part very well. And the kid that played her son was equally great -- I remember him from the TV series 'Third Rock from the Sun' and always liked him. To anyone thinking of renting this flick, I say pay no attention to the naysayers and go for it!
I am not a big Demi Moore fan and seeing this movie wasn't top priority but afterwards I was very pleased with the outcome. This is, by far, Demi Moore's best film to date as she shows so much emotion as a single mother stuck in a difficult position between working for the mafia in order to save her family and herself. Moore truly deserved an Academy Award nomination if not a win, and the Razzies were very out of line by giving her Worst Actress for this (it was moreso for "Striptease" and that also wasn't that bad...a thing about the Razzies, they don't know what the hell they're talking about half the time). Alec Baldwin is pretty good as the villain and Anne Heche gives all she has as the token best friend. Ted Tally's ("Silence of the Lambs") script is riveting and keeps you on the edge of your seat. A great suspense film with a great performance by Demi Moore...see it and believe it. 8/10
"The Juror" features Alec Baldwin in yet another edgy criminal role not unlike his character in "Miami Blues", which happens to be terrific, while "The Juror" is close to terrible. Everything about the trial is very vague, stretched, and uninteresting. The characters are mostly unlikable, including Demi Moore. So what you get is a highly unlikely story of a meek artist juror submitting to Baldwin's threats for almost the entire film, and then suddenly transforming into "Mrs Rambo" for the unbelievably weak finale. Throw in a ridiculous "how did he do that?" relating to the demise of Tony LoBianco, some questionable motivation, and a general feeling of "no way could that happen". - MERK
Obviously aimed for those who love the John Grisham type of thriller, THE JUROR has all the elements for a suspenseful film about jury tampering amid the trial of a Mafia boss, but doesn't quite reach its full potential. Perhaps the climactic showdown in Guatemala is where the story really runs into trouble finding a proper conclusion.
DEMI MOORE remains rather detached in her role as a young woman who is approached by ALEC BALDWIN for seemingly innocent purposes, when it turns out that he is actually someone called "The Teacher" assigned to get her to sway the others on the jury to vote for an acquittal.
He's so menacing (and Baldwin does "menacing" as well as any method actor available), that she reluctantly does her best to persuade the jurors to change their votes. Fortunately, these lamebrains have no capacity for thinking because it seems the lawyers have done an excellent job of finding the dumbest panel imaginable. But the story doesn't end with Moore influencing the verdict. That's just the beginning of even more peril for her.
It's the kind of film that works up to a point. But once the plot deals with further issues, it really gets out of hand. MOORE gives one of her less impressive performances, barely looking like a damsel in distress at any point. However, it's ALEC BALDWIN who makes the deepest impression with his sadistic villainy. He's never been one of my favorite persons (off the screen) but I have to admit he can play lowlifes with the best of them.
It's an average thriller, too lengthy for its own good and with an ending that should have been rewritten to make it more believable.
DEMI MOORE remains rather detached in her role as a young woman who is approached by ALEC BALDWIN for seemingly innocent purposes, when it turns out that he is actually someone called "The Teacher" assigned to get her to sway the others on the jury to vote for an acquittal.
He's so menacing (and Baldwin does "menacing" as well as any method actor available), that she reluctantly does her best to persuade the jurors to change their votes. Fortunately, these lamebrains have no capacity for thinking because it seems the lawyers have done an excellent job of finding the dumbest panel imaginable. But the story doesn't end with Moore influencing the verdict. That's just the beginning of even more peril for her.
It's the kind of film that works up to a point. But once the plot deals with further issues, it really gets out of hand. MOORE gives one of her less impressive performances, barely looking like a damsel in distress at any point. However, it's ALEC BALDWIN who makes the deepest impression with his sadistic villainy. He's never been one of my favorite persons (off the screen) but I have to admit he can play lowlifes with the best of them.
It's an average thriller, too lengthy for its own good and with an ending that should have been rewritten to make it more believable.
Annie Laird (Demi Moore) is a sculptress and single mother to Oliver (Gordon-Levitt) who essentially talks her way onto the jury of a major Mafia trial. That leads to her being targeted and manipulated by a hit-man(Baldwin) who demands that Annie produce a not guilty verdict
Baldwin and Moore trying their best, and are compelling to a point, it all eventually unravels due to over-length and implausibility of the characters, whose actions over the course of the film are increasingly unlikely.
This film is a great demonstration of Demi Moore's lacking of facial expression. She's a capable performer, but she lacks the ability to project either vulnerability or likability. Moore fails at playing the victim.
Moore is played away by Heche (one with great facial expressions). Heche in the leading role And Moore in the role of best friend, could have raised this movie up from being slightly better than average into an exciting thriller.
This is a pretty good movie up until the ending, that goes way over-the-top.
Baldwin and Moore trying their best, and are compelling to a point, it all eventually unravels due to over-length and implausibility of the characters, whose actions over the course of the film are increasingly unlikely.
This film is a great demonstration of Demi Moore's lacking of facial expression. She's a capable performer, but she lacks the ability to project either vulnerability or likability. Moore fails at playing the victim.
Moore is played away by Heche (one with great facial expressions). Heche in the leading role And Moore in the role of best friend, could have raised this movie up from being slightly better than average into an exciting thriller.
This is a pretty good movie up until the ending, that goes way over-the-top.
Did you know
- TriviaThis film features both James Gandolfini and Michael Rispoli playing mob/ underworld figures. Three years later, Gandolfini and Rispoli would appear together in HBO's acclaimed mafia series The Sopranos (1999) with each actor portraying the boss of the DiMeo crime family at varying times. When casting the series Sopranos' creator David Chase almost gave the lead role of Tony Soprano to Rispoli before finally giving it to Gandolfini.
- GoofsJurors are sequestered, especially in high-profile cases where members of organized crime are involved, in order to avoid juror tampering.
- SoundtracksThe Sidewinder Sleeps Tonite
Written by Bill Berry (as William Berry), Peter Buck, Mike Mills & Michael Stipe
Performed by R.E.M.
Courtesy of Warner Bros. Records Inc.
By Arrangement with Warner Special Products
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Details
Box office
- Budget
- $44,000,000 (estimated)
- Gross US & Canada
- $22,754,725
- Opening weekend US & Canada
- $8,411,178
- Feb 4, 1996
- Gross worldwide
- $22,754,725
- Runtime
- 1h 58m(118 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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