Maachis

I liked this film because apart from the songs (which were excellent) everything was so realistic, almost understated. The film dealt with a very emotional subject in a practical and logical way and brought to screen the misery caused to everyone concerned in this tragic conflict. All the major points were well handled, including references to false "encounters", the guilt of some Hindu friends of the Sikhs, the routine brutality of the police. There was also some balance in the film - not all police were the baddies, some were ordinary family men doing their jobs. Everyone had their frailties, even the hero wasn't a true film Hero, just a man caught up in a conflict not of his making

Excellent, more please

Maachis depicts the true situation of the Punjab in India today. The story explains how common people are turned into terrorists by the corrupt policing system. The story revolves around one man's revenge against an unofficial police state due to his friend being arrested and beaten to the brink of death. He leaves his home and finds by chance (the only coincidence in the film) people who have had similar experiences to him. There are only three songs in the film which makes the film extremely watchable to non-indian viewers, as generally this figure could easily be doubled in a bollywood movie. Overall a very well made and truthful movie.

Made on the pathetic political situation in Punjab state of India, this is an excellent movie to watch. Though hampered by Sensor boards narrowmindedness, it is an almost cruel depiction of the reality of Punjab.

Gulzar's 'Maachis' depicts the tension and terror in Punjab post the 1984 riots. During this period tension exacerbated as terrorist actions took place and alleged suspects were tortured and murdered during fake encounters. 'Maachis' follows Kripal and Veera as circumstances force them to walk the path of crime. Poet that he is, Gulzar's storytelling is lyrical and this effectively highlights the harsh irony and tragedy of the situations. Not for one moment does the story feel unreal.

The sets and costumes look authentic. The landscape is brilliantly captured. The cinematography is superb. Manmohan Singh makes efficient use of the camera as he alters between various techniques such as long shots, static and hand-held. Vishal Bharadwaj's score (that includes Gulzar's own lyrics) beautifully contributes to the film.

The performances are topnotch. Om Puri, Raj Zutshi, Kulbhushan Kharbanda, Suneel Sinha and Jimmy Shergill are excellent. Chandrachur Singh is very good. But, it is Tabu who steals the show with a transcendent heartbreaking performance. Even in the simpler moments, like a particular scene during the song 'Paani', within seconds her face subtly changes from smile to tears and it looks so natural.

1996 saw at least four other such cinematic treasures in the form of Shyam Benegal's 'The Making of the Mahatma', 'Sardari Begum', Mahesh Bhatt's 'Tamanna' and Sanjay Leela Bhansali's 'Khamoshi: The Musical'. During a time when Bollywood was churning out trash, few directors like Gulzar, would give us some gems. I wish he would make a comeback like Shyam Benegal.

... noone gains anything out of terrorism! And no better movie to portray this stark reality than Maachis! It truly depicts the circumstances that have forced many-an-innocent and ordinary men and women into terrorism in Punjab and Kashmir only to be slain by the police and/or by their own counterparts. The mixed feelings of a person on the borderline of becoming a terrorist are brought out beautifully. Except the part about how Kirpal Singh is finally caught, a very well made movie!