The Lottery

By all means, read Shirley Jackson's original short story; it gets down to business without the padding this film adds to it.

To all who think that the ending is sick and pointless, that was Ms. Jackson's intention exactly -- the original story is an allegory about the cruelty man inflicts upon his neighbor in the name of upholding "tradition". Ms. Jackson's story is much more affecting than this film.

Being an English teacher, my students read the Shirley Jackson short story. I thought this was a good updated, adaptation of the story. Since it was a made for tv movie, I knew that it would not be too gruesome. I don't know that I would classify this as true horror, maybe more like mystery.

This spooky, intelligent television horror movie moves at a good steady pace, building towards its nightmarish climax, with a perfectly achieved sinister small town atmosphere. A clearer explanation of why the townsfolk do what they do would help, but the acting and writing keep you interested throughout. It's a classy excursion into horror from the writer that gave us "The Haunting".

This modern day adaptation of the short story by Shirley Daniels is a gripping horror tale that successfully grabs the attention of our modern day teenagers while also making the point Ms. Daniels intended. This story warns us that sometimes traditions can be negative, and we must always stand up for what is truly right. I would love to get a copy of this movie for my own collection.

This current day (90ish) version of "The Lottery" doesn't do the original (1948) short story by Shirley Jackson justice. However it is an interesting modernized version of the short story, with a modern day twist. For anyone who hasn't read "The Lottery" it's a great short story. It starts off as a pleasant story which could have taken place in any century. Once she has you hooked, the story takes an unexpected turn. If you like Edgar Allan Poe, you'll really enjoy Shirley Jackson's original story "The Lottery". Originally published in the June 28, 1948 issue of the New Yorker.