The Mirror

A child (Mina Mohammad Khani) waits in vain for her mother to pick her up after school. Whether she tries to resolve the dilemma herself or asks for help from the adult world, this serious little girl confronts dead-ends. At first She asks help from a motorcycle driver and the guy gives her a lift to the bus-stop then she takes the wrong bus so on and on.She challenges the adult world. "If you can show me the way I can go by myself" is a repeated line in the movie but the adult world does regard her either weak or it doesn't care about her.The close camera shot right on the little girl is very good really and the performance of this little girl deserves a standing ovation. Great job! The only thing is that I felt that the movie lacks a little bit action through the turmoil of urban life. The director focuses on littler girl more than necessary I guess. We hear some external voices (like the people on the bus) but the camera is always on the girl so this feels a little bit passive. Other than that it's really great!

The fact that this film is set in Tehran makes it more then just a good little "slice of life" film. The setting and story give us a glimpse into ordinary life in one of the places that we westerners only read about in the newspapers and then only when bad things are happening there.

The story chronicles second grade student Mina's eventful trip home from school on a day that her mother fails to show up to take her home. Mina travels by scooter, bus, taxi and on foot through the frantic traffic of downtown Tehran. On her way home she meets with and overhears conversations by many different people from an old woman, to a police officer, to a auto mechanic. Mina also manages to quit the movie about half way through yet her odyssey continues anyway hence the film's title. Mina is very fresh and cute, the bit players are all very real and the trip home from school is fraught with situations that waiver between poignient to funny. Everything adds up to a film well worth watching.

Ayneh (The Mirror) is an unusual, interesting, and compelling work. The young star, Mina, is type-cast as a forceful and self-reliant young girl. The city of Teheran, as portrayed, has an almost anarchic quality to its vehicle and pedestrian traffic rules. The constant threat of accident adds a real edge to this cinema verité film. (In fact, the only problem I had with this movie was the ethical concern of allowing any actor, especially a young girl, anywhere near all this traffic.)

The Mirror is an excellent choice if you are looking for a noisy, exciting portrayal of an individual caught up in a realistic urban setting. Not a soothing film, but in my opinion, a great one.

Although this is no Hollywood, but just like another day in LA the poor director is having trouble with his temperamental star, save by quick thinking he somehow has turn this film into (perhaps) a far more interesting movie then he has intended.

Little Mina is a good actress, if not a very professional one, but one should consider that she is only in second year of her primary school and she has plenty of character to make up for it.

The film follows the day of Mina, and how she was trying to find her way home which mirrors the story of the film she no longer wants to take part in. The film lets us see the world from a little girl's point of view, hear her thoughts... it's a little reminder of how it was when we were little... being a child is not easy... no one wants to take you seriously, it takea you twice the time just to dial at a payphone, you don't remember those funny names grown up call those road.

It is a very interesting film, perhaps slow at first, but it will certainly make you laughs, make you think.

This gimmick was so good that it has never been done again since. It's like going on after a fumble, you pick it up and end the play but it will not be the best, it will not be beautiful but this fumble will get you to score a point. It's an interesting exercise, one that will spark debates because you either go with it or no. I get either side of the fence.

It's not cinema, but it is a meta-commentary on fact and fiction. Don't we always say that "life beats film" - then why is this not the best film ever? You still have to separate the two - or you make a documentary. This feels like due to financial constraints you continue with a mistake, and double down...