A homicide investigator goes after a media-obsessed serial murderer who videotapes his victims's deathsA homicide investigator goes after a media-obsessed serial murderer who videotapes his victims's deathsA homicide investigator goes after a media-obsessed serial murderer who videotapes his victims's deaths
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This movie is great for the brilliantly choreographed chase scenes and the invigorating soundtrack. What Gil Bettman has here is a cinematic masterpiece. The sex scenes in this movie are not gratuitous like other films, but are important to the storyline. The classic one-liners will go down in history as some of the greatest ever, especially the "holy f***" line in the church. Cynthia Rothrock shows off her incredible rear end and also her finely tuned acting chops, comparable to the late Audrey Hepburn. A highly underrated classic for the ages.
The first clue that should tell you that "Night Vision" is not a good movie is that it was made by Texas filmmakers - Texas has made more than its share of bad movies. The second clue is that it has Cynthia Rothrock in its cast, and no (American) movie with Cynthia Rothrock is any good. The third clue is with Fred Williamson producing this movie, whose Po' Boy production company has made a string of bad movies. Yes, "Night Vision" is indeed a bad movie. In fairness, I will say that for a VERY low budget, the movie looks good. The colors are strong and there is some decent night shooting. And there are at least SOME production values, something you can't say for all Fred Williamson movies (such as with Williamson's "Black Cobra".) But most of the rest of the movie is pretty pitiful. It's a slow, sluggish movie, even in the action scenes. (And speaking of action, why cast martial arts actress Cynthia Rothrock when she gets to do almost no martial arts?) The atmosphere is sterile. Scenes seem to be missing. And Fred is seen in his underwear twice! And Robert Forster is wasted; he made this the same time that he made "Jackie Brown", and I hope he worked on this mess before making the Tarantino movie.
Silly, routine, Texas filmed B action picture stars Fred "The Hammer" Williamson as Dakota "Dak" Smith, an ex-detective who's ended up as a motorcycle cop, thanks to his problems with the bottle. One day he's pursuing a serial killer known as "The Video Stalker" (Robert Prentiss), a crafty sicko who delves into the lives of his victims and films his crimes. Dak screws up big time, so what happens to him is that he must switch a motorcycle for a car and be partnered with a young female cop, Kristin O'Connor (Cynthia Rothrock), who's also in hot water.
Die hard fans of the stars and the genre may be forgiving towards this ridiculous movie, which is funny often enough to make one think that producer / star Williamson, screenwriter Michael Thomas Montgomery, and director Gil Bettman had their tongues in their cheeks to some degree. Still, this is pretty inept, overall. The action is uninspired, and those viewers hoping to see Rothrock doing what she does best will have to wait until the story is almost over. A mild sex quotient, mostly consisting of bare breasts, might satisfy some people, but as for the violence, this isn't all that graphic.
Williamson and Rothrock do seem to get along alright. Robert Forster, the third star attraction, is typically likable and adds some much appreciated levity to the proceedings. Two other performers that one might recognize are veteran character actor Frank Pesce, as one of Daks' colleagues, and Rodger Boyce, who later turned up in "No Country for Old Men". Prentiss is an amusing villain and gives the best performance in this thing.
If you're like this viewer, and watched this on the basis of the star trio, you're advised to keep your expectations VERY low.
Four out of 10.
Die hard fans of the stars and the genre may be forgiving towards this ridiculous movie, which is funny often enough to make one think that producer / star Williamson, screenwriter Michael Thomas Montgomery, and director Gil Bettman had their tongues in their cheeks to some degree. Still, this is pretty inept, overall. The action is uninspired, and those viewers hoping to see Rothrock doing what she does best will have to wait until the story is almost over. A mild sex quotient, mostly consisting of bare breasts, might satisfy some people, but as for the violence, this isn't all that graphic.
Williamson and Rothrock do seem to get along alright. Robert Forster, the third star attraction, is typically likable and adds some much appreciated levity to the proceedings. Two other performers that one might recognize are veteran character actor Frank Pesce, as one of Daks' colleagues, and Rodger Boyce, who later turned up in "No Country for Old Men". Prentiss is an amusing villain and gives the best performance in this thing.
If you're like this viewer, and watched this on the basis of the star trio, you're advised to keep your expectations VERY low.
Four out of 10.
Night Vision is a decent enough B grade action thriller with a fantastic cast. In fact the cast of Fred Williamson, Cynthia Rothrock and Robert Foster is the best thing about the movie and to sweeten the deal Bushwick Bill from The Geto Boys is also in this. With that cast alone, this should be the best movie ever. Night Vision is obviously not that, but there is enough action and trash talking from Fred Williamson to keep me occupied for the duration of the film. Our heroes are cops that are working on a case of a serial killer. This is not on the same level as something Clint Eastwood would star in. Keep that in mind and you will think this is alright. Also, don't expect much martial arts from Cynthia Rothrock. Night Vision is not the best movie of its type, but for it's budget level it could have been much worst. Overall, I thought this was alright. Just keep your expectations low on this one.
Unlike most of the reviewers of this particular movie, I'm really not the much of a Cynthia Rothrock fan, to say the least. However when I saw that the movie had Fred Williamson and Robert Forster (both great actors), I just had to watch the film. Williamson is a Dakota Smith, an alcoholic cop who is demoted to scrubbing toilets with a toothbrush and even worse having to team up with Cynthia at the behest of the captain (Robert Forster). Forster is always watchable, it's just a crying shame that the movie itself is so damn trite and clichéd. It also features one of the least terrifying villains ever to be committed to celluloid. Williamson would return to the Dakota character in a few more films, the next one being "Down N Dirty"
Eye Candy: Nina Richardson shows some T&A; Mary Kapper goes topless
My Grade: D
Where I saw it: Showtime Extreme
Eye Candy: Nina Richardson shows some T&A; Mary Kapper goes topless
My Grade: D
Where I saw it: Showtime Extreme
Did you know
- TriviaIn the movie Night Vision, there is a scene where the killer dumped the body of the kidnapped female victim in the parking lot of the fictional Channel 6 studios. That building used as the fictional Channel 6 studios is in fact an actual and still active TV station. The studio building that was used for this scene belongs to the CW Affiliate KDAF-TV CW 33. It is located at 8001 John Carpenter Freeway, in Dallas, Texas. When this movie was filmed, KDAF was under another affiliate, the WB Network. And prior to the WB Network, it was Dallas's first FOX affiliate. It was then known as FOX 33. If you carefully look at the top of the studio building when the van is approaching the entrance of the studios, you can see the WB 33 logo and the words KDAF Television.
- GoofsAt around 13 minutes - As the cop on the motorcycle stops to go check the van on the road, the doors on the side of it suddenly open, indicating that someone inside the van opened them, but there are two Visible crew members, laying under the van, each opening one door.
- Quotes
[last lines]
Video Stalker: [gloating as he surrenders] I'll be out in 5 years... I have something for you
[reaches into his pocket causing Dak to fire out of impulse]
Video Stalker: I... Was... Just
[stunned at his gunshot wounds]
Dakota 'Dak' Smith: [sees it's a cigar and takes it] Thanks... Asshole
- ConnectionsFollowed by Down 'n Dirty (2000)
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