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Paradise Lost: The Child Murders at Robin Hood Hills

  • 1996
  • Not Rated
  • 2h 30m
IMDb RATING
8.2/10
19K
YOUR RATING
Paradise Lost: The Child Murders at Robin Hood Hills (1996)
Home Video Trailer from HBO Home Video
Play trailer3:51
1 Video
60 Photos
Crime DocumentaryCrimeDocumentary

A horrific triple child murder leads to an indictment and trial of three nonconformist boys based on questionable evidence.A horrific triple child murder leads to an indictment and trial of three nonconformist boys based on questionable evidence.A horrific triple child murder leads to an indictment and trial of three nonconformist boys based on questionable evidence.

  • Directors
    • Joe Berlinger
    • Bruce Sinofsky
  • Stars
    • Tony Brooks
    • Diana Davis
    • Terry Wood
  • See production info at IMDbPro
  • IMDb RATING
    8.2/10
    19K
    YOUR RATING
    • Directors
      • Joe Berlinger
      • Bruce Sinofsky
    • Stars
      • Tony Brooks
      • Diana Davis
      • Terry Wood
    • 88User reviews
    • 42Critic reviews
  • See production info at IMDbPro
    • Won 1 Primetime Emmy
      • 9 wins & 10 nominations total

    Videos1

    Paradise Lost: The Child Murders at Robin Hood Hills
    Trailer 3:51
    Paradise Lost: The Child Murders at Robin Hood Hills

    Photos60

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    Top cast58

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    Tony Brooks
    • Self - KAIT-TV
    • (archive footage)
    Diana Davis
    • Self - KAIT-TV
    • (archive footage)
    Terry Wood
    • Self - KAIT-TV
    • (archive footage)
    Dick Clay
    • Self - KAIT-TV
    • (archive footage)
    Jenna Newton
    • Self - KAIT-TV
    • (archive footage)
    Gary Gitchell
    • Self
    Tommy Stacy
    • Self
    • (as Rev. Tommy Stacy)
    Melissa Byers
    • Self
    Todd Moore
    • Self
    Dana Moore
    • Self
    Pam Hobbs
    Pam Hobbs
    • Self
    Jessie Misskelley Sr.
    • Self
    Gail Grinnell
    • Self
    Joe Hutchinson
    • Self
    John Mark Byers
    John Mark Byers
    • Self
    Jason Baldwin
    Jason Baldwin
    • Self
    Damien Wayne Echols
    Damien Wayne Echols
    • Self
    Jessie Misskelley
    Jessie Misskelley
    • Self
    • (as Jessie Miskelly)
    • Directors
      • Joe Berlinger
      • Bruce Sinofsky
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews88

    8.219.1K
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    Featured reviews

    chaosnbeer

    disturbing documentary

    I remember watching this documentary when it appeared on HBO and being completly disgusted. This was a witch hunt. The trial of these boys was based more on their look and taste in music more than actual hard evidence. I grew up around this area and I know exactly what it's like to be a noncormist..you're automatically accused of being a satanist and associated with murders just because you look and think a certain way. Now I can't honestly sit here and say that these boys didn't do it..because I don't know..it's possible..and my heart tells me they didn't..but ya know i'd look like an ass if the evidence came up that they did. What disgusted me was the trial..and the assassination of the boys . There was no real concrete facts..just their lifestyle of music and fashion. The second one focused more on the father of the murdered children..all evidence pointed at him and away from the boys..just my opinion. This is a disturbing look at corrupted justice in the Bible belt.
    annenk38

    Beyond "Deliverance"

    Truth may be stranger than fiction, but the American courtroom is stranger, still. For the two hours during which I've watched this film I've gained a valuable insight into the nature of the witch trials. I feel powerless, as there is not much I can do to help these kids. But perhaps there is a lesson in it for us, and everyone who has seen the film should have taken some mental notes. First -- never name youself or your children 'Damien' -- especially if you live in the Bible Belt. And, as a general survival strategy, do not be the black sheep of the local community. There may come the time when your eccentric behavior alone will be used against you to sentence you to death.
    7Chrissie

    Raises good questions, leaves others unasked.

    This film left me with a bad taste in my mouth. Not that it was gruesome -- it is, but I've done research involving reading coroner reports, so gruesome I can cope with. It was the unanswered questions and the unasked questions.

    It seems so utterly implausible that a jury could have convicted any of the suspects that I wonder what the filmmakers did not show us. Specifically, I wonder about the fiber evidence, which was the only real physical evidence at all.

    I could only rate this documentary a 7 out of 10 because of the unasked questions and the evidence we were not shown. I would like to have come away from watching Paradise Lost with a clearer understanding of what those jurors heard and saw that led them to their verdicts. Mind you, I don't think those boys did it -- I think that even fiber evidence could have been too flimsy to convict them. But I wish I had been left convinced.
    strauss12

    inspires frustration and ultimately, apathy

    Despite all the praise this documentary has received, I did not find it very moving at all. Granted, it was a horrible crime, and the footage of the three young victims' bodies was shocking and almost unwatchable. But most of this film serves only to expose the extreme incompetence of everyone involved in the case. With regard to the wrongly(?) accused boys -- never have I seen three innocent people put up such a weak, pathetic fight for their innocence. Most of the time, they stare doe-eyed and slack-jawed in front of the camera, seemingly uninterested in their own fates. Sure, these boys were only 16-17 years old and very scared, but they seem to have no intuition for survival whatsoever in this life-or-death situation. Any realistic grasp of the situation eludes these boys completely -- they behave almost as if they're playing a part in a movie. It is quite possible, and perhaps even probable, that they are indeed innocent, but they themselves do not seem to care, and so dear viewer, why should you? The overwhelming impression I get from these boys is that they lead very boring lives in a very stagnant town, and they know that this whole case is the most exciting thing that will ever happen to them. They seem interested not in the issue of their guilt or innocence, but rather in the surreal quality of their quasi-celebrity (in the end, Damien waxes romantic over the notion that his name will become famous in West Memphis as a synonym for "bogeyman", scaring generations of children to come). They are genuinely pleased with all of the attention they're receiving -- not that they have much to say, but they're just happy that someone is asking.
    9snakejenkins

    A Modern Tragedy

    The question at hand in the film Paradise Lost is not as much did these three teenagers commit this heinous act, but rather was there enough evidence to convict them for the murders. The answer, presented by material in the film, is an unflinching no. There was only speculation and rumor to convict the three.

    The film's strengths are that it doesn't preach, at least not in an overly wrought narrative, and it contains intimate moments with the accused and their families as well as the families of the victims. Being a victim of a violent crime to something of this degree I understand the pain and confusion of the victim's families. What is hard to understand is the bloodlust and need for revenge and retribution that immediately takes hold of them. The victims' families are the most terrifying aspect of this film. At one point the mother of the Byrnes child says in a hateful and spiteful tone "I hate them... I hate them and the mother's that bore them."

    Is there anything wrong with being hellishly angry with someone who has butchered your child? No, quite natural really. But the point of this film is that judgment was passed on these kids long before the trial even started. I imagine the Bible belt is a very scary place to be raised in... I'll have to ask Brad Pitt what he thinks about it some time.

    On the issue of the prosecution. They had next to nothing. A very questionable confession from a terrified kid, Jessie, with a 72 IQ, hearsay from a couple of kids who claim they heard Damien bragging about the murder but have no proof, a knife found behind Damien's house which doesn't match the wounds on the bodies, and the assertion that because Damien read about Wicca, he must be a Satanist.

    To look at the three kids is also an interesting aspect of the film. Jessie, a very small and slow kid seems a bit lost in the world. His IQ is low but he has no previous records of any type of behavior that would associate him with murder. Jason speaks in short breathless words and seems also to suffer from a low IQ. Damien is the key to everything in this film though. The defense made the key mistake of letting Damien take the stand for two reasons. The first reason is that Damien appears to have ADD and after the first 10 minutes of questioning he sort of fades away and answers in bland yes and no's. The second reason, and the most important, is that Damien is obviously extremely bright. Normally this wouldn't seem to be a problem but judging from every single person the filmmakers put on camera, smart people are hard to come by in that area of the world. Damien scared them.

    All of this adds up to the fact that there was not enough evidence to put these kids away and there were other, more sinister and shocking, suspects that needed to be pursued. The war rages on for the West Memphis Three and it is indeed frightening to think that they did it, and terrifying to think they didn't.

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    Related interests

    The Thin Blue Line (1988)
    Crime Documentary
    James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie-Lynn Sigler, Tony Sirico, and Michael Drayer in The Sopranos (1999)
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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      First feature film to contain licensed music of Metallica, something that the band was initially opposed of doing. The band was involved in raising public awareness of the accused. Joe Berlinger would later do a documentary on Metallica in "Metallica: Some Kind of Monster".
    • Goofs
      Damien reads this Shakespearean quote while on trial: "Life's but a walking shadow...full of sound and fury signifying nothing." He incorrectly refers to it as being from A Midsummer Night's Dream. It is, in fact, a soliloquy famously from Macbeth.
    • Quotes

      Damien Wayne Echols: I knew from when I was real small people were gonna know who I was, I always had that feeling... I just never knew how they were gonna learn. I kind of enjoy it now because even after I die, people are gonna remember me forever. People are gonna talk about me for years. People in West Memphis will tell their kids stories... It'll be sorta like I'm the West Memphis boogie man. Little kids will be looking under their beds - "Damien might be under there!"

    • Connections
      Featured in Siskel & Ebert: The First Wives Club/Big Night/Surviving Picasso/Last Man Standing/Paradise Lost: The Child Murders at Robin Hood Hills (1996)
    • Soundtracks
      Welcome Home (Sanitarium)
      By Metallica

      Written by James Hetfield, Lars Ulrich, and Kirk Hammett

      Produced by Flemming Rasmussen (uncredited) with Metallica (uncredited)

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    FAQ15

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    Details

    Edit
    • Release date
      • June 10, 1996 (United States)
    • Country of origin
      • United States
    • Official site
      • arabuloku.com
    • Language
      • English
    • Also known as
      • America Undercover: Paradise Lost - The Child Murders at Robin Hood Woods
    • Filming locations
      • West Memphis, Arkansas, USA
    • Production companies
      • Creative Thinking International Ltd.
      • Home Box Office (HBO)
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 2h 30m(150 min)
    • Color
      • Color
    • Sound mix
      • Stereo
    • Aspect ratio
      • 1.37 : 1

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