An Occasional Hell

The plot of An Occasional Hell can be summarized as follows:

Dewalt is a former police detective and has, after an arrest gone wrong, become a crime novelist and university guest professor. Just before Christmass, he's asked Italian-American Mrs Laughton to investigate the murder of her husband and the disappearance of his mistress. He soon discovers that the murder weapon is a stolen Civil War musket. But who is the perpetrator and what is the motive?

In the local thrift store I could buy An Occasional Hell from 1996 for EUR 1.50. A film with only a score of 4.8/10 and mostly negative reviews. Is it really a bad movie?

To be honest, no. Although I follow most of the criticisms of other reviews (the plot is a bit weak, the acting is a bit mediocre, there are continuity errors such as cars changing color, holes in the story...) I still have to say that I think the film is a success as a mystery thriller. Find. Yes, this direct to video low budget film rightly didn't win any awards, but I did like it! Now I admit that 90s movies have reached a point where they evoke nostalgia, which certainly helps to soften my mood. But without contradiction, this film is beautifully filmed (especially for the limited budget!), the Southern atmosphere comes into its own, the characters are interesting and everything is sufficiently deep not to become too cliché. The ending is satisfying, though a bit out of the blue.

In short, if you like 90s TV thrillers, An Occasional Hell is a fun movie.

BUT - I wanted to thank John Gartner of Portland for his hilarious (and sometimes educational) comments!

I'm not sure which Berenger film I saw first, but he has warmed the cockles of my heart (to be genteel) from the first. In this flick, the shot where he reveals to his lover the dirty little secret underneath his shirt was worth the whole movie! - See, we gals can salivate over just a hint of the rest of what's there - or maybe it's just me, I'm an easy mark for a certain type of... ahem... torso, shall I say? But I'll never understand why guys are even attracted to that Daisy Mae-type critter - so obvious, so over-the-top; and here, she was really, really annoying, and just wouldn't go away! I, for one liked Berenger's deceptively easy-going southern man characterization. It doesn't have to be revolutionary if it works. As for his crying scene, I didn't think it was bad at all, as it was sudden and unexpected. To me, it was his lover's reaction that came across as forced and unconvincing.

What I like about this actor is that he often plays roles as what I consider a real man - he's a man's man, yet fully capable (sooner or later, often gradually) of connecting with a woman in a palpably tender way. If you think about it, there aren't many actors who can achieve this. They're either too intense at being tough to switch gears believably, or they're too obsessed with being proper at all times...sorta like a lot of actual people...

So, I guess I'll not heartily defend the script or the plot, etc., but I will vouch for Tom Berenger. In my book, he reliably adds quality to any film.

film is aptly named because once in a while you come across a film which provides an occasional hell to have to watch...actually this one would be highly recommended for viewing by an arborist- wooden plot, wooden script, wooden acting, etc, etc, etc....I like tom berenger, but this is the equivalent of painting by numbers on steroids...and not even the nude scenes can help this turkey, but I can highly recommend it if you want to have a nice nap mid-movie, then wake up not feeling as though you missed anything...berenger's imaginary visits by the female missing from the crime scene are particularly annoying and ridiculous and add absolutely nothing to the plot...all in all such drivel that I was compelled to stop watching a little over halfway through, which after reading the reviews, turned out to be a wise move...the people advocating this disaster as a triumph are in need of god knows what, but taste comes forefront to my mind

As the opening credits roll, there is a montage of Civil War photographs flashing on the screen. This is a definite reminder of two facts. the movie you are about to see takes place in the deep South ( as if that needed explaining), and that two Confederate Officers from the fabulous film "Gettysburg" are in "An Occasional Hell". So you get Tom Berenger and Stephen Lang, with Berenger given very little to work with, and Lang barely in the movie. Suspects abound but with little logic as to why they might commit a murder. I found this film to be confusing, unsatisfying, with a rushed conclusion, that makes little sense. Throw in the unending flashbacks, and what you are left with is a mess of a movie. Avoid. - MERK

I've seen Valeria Golino in comedies, but till now not in such a film. In this film she shows what an allround actress can. I was deeply impressed by both of the players, Tom and Valeria. It's a pity that I didn't see the full length of the film, but it held me in my chair from the beginning to the end. My advice: See the movie.