Omega Doom

Albert Pyun is really underrated. This guy deserves more attention on how bad he is. Bad as a director and writer, a couple of years ago I already declared him the Ed Wood of modern movie making. Sad thing about directors like Pyun is that they have no talent for movie-making but keep on making movies nevertheless.

Reason why I watched this movie in the first place is because Rutger Hauer is in it. It's too bad that he is given awful material to work with, the script has some terrible dialogs.

Still I can appreciate a big fat B-movie every now and then. B-movie's are always ridicules and awfully looking with terrible acting. In a way its always very relaxing to watch after a hard week of work. This movie is no exception. Fans of the genre and I know that there are a lot of those, will enjoy this movie big time. It has all the typical modern science-fiction B-movie elements in it.

The special effects are laughable bad at times, especially for the character Head. The sound effects also made me laugh. Remember that Cain droid from "Robocop 2"? Remember that sound that he made when he walked? It's a kind of scary sound for Cain but a laughable sound when it is used for just normal human looking droid characters in this movie. It's really not fitting.

Don't stop making crap Pyun! In a way I always enjoy it.

...I kind of like the cover though.

4/10

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"Omega Doom" is a movie whose ambitions clearly outweigh its budget. However, there is something to be said for genre filmmakers like Albert Pyun who try to make the most of the budget they do have. As others have already pointed out, this is essentially a spaghetti Western transported to a post-apocalyptic setting. At times laughably pretentious, at other times interesting. Rutger Hauer (who has the "stoic, mysterious and deadly loner" role, in the classic Clint Eastwood tradition) still has screen presence, and Tina Cote is pretty hot even when she's playing an emotionless, cold-as-ice killer robot. Their last fight could have been longer and better edited, though. (**)

In a dark and dismal world, Rutger has obviously found passage through a land of endless fatty food buffets. This movie was bad enough on its own, but add a nearly comical robot to be cut to pieces, a gun, a bunch of women borrowed from a Robert Palmer video set (and almost as active), and a waddling Rutger Hauer; what do you have? Something Troma would have refused to release on their Sex & Violence office webcam.

After a nuclear war that desolated the planet, just robots and machines got to survive. Old and rusty, the group of cyborg usually gather themselves into gangs and the confronts are inevitable among them.When Omega Doom, a machine programmed to protect the innocent ones, arrives in the small villa and starts to help the place's oppressed inhabitants, he ends up provoking the hate of the villainous, and it doesn't take a lot of time for the hero and the evil robots to start a private, violent combat. Using the experiences and abilities acquired in the war, Omega Doom will do everything to help his friends and, by using his high capacity, he will put an end to the tyranny. A low-budget thriller directed by Albert Pyun, a film maker who is specialist in making science-fictions (Pyun is responsible for others interesting motion pictures, such as "Nemesis" and "Crazy Six"). The dark photography combines with the slow and pessimistic story's climate,but there is no action scene (this is a small bad aspect, but for those who like to see adventure moments' "Omega Doom" isn't a good choice), and Pyun substitutes the shootings and fights for surprising dialogues and discussions about pain, happiness and freedom.Even being tedious, there are qualities, as the exuberant visual that composes a frightening, lonely and violent image of the future, and the contained Rutger Hauer's performance.

Man-o-man does this movie suck a whole lot. It is so bad that its worth watching to laugh at it and pull an MST3K with friends. I don't know if its important or not, but the plot was lifted from Yojimbo and crunched into one day's time.