Some of the best horror films of the 21st century have been from Latin America and Spanish speaking countries, including classics [i]The Orphanage[/i], [i]When Evil Lurks[/i], and more.

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Some of the best horror films of the 21st century have been from Latin America and Spanish speaking countries, including classics <em>The Orphanage</em>, <em>When Evil Lurks</em>, and more.

"[link=/title/tt5875444]Slow Horses[/link]" and "[link=/title/tt22091076]High Potential[/link]" return with new seasons this month. Check out our [link=/list/ls4103534970/]September calendar[/link] for more!

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Didn't get invited to any [link=/emmys/]Emmys[/link] after-parties? Don't worry.  We've got the best photos from the night's biggest celebrations.

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Didn&#39;t get invited to any <a class="ipc-md-link" href="/emmys/?ref_=ttrel_eds_right-7_lk">Emmys</a> after-parties? Don&#39;t worry.  We&#39;ve got the best photos from the night&#39;s biggest celebrations.

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Poussières d'amour - Abfallprodukte der Liebe

German director Werner Schroeter invited his favourite opera singers to a 13th century abbey near Paris. LOVES DEBRIS didnt have, and couldn't have had, any pre-planned action. There was no script, no continuity. On the other hand, there were precise constraints that provided the rules of the game: the setting, the Abbey of Royaumont, and the chosen participants. Each singer came accompanied by a person of his or her choice, and worked on an aria chosen by the director. And there was ELISABETH COOPER, a "one-woman orchestra", who transposed and played the scores on the piano and organ.

Anita Cerquetti and Werner Schroeter in Poussières d'amour - Abfallprodukte der Liebe (1996)

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Poussières d'amour - Abfallprodukte der Liebe

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