The Promise

This film was a gem and I look forward to seeing "Rosetta" by the same filmmakers, although I missed it back in '99.

The story has a gritty documentary feel in its depiction of lower-class immigrant experience in Belgium, but nonetheless is dramatically compelling because of the tension between the father and the son.

I haven't seen this side of modern European urban life treated in film this well.

The movie brilliantly immerses itself in the details of running an illegal immigrant business (excellent scenes of the interchange of money; petty extortion; the miserable compromises and requests of the immigrants), from which the black couple and child gradually emerge as a sort of beacon of hope because of the gracious simplicity of their rituals in their horrible hovel. The movie avoids sentimentality or overt analysis - it s a highly respectful portrait of tumultuous actions in a very specific, eye-openingly grim sector of low life. The boy's relationship with the father is satisfyingly rounded - accommodating obvious mutual affection despite the outbursts of violence and the terrible paternal example set overall - and the portrayal of the woman is culturally precise and fascinating. A fine film, balancing enormous relevance with proper mystery.

"La Promesse", from the makers of "Rosetta", is an award winning drama which gets down to business quickly. The film is shot with no frills and the hard edge of a documentary. It tells of a father and son, both of questionable character, who make their living on the backs of transient illegal aliens in Belgium and the schism which developes between them as they engage a serious matter of conscience. Viewers with an appetite for reality in film will extol this flick while fantasy lovers may hate its grit.

LA PROMESSE is a coming of age story of sorts. The young teenaged protagonist works for his father, who loves him deeply. The father is sleazy exploiter of illegal aliens, and the boy is learning the trade of preying on the defenseless of society that includes theft from the elderly and extortion from the immigrants. And it seems to be suiting him just fine until he helps his father cover up a fatal accident at his construction site. The accident that did not have to be fatal, but the father does not want to risk the scrutiny of the authorities. The boy promises the dying immigrant that he will take care of the man's wife and baby. Slowly the youth begins to question his and his father's morality.

Shot in a documentary style without music score, the urban Antwerp setting as well as the story are uniformly gray and grim. Nonetheless this is an excellent film that tells a terrific moral tale to which there are no easy answers. An excellent rental.

The performance of Jérémie Renier is memorable. (He's also great in L'infant). The Dardennes are obviously influenced by Robert Bresson and have a similar interest in use of realistic sound, and observation of everyday tasks. They especially like workshops, and woodworking tools. Like Bresson, they eschew incidental music and produce a very naturalistic view of events. And they do it so well. This film will remain in your conscience for a long time after you have seen it, and should satisfy those who need a resolution and a conclusion in their movies, by offering at least an answer to one "will he - won't he?" dilemma.

These guys are making some of the best cinema of the present era.