IMDb RATING
5.6/10
2.7K
YOUR RATING
Verloc lives in London 1886 with a pretty wife and her retarded brother. He's an agent for the Russian embassy. A new ambassador wants more from him than in the past years - something with a... Read allVerloc lives in London 1886 with a pretty wife and her retarded brother. He's an agent for the Russian embassy. A new ambassador wants more from him than in the past years - something with a bomb. Verloc also informs the police.Verloc lives in London 1886 with a pretty wife and her retarded brother. He's an agent for the Russian embassy. A new ambassador wants more from him than in the past years - something with a bomb. Verloc also informs the police.
- Director
- Writers
- Stars
- Awards
- 1 nomination total
Louis Costa
- Beggar Boy
- (uncredited)
Toby Hinson
- Student
- (uncredited)
Robin Williams
- The Professor
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This is a very dark and mysterious piece of work that captures the sooty mood and gritty feel of Victorian London. Even the extras seem plucked, unbathed, right out of Limehouse and Whitechapel. An unshaven mad bomber is an odd role for Robin Williams. As always, he does it well but unfortunately Williams is Williams and all I could think of was Patch Adams. Bob Hoskins may be best portrayer of losers in all filmdom. Certainly his character here, Verloc, is a confused and pitiable loser. The plot is dark and even a little pointless. The sombre cinematography with its muted colours, deep shadows and European texture emphasizes the grim story of shattered lives . At times there is some needless "creative" camera work. Nevertheless this very unconventional film makes for a satisfying if, at times, puzzling couple of hours
I'm constantly amazed how well Conrad is adapted by modern film makers. The political intrigue can be mostly ignored, as it is slight and not very interesting. What this movie does well is depict human emotions and reactions in difficult situations, and here is where the well picked cast delivers. Robin Williams is unbilled, but provides a fascinating character study of a true anarchist which contrasts nicely against Bob Hoskins' unwilling agent role. I was beginning to grow tired in the middle of the film, thinking the shallow political action was the ending, but the later intense focus on the human reactions and struggles following the incident do a wonderful job of drawing you back in.
A very good film, if not quite a masterpiece....
This film aims very high, with every intention of obtaining stratospheric heights, but time restraints do not allow this film to fulfill it's full potential, and I think that the obvious effort put into the film by all involved, can produce a slight sense of disappointment in those who appreciate the film, and only increases the alienation of those who are not attuned to the themes of the film.
Essentially, I think that the film's greatest flaw is that it is excessively abbreviated, and most characters are not able to be fully developed. This is partly the fault of Joseph Conrad, who wrote complicated and intricately plotted books, but the slow pace which adds greatly (and appropriately) to the atmosphere of the film, also prevents the insertion of additional scenes to develop the characters. This film could have been expanded into a masterpiece, but it would have been very long. To appreciate the film, one must grasp the nature of a large number of characters, and often there are only abbreviated cues to show the way. Thus a story about betrayals small and great, becomes a film of great betrayals.
It appears that opinions are very polarized on the acting in this film, but I found most of the performances engaging, with the strong exception of Robin Williams, who seems to be mainly engaged in an attempt to break out of his comedy roles with the aid of a phony scowl. I should note that others disagree with my opinion of Robin Williams in this case however.
I found the soundtrack (by Philip Glass) to be outstanding, with a traditional flavor as is appropriate to the film, but quite original.
This film aims very high, with every intention of obtaining stratospheric heights, but time restraints do not allow this film to fulfill it's full potential, and I think that the obvious effort put into the film by all involved, can produce a slight sense of disappointment in those who appreciate the film, and only increases the alienation of those who are not attuned to the themes of the film.
Essentially, I think that the film's greatest flaw is that it is excessively abbreviated, and most characters are not able to be fully developed. This is partly the fault of Joseph Conrad, who wrote complicated and intricately plotted books, but the slow pace which adds greatly (and appropriately) to the atmosphere of the film, also prevents the insertion of additional scenes to develop the characters. This film could have been expanded into a masterpiece, but it would have been very long. To appreciate the film, one must grasp the nature of a large number of characters, and often there are only abbreviated cues to show the way. Thus a story about betrayals small and great, becomes a film of great betrayals.
It appears that opinions are very polarized on the acting in this film, but I found most of the performances engaging, with the strong exception of Robin Williams, who seems to be mainly engaged in an attempt to break out of his comedy roles with the aid of a phony scowl. I should note that others disagree with my opinion of Robin Williams in this case however.
I found the soundtrack (by Philip Glass) to be outstanding, with a traditional flavor as is appropriate to the film, but quite original.
You have to take into consideration that the book with which this was based was first published in 1907 and written by Joseph Conrad, author of "The Heart of Darkness". Conrad is not the kind of writer to spoon-feed "good" and "bad" characters. Simultaneously, the late 19th and early 20th century was not exactly an era teeming with spy thrillers. The closest comparable tales were those by Arthur Conan Doyle and his character Sherlock Holmes. (High-adventure books, such as Allan Quatermain, were all the rage.) And yet, this is a very literary take on the suspense-thriller genre that strangely transcends its era--almost eerily. But instead of the west vs east situation that became the perfect backdrop for spy thrillers of the late 20th century, this story centers around the very beginnings of socialist and anarchist groups that would eventually rise up and seize Russia and later China.
The film captures well the dark atmosphere of late 19th-century London on the east-side. Bob Hoskins in one of his finest performances is Mr Verloc, a plain person, who owns a plain shop inside a plain house in London of the 1880's. His one asset is that he has a beautiful wife, Winnie, played brilliantly by Patricia Arquette. And she takes care of a handsome brother who is feeble-minded enough to be on the verge of retardation, played by Christian Bale in one of his earliest films. (Of course, people didn't yet understand retardation at this time, and he is labeled a "degenerate".) They seem a happy family. But Verloc has some dark secrets. At first, we learn he hosts anarchist discussion groups at his home. But then we learn Verloc does much more than simply provide tea and cookies to would-be criminals and traitors to the government. He has a secret life in which continental agents hire him to make political statements through violent means. And Robin Williams (billed as Jeorge Spilvyn!) is the anarchist's anarchist who becomes the pivotal character.
Although it takes a few scenes to get moving, the story concerns one of Verloc's missions gone awry that has dire consequences to himself and his family. The form of the film is brilliant and is done in such a way as not to confuse the audience. We learn pieces of back-story in flashback, and it is not until movie's end that the entire picture emerges. Chief Constable, played by Jim Broadbent of "Topsy Turvy" fame, has put everything together, almost. And yet, the story keeps coming back to Robin Williams, the nameless "professor" who is the one crucial element.
Despite some of the negative press here, I think this is a brilliant film, subtle yet quite compelling from beginning to end. The performances are all top-notch, absolutely first-rate, from Hoskins to Gerard Depardieu as a self-centered lowlife often found at the tavern drinking with the "professor". Certainly, if you're looking for the usual 007 spy fair, you may have to look elsewhere. But if you're in the mood for something different and cerebral, take a chance on "The Secret Agent".
The film captures well the dark atmosphere of late 19th-century London on the east-side. Bob Hoskins in one of his finest performances is Mr Verloc, a plain person, who owns a plain shop inside a plain house in London of the 1880's. His one asset is that he has a beautiful wife, Winnie, played brilliantly by Patricia Arquette. And she takes care of a handsome brother who is feeble-minded enough to be on the verge of retardation, played by Christian Bale in one of his earliest films. (Of course, people didn't yet understand retardation at this time, and he is labeled a "degenerate".) They seem a happy family. But Verloc has some dark secrets. At first, we learn he hosts anarchist discussion groups at his home. But then we learn Verloc does much more than simply provide tea and cookies to would-be criminals and traitors to the government. He has a secret life in which continental agents hire him to make political statements through violent means. And Robin Williams (billed as Jeorge Spilvyn!) is the anarchist's anarchist who becomes the pivotal character.
Although it takes a few scenes to get moving, the story concerns one of Verloc's missions gone awry that has dire consequences to himself and his family. The form of the film is brilliant and is done in such a way as not to confuse the audience. We learn pieces of back-story in flashback, and it is not until movie's end that the entire picture emerges. Chief Constable, played by Jim Broadbent of "Topsy Turvy" fame, has put everything together, almost. And yet, the story keeps coming back to Robin Williams, the nameless "professor" who is the one crucial element.
Despite some of the negative press here, I think this is a brilliant film, subtle yet quite compelling from beginning to end. The performances are all top-notch, absolutely first-rate, from Hoskins to Gerard Depardieu as a self-centered lowlife often found at the tavern drinking with the "professor". Certainly, if you're looking for the usual 007 spy fair, you may have to look elsewhere. But if you're in the mood for something different and cerebral, take a chance on "The Secret Agent".
The Secret Agent was pretty good, but not as good as I had expected, especially since it starred Bob Hoskins. I am a big fan of Bob Hoskins, but here his performance was below average. In fact, the entire cast performed badly, except for Robin Williams. Williams has a minor role but he makes the best of it and steals every one of his scenes. Overall I give a couple of points for an interesting storyline and a few more for Robin Williams. 5/10
Did you know
- TriviaBob Hoskins was originally set to direct as well.
- ConnectionsReferenced in Aliens vs. Predator 2 (2001)
- How long is The Secret Agent?Powered by Alexa
Details
- Release date
- Country of origin
- Languages
- Also known as
- L'agent secret
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $7,000,000 (estimated)
- Gross US & Canada
- $106,606
- Opening weekend US & Canada
- $25,909
- Nov 10, 1996
- Gross worldwide
- $106,606
- Runtime
- 1h 35m(95 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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