IMDb RATING
5.9/10
2.5K
YOUR RATING
A psychoanalyst in NYC exchanges apartments with a woman in Paris. When his patients show up, they talk to her and then pay. He returns early to NYC and becomes a patient.A psychoanalyst in NYC exchanges apartments with a woman in Paris. When his patients show up, they talk to her and then pay. He returns early to NYC and becomes a patient.A psychoanalyst in NYC exchanges apartments with a woman in Paris. When his patients show up, they talk to her and then pay. He returns early to NYC and becomes a patient.
- Director
- Writers
- Stars
- Awards
- 1 win & 1 nomination total
Boris Lyoskin
- Cab Driver #1
- (as Boris Leskin)
Tiffany Fraser
- Julie
- (as Tiffany Frazer)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Juliette Bincoche is a delight
Dr. Henry Harriston, a psychoanalyst, is so sick of his patients he puts an ad in the Herald-Tribune asking to swap his New York apartment for one in Paris. Beatrice, who answers the ad because her friend Anne lives in New York, seems to get the better part of the deal. Dr. Harriston has a fabulous apartment and Beatrice's building is noisy and falling apart. Then Dr. Harriston's patients start showing up at his place. Also, Dr. Harriston's dog Edgard is lethargic and has intestinal problems. Meanwhile, Beatrice has a number of men after her, mostly borderline insane.
Juliette Binoche is pretty and so charming, and she really shows genuine concern for Dr. Harriston's patients--one in particular. Richard Jenkins does something unique and unexpected as one of the patients. And William Hurt eventually does show his talent as well. Most of the leading actors gave good performances.
The first half was quite funny, but the second half leaned more toward drama. Though there were funny moments, such as when Dr. Harriston tried to carry on a conversation with his friend Dennis while Dennis was taking an order at a restaurant.
The ending was very sweet. Overall, this film was worth seeing.
Juliette Binoche is pretty and so charming, and she really shows genuine concern for Dr. Harriston's patients--one in particular. Richard Jenkins does something unique and unexpected as one of the patients. And William Hurt eventually does show his talent as well. Most of the leading actors gave good performances.
The first half was quite funny, but the second half leaned more toward drama. Though there were funny moments, such as when Dr. Harriston tried to carry on a conversation with his friend Dennis while Dennis was taking an order at a restaurant.
The ending was very sweet. Overall, this film was worth seeing.
Beatutiful, artistic, sparkling and unique
I don't understand why this movie isn't more popular. William Hurt plays wonderfully sensitive and sincere. Juliette Binoche is charming and natural. The story is like a book. And the filmmakers and photographers have caught the moments just right. The lines and words are not pathetic: they are intelligent and honest.
I love this film. I have seen it several times and Cole Porters "Night and day" suits the film and actors really well.
I give this film top score for seeing the special art and beauty of living. Few movies catches the small deatils like this one: In colours, quite comfortable moments, moods, real life-pictures and honest life-image.
Thank you very much, filmmakers, actors, storytellers, composers and photographers for reminding us how beautiful life can be.
I love this film. I have seen it several times and Cole Porters "Night and day" suits the film and actors really well.
I give this film top score for seeing the special art and beauty of living. Few movies catches the small deatils like this one: In colours, quite comfortable moments, moods, real life-pictures and honest life-image.
Thank you very much, filmmakers, actors, storytellers, composers and photographers for reminding us how beautiful life can be.
A classic 50's romantic comedy updated for the 90's
A Couch in New York is a French/American/Belgium co-production with the innocence and humour of the romantic comedies of the 50's. Juliet Binoche shows the charm of a modern day Audrey Hepburn (with the same beautiful vulnerability portrayed by Hepburn in Funny Face and Breakfast at Tiffany's) while William Hurt plays the strong man role that used to be reserved for the likes of Humphrey Bogart, Fred Astaire or Gregory Peck. Using old tricks of mistaken identity and falling in love with a stranger, the dialogue is somehow saved from sounding corny and instead pays homage to the classic romantic comedies. A two tissue movie.
bad picture
This mess needed a Lubitsch touch if it was ever going to succeed, and Akerman is no Lubitsch. Bad script, poor acting (although it is amusing to hear Hurt's French--what is behind this trend for American actors in French roles?; cf Malkovich in Temps Retrouve). When the best scene is a dog swimming in Central Park lake, you've got trouble.
Under developed, badly written "comedy"
"Juliette Binoche cannot act", according to 'anonnymous' below. That is
a ridiculous assertion. As is to link this film with Kieslowski's
'Blue'. The problem with this movie is that neither Binoche nor Hurt are
given the material in the form of a good screenplay nor the direction to
make the film work. It seems to me that Akerman, who is an excellent
director, see La Captive, does not have a good enough command of English
to write a screenplay in the language.
The film, which starts out nicely quickly gets bogged down in the
psychoanalyitical. Endless "yes" and "mmmmm"s loose their amusement
value quickly. The romance angle is badly developed, just why has
Beatrice fallen for John Wire aka Henry? It doesnt work.
But Juliette Binoche can act. In fact in Europe she is regarded with
Isabelle Huppert to be the finest actress working today. But she can
only produce the goods when she is given the material and the careful
direction necessary. Go rent "Rendez-Vous", "The Unbearable Lightness of
Being", "Les Amants du Pont-Neuf", "Three Colours Blue", "Alice &
Martin", "The Widow of Saint-Pierre" and especially "Code Innconnu" and
try arguing otherwise.
a ridiculous assertion. As is to link this film with Kieslowski's
'Blue'. The problem with this movie is that neither Binoche nor Hurt are
given the material in the form of a good screenplay nor the direction to
make the film work. It seems to me that Akerman, who is an excellent
director, see La Captive, does not have a good enough command of English
to write a screenplay in the language.
The film, which starts out nicely quickly gets bogged down in the
psychoanalyitical. Endless "yes" and "mmmmm"s loose their amusement
value quickly. The romance angle is badly developed, just why has
Beatrice fallen for John Wire aka Henry? It doesnt work.
But Juliette Binoche can act. In fact in Europe she is regarded with
Isabelle Huppert to be the finest actress working today. But she can
only produce the goods when she is given the material and the careful
direction necessary. Go rent "Rendez-Vous", "The Unbearable Lightness of
Being", "Les Amants du Pont-Neuf", "Three Colours Blue", "Alice &
Martin", "The Widow of Saint-Pierre" and especially "Code Innconnu" and
try arguing otherwise.
Did you know
- TriviaChantal Akerman has since criticized her actors, William Hurt and Juliette Binoche, for not helping her promote the movie, after early mixed reception and production problems. Akerman has since said that both actors were difficult to work with and that Binoche was "as cold as an ice cube".
- Quotes
Beatrice Saulnier: Freud and all this stuff, it's very enlightening, huh?
- How long is A Couch in New York?Powered by Alexa
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- New York'ta bir çılgın
- Filming locations
- Babelsberg, Potsdam, Brandenburg, Germany(Studio, interiors)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $1,513
- Runtime
- 1h 48m(108 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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