What Is It? is a bewildering, unnerving, surreal, blackly comic film from the visionary mind of Crispin Glover that tells the inner and outer struggles of a young man facing villains and dem... Read allWhat Is It? is a bewildering, unnerving, surreal, blackly comic film from the visionary mind of Crispin Glover that tells the inner and outer struggles of a young man facing villains and demons on multiple planes.What Is It? is a bewildering, unnerving, surreal, blackly comic film from the visionary mind of Crispin Glover that tells the inner and outer struggles of a young man facing villains and demons on multiple planes.
- Awards
- 2 wins total
Michael Blevis
- The young man
- (as Michael Bleviss)
Steven C. Stewart
- Dueling Demi-God Auteur
- (as Steven Stewart)
- …
Rikky Wittman
- The minstrel's nemesis
- (as Rickey Wittman)
Fairuza Balk
- Screaming Snail
- (voice)
- …
Zoryna Dreams
- Monkey Woman
- (as Zoreena Dreams)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I saw Crispin Glover's "What Is It?" at the Ann Arbor film festival. Admittedly, the film was at least aptly named, because I got the distinct sense that even the writer/director could provide no answer. At the question and answer session after the screening, Mr. Glover said that the film was originally meant to be a short film to show the virtue of using actors with down-syndrome. However, this is in itself not enough of a reason to create a film. Actors are, in my opinion, building blocks for a larger vision - a larger vision that seemed muddled at best and absent at worst.
Crispin Glover also said that he wanted to address taboo subjects. Well, he does do that. But why? The film seems to have no stance, no reason for addressing anything. Does he feel these things shouldn't be taboo? The film doesn't even give me an indicator of that. Taboo for the sake of taboo is not interesting. It can't even afford to make the taboo disturbing or inciting on any level because he hasn't made the audience care in any way.
Ignoring problems with the concept for a moment, the thing that actually shocked me most was how poorly the film was put together. The editing, cinematography, and other technical aspects seemed frequently to be extremely amateur. Glover said 125-150 thousand dollars went into the movie, and I feel that the money should have been spent on different designers (Glover actually did some design himself - I know I saw at least sound design in the credits). The painted sets are okay (not great), but used poorly. Parts feel like a photographed stage play - which would be fine if that went to any sort of purpose, but in Glover's hands it just feels sloppy. Other parts are filmed like a sort of Home Movie, of inferior quality to a lot of the stuff I see first-time filmmakers do on iMovie.
Perhaps the biggest problem with "What Is It?" is I can't even understand how seriously the film is to be taken. There are some parts that feel like Glover is screaming at you to think seriously. At other points, he seems off on his own little joke. Perhaps he meant for this to be ironic, or meaningful in some way, but I just felt that Glover couldn't even get himself to give his film any sort of serious attention.
Glover said he originally wanted it to be a short film. If only it had been. At seventy-two minutes, the film runs out of imagery and ideas in the first twenty, and it is arguable if the ideas were formulated enough to claim that they were even there for that period of time.
Crispin Glover also said that he wanted to address taboo subjects. Well, he does do that. But why? The film seems to have no stance, no reason for addressing anything. Does he feel these things shouldn't be taboo? The film doesn't even give me an indicator of that. Taboo for the sake of taboo is not interesting. It can't even afford to make the taboo disturbing or inciting on any level because he hasn't made the audience care in any way.
Ignoring problems with the concept for a moment, the thing that actually shocked me most was how poorly the film was put together. The editing, cinematography, and other technical aspects seemed frequently to be extremely amateur. Glover said 125-150 thousand dollars went into the movie, and I feel that the money should have been spent on different designers (Glover actually did some design himself - I know I saw at least sound design in the credits). The painted sets are okay (not great), but used poorly. Parts feel like a photographed stage play - which would be fine if that went to any sort of purpose, but in Glover's hands it just feels sloppy. Other parts are filmed like a sort of Home Movie, of inferior quality to a lot of the stuff I see first-time filmmakers do on iMovie.
Perhaps the biggest problem with "What Is It?" is I can't even understand how seriously the film is to be taken. There are some parts that feel like Glover is screaming at you to think seriously. At other points, he seems off on his own little joke. Perhaps he meant for this to be ironic, or meaningful in some way, but I just felt that Glover couldn't even get himself to give his film any sort of serious attention.
Glover said he originally wanted it to be a short film. If only it had been. At seventy-two minutes, the film runs out of imagery and ideas in the first twenty, and it is arguable if the ideas were formulated enough to claim that they were even there for that period of time.
I didn't know what to make of this film. I guess that is what it was all about really. I have never seen a film like it and I doubt that I really ever will again. Glover puts together something that is unique to him. I think to appreciate it you have to read some of his poetry, maybe see one of his slide shows. I really like this guy, he is just so bizarre I can't help it. Note: I saw this film before it was through its final editing, so maybe what I have seen and what others have seen are different. I will know, I guess, if I choose to view the film again. I think I will have to be properly drug influenced...
I worked on the set of this movie in Salt Lake City, Ut and have some behind the scenes footage. Crispin is a wonderful person and this movie is great. After the movie, Crispin threw us a party and it was captured on VHS. There weren't any digital cameras back then, sorry. there is a talent showcase at the end of the party which is hilarious. However you tube deleted the last part which is a stripper. I have seen videos containing more nudity that the one I posted but they took it down anyway. If you get a chance please check out these exclusive videos. enjoy!
Check it Out!!
http://www.youtube.com/crucifixxkiss
http://youtu.be/NqRs_x1Dryw
http://youtu.be/KaGVHGEKRS0
http://youtu.be/hBeFnJXVbSE
Check it Out!!
http://www.youtube.com/crucifixxkiss
http://youtu.be/NqRs_x1Dryw
http://youtu.be/KaGVHGEKRS0
http://youtu.be/hBeFnJXVbSE
I appreciate surrealist art. I like dark comedy, the subversive, the cryptic and the bizarre. however this movie is nothing more than a painful waste of time. it completely reeks of "trying too hard" and the use of actors with down syndrome acts only as a gimmick rather than adding any depth. i've seen Crispin glover in other things, and usually he passes as a decent actor. he thrives when he's playing some kind of weirdo. but the only worthwhile roles he's had were written and produced by other people. his own personal work in video or music (yes music) is mostly garbage. this movie is nothing than an answer to a trivia question.
Hilarious, evocative, confusing, brilliant film. Reminds me of Bunuel's L'Age D'Or or Jodorowsky's Holy Mountain-- lots of strange characters mucking about and looking for..... what is it? I laughed almost the whole way through, all the while keeping a peripheral eye on the bewildered and occasionally horrified reactions of the audience that surrounded me in the theatre. Entertaining through and through, from the beginning to the guts and poisoned entrails all the way to the end, if it was an end. I only wish i could remember every detail. It haunts me sometimes.
Honestly, though, i have only the most positive recollections of this film. As it doesn't seem to be available to take home and watch, i suppose i'll have to wait a few more years until Crispin Glover comes my way again with his Big Slide Show (and subsequent "What is it?" screening)... I saw this film in Atlanta almost directly after being involved in a rather devastating car crash, so i was slightly dazed at the time, which was perhaps a very good state of mind to watch the prophetic talking arthropods and the retards in the superhero costumes and godlike Glover in his appropriate burly-Q setting, scantily clad girlies rising out of the floor like a magnificent DADAist wet dream.
Is it a statement on Life As We Know It? Of course everyone EXPECTS art to be just that. I rather think that the truth is more evident in the absences and in the negative space. What you don't tell us is what we must deduce, but is far more valid than the lies that other people feed us day in and day out. Rather one "WHAT IS IT?" than 5000 movies like "Titanic" or "Sleepless in Seattle" (shudder, gag, groan).
Thank you, Mr. Glover (additionally a fun man to watch on screen or at his Big Slide Show-- smart, funny, quirky, and outrageously hot). Make more films, write more books, keep the nightmare alive.
Honestly, though, i have only the most positive recollections of this film. As it doesn't seem to be available to take home and watch, i suppose i'll have to wait a few more years until Crispin Glover comes my way again with his Big Slide Show (and subsequent "What is it?" screening)... I saw this film in Atlanta almost directly after being involved in a rather devastating car crash, so i was slightly dazed at the time, which was perhaps a very good state of mind to watch the prophetic talking arthropods and the retards in the superhero costumes and godlike Glover in his appropriate burly-Q setting, scantily clad girlies rising out of the floor like a magnificent DADAist wet dream.
Is it a statement on Life As We Know It? Of course everyone EXPECTS art to be just that. I rather think that the truth is more evident in the absences and in the negative space. What you don't tell us is what we must deduce, but is far more valid than the lies that other people feed us day in and day out. Rather one "WHAT IS IT?" than 5000 movies like "Titanic" or "Sleepless in Seattle" (shudder, gag, groan).
Thank you, Mr. Glover (additionally a fun man to watch on screen or at his Big Slide Show-- smart, funny, quirky, and outrageously hot). Make more films, write more books, keep the nightmare alive.
Did you know
- TriviaCrispin Glover's directorial debut.
- Quotes
Dueling Demi-God Auteur and The young man's inner psyche: Good. He's dead. Now we can have a good time.
- Crazy creditsThis film has not advocated the assassination of Steven Spielberg in any way.
- ConnectionsFeatured in Durch die Nacht mit...: Juliette Lewis und Crispin Glover (2010)
- SoundtracksSome Niggers Never Die (They Just Smell That Way)
by Johnny Rebel
Details
- Release date
- Country of origin
- Official site
- Language
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 12m(72 min)
- Color
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