IMDb RATING
6.7/10
2.4K
YOUR RATING
The fates of four different people - a thief, a cop, a female professor of philosophy, a suicidal girl - unexpectedly collide.The fates of four different people - a thief, a cop, a female professor of philosophy, a suicidal girl - unexpectedly collide.The fates of four different people - a thief, a cop, a female professor of philosophy, a suicidal girl - unexpectedly collide.
- Awards
- 3 wins & 7 nominations total
Franck Merenda
- Vigile 2
- (as Francesco Merenda)
Featured reviews
The film, Shakespeare's shades. At the heart of the film is love. Everything else, just around this love.
And when Auteuil says: You just do not want to fight.
Heroine Catherine Deneuve fights: I fall asleep with her and wake up with her.
What can say more?
It's a wonderful movie in the movie.
Suicide. And how is it possible to live,
The image Heroine (Deneuve) - two in one, Shakespeare's Romeo and Juliet buried in the apartment.
And when Auteuil says: You just do not want to fight.
Heroine Catherine Deneuve fights: I fall asleep with her and wake up with her.
What can say more?
It's a wonderful movie in the movie.
Suicide. And how is it possible to live,
The image Heroine (Deneuve) - two in one, Shakespeare's Romeo and Juliet buried in the apartment.
I DVR'd this film in spite of a two-star rating from Comcast, because I like Daniel Auteuil and Catherine DeNeuve. How bad could it be? I wasn't disappointed. It begins with a mystery-who killed the father of the cynical little kid? And slowly breaks open the story, revealing the characters as it reveals the criminal enterprise that brought them all together. Most of them-including the little kid-are not family-friendly. This isn't a family film. A cop who hates his brother and is in turn hated by their father, who tells him, face to face, that he would have preferred that the cop had been killed instead. The dead man's son seems to despise his entire family, including his mother, and his uncle, the cop. Who, in turn, doesn't like kids. The cop's girlfriend doesn't like him much, and he really doesn't want to deal with her except for sex. But as others have noted about this film on this forum, the director pulls out just enough unexpected gilded moments to make it enjoyable to watch-like: a middle-aged college professor delivering a 3-minute dissertation on the position of money in western philosophy to a professional car thief during a nighttime ride-as a passenger- through the streets of Lyon. At the car thief's request. That sort of theater of the Absurd approach is one thing I like about French films. They're dependable that way.
This film has a complex, multi-layered structure that grabs your interest...but not much substance underneath. There's no real mystery to the plot, and no real revelations about "human nature" either. Well-acted all around - including a little boy who is wise way beyond his years. (**)
Perhaps the subtitles failed to do justice to the movie, but the visual construction of Les Voleurs crosses all boundaries. The complexities of the plot can be confusing; however, the visual imagery used in the film helps reinforce the characteristics of each relationship the film studies. All in all, a brilliant film to watch if you feel up to reading the subtitles.
This is a fine effort by Andre Techine describing a messy triangle between a philosophy professor (Deneuve), a grim, harried detective (Auteuil) and the teenaged girl they are both in love with (Laurence Cote). The girl has joined the crime family that the cop has escaped from--Alex's brother has just been killed by police in a shoot-out while trying to steal luxury cars, and Alex must move very carefully when he returns home for the funeral. All these matters are handled very adeptly by the director, whose early works I confess to finding dull and lifeless exercises in style (Barocco!).
I can't say enough about Deneuve's performance; she has left the glamour behind in her 50's and just gives us one fine role after another. Marie makes it clear she has a special affection for Juliette: "I don't love women, I love Juliette." Her tolerance for Alex's clumsy attentions after Juliette's disappearance is beautifully done. Auteuil's attraction is more problematic; you can sense that there hasn't been much affection in his life and allowing Juliette to get close to him endangers his efforts to remain a loner. Finally, praise to Laurence Cote for her bravura blend of elegance and punk-rock; a wonderful new star.
I can't say enough about Deneuve's performance; she has left the glamour behind in her 50's and just gives us one fine role after another. Marie makes it clear she has a special affection for Juliette: "I don't love women, I love Juliette." Her tolerance for Alex's clumsy attentions after Juliette's disappearance is beautifully done. Auteuil's attraction is more problematic; you can sense that there hasn't been much affection in his life and allowing Juliette to get close to him endangers his efforts to remain a loner. Finally, praise to Laurence Cote for her bravura blend of elegance and punk-rock; a wonderful new star.
Did you know
- TriviaCatherine Deneuve was hesitant at first to play the character of a woman falling in love for another woman, but Andre Techine managed to convince her.
- ConnectionsReferenced in Les convoyeurs attendent (1999)
- SoundtracksDouha Alia
Written by Mohamed Khelifati (as C. Mami)
Performed by Mohamed Khelifati (as Cheb Mami)
(C) BMG Music Publishing France (BMG)
Collection Navy Blue Silver
(P)Totem Records
Avec l'aimable autorisation de Totem Records
- How long is Thieves?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Hırsızlar
- Filming locations
- 97 Boulevard des Belges, Lyon, Rhône, Rhône-Alpes, France(first hotel where Alex and Juliette have sex)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,018,682
- Gross worldwide
- $1,018,682
- Runtime
- 1h 57m(117 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content