Absolute Power

The Narrative.

A consistent plot involving many different types of characters in the form of organised professional robber Whitney (Marvellously portrayed by Eastwood) who is involved in a huge conspiracy involving the very uncomfortable president Hackman.

Perhaps the story gets too involved at points with a lack of realism. However the film is always tense and engaging, especially the beginning which was definitely one of my all time favourite openings to a crime film. Tense, exciting and with a few twists it presents a realistic view of a robber caught up in what will surely be a huge case.

The story justifies the genre by being focused upon murders and robberies and adds sentimental value in the form of family and friendship values. Laura Linney (The Truman Show) is terrific as Eastwood's daughter and adds a great sentimental value to a heavy crime film. She is involved in a great twists towards the end which is a must watch.

The ending surprised me. Although there were great twists, the final few scenes and the way the narrative came to never felt quite justified in my opinion but then again I may have been expecting too much from a film that was consistent and engaging from the beginning. The film is always kept exciting through the tense robbery scenes, character actions and a plot about a man and his power.

Direction.

Eastwood's direction is simply breathtaking. The opening sequence where he explores the neatly kept mansion for his robbery is the best moment in the entire film; I was literally on the edge of my seat. Dark, quiet and with a grace that any director would be proud of I held my breathe from start to finish. Heavy critics may argue it conforms too much to an action styled genre with many shots appearing focusing in or around the main priority but I appreciated it for what it was, which was sheer brilliance.

Eastwood is outstanding in the whole of this film. Not only his ability to pull off a stern ageing character but this direction is also worthy of huge praise.

watch it if...you enjoy the crime genre and appreciate tense dramatic sequences.

but its simply just worth watching for the beginning.

What starts out with immense potential gradually evaporates into preposterousness in ABSOLUTE POWER. That doesn't make it an entirely bad picture, but it certainly puts a damper on what could have been. Clint Eastwood is an aging thief (he's been an aging something or other for his last 20 movies) who secretly witnesses President Gene Hackman get rough with his mistress. The encounter ends with her being shot by the Secret Service as she tries to defend herself, and the incident is promptly disguised to look like run-of-the-mill foul play. He may be on the outside of the law looking in, but Clint ain't about to let the powers that be get away with this one.

The opening 20 minutes of ABSOLUTE POWER are quite suspenseful, bordering on mesmerizing. There we are, trapped in a walk-in, two-way mirrored vault along with our pilfering hero, helpless to stop the horror unfolding just meters away. Eastwood may start out as the bad guy, but his status is quickly upgraded as he flees the scene holding what may be the only piece of evidence that can prove his astonishing observation. From then on we find ourselves rooting him on, even if he is in reality nothing more than the lesser of two evils.

What unravels ABSOLUTE POWER is its laziness and improbability. In an attempt to set up one stirring scene after another, the characters begin doing and saying things one would expect of a low-rate Jean-Claude Van Damme movie. A one-dimensionally evil Secret Service man surreptitiously hunkers down in a tall building trying to snipe Eastwood ala Lee Harvey Oswald. A police detective has no problem with Eastwood sneaking around his home at all hours of the night. A three-minute argument by Eastwood's thief is enough to convince the mistress's widower of the involvement of the most powerful man on earth. And to call the ending outlandish and unsatisfying would be a pair of understatements.

As well, though it's usually the other way around, ABSOLUTE POWER would have benefited from a longer running time. One comes away with the sense that Eastwood, who also directed, tried to cram too much into too little. The film certainly had the material to go longer, and its compactness gives the whole endeavor a choppy feel at times.

ABSOLUTE POWER is a film you really want to like. There is considerable talent involved here, and the movie's heart seems to be in the right place. But like that one photo we all have in our album, this one didn't turn out as good as we would have hoped.

HIGHS--

A very fun plot. Gene Hackman could vilify Ghandi given the right lines. Clint Eastwood as a high-stakes jewel thief?? I'm in heaven. Soft, subtle score; typical of modern Eastwood films. Intense finale that has you rooting for the bad guys, or is it the good guys?? You decide. E. G. Marshall's version of a scorned billionaire is a wonderful turn.

LOWS--

I have not read Baldacci's novel this is based upon. But I have to think, Clint Eastwood was not who he had in mind for the elusive cat burglar Luther Whitney. That casting was probably a little too self-serving. Also, I did enjoy the plot. But maybe a touch of more believability would have been nice. The murder scene at the beginning, while necessary for the remainder, may be a touch too implausible for my taste.

PARTING IMPRESSION--

Solid entertainment. This rating denotes that. Sure, won't win any Oscars, but that's not why you really want to see a film like this. We all root for these high stakes take-the-money-and-run type finales and here we are satiated in the chicanery, the likes of which could only emanate from D.C. Seven out of ten.

I have to say, that, ok maybe some of the actions of this film are a little manifested, but nevertheless, it holds for some nice suspense when it is required, and it also has a lot of eclectic moments(i.e. moments when the feeling is far from previous, yet conveyed appropriately). Besides the plot, this film has a wonderful, albeit short, soundtrack(composed by Clint), and good settings. A nice little ending on it too. Oh, and I have to say that Ed Harris is a excellent at 'doing' the sarcastic cop. I love it!

Washington DC -1990s. Luther Whitney, reputed one the very best thieves of the country but supposedly retired, is in the process of executing his greatest robbery –the private vault of a powerful billionaire, Walter Sullivan. But he is disturbed by the billionaire's young wife. Christy takes advantage of her husband's absence to receive her lover –the US President himself. President Richmond is a sick pervert, and the love affair turns sour. In front of hidden Whitney, the lady is murdered. Before escaping, Whitney secures the murder weapon, but he will need all his experience and skills to manipulate the secret services and the very competent police investigator Seth Frank. Not only must he protect himself but also his estranged daughter Kate. Not to worry however –Luther Whitney is Clint Eastwood, after all! And since the suspense in this respect is minimal, we can just relax and enjoy watching one of our coolest supermen smoothly make his way through a nicely structured scenario. Although the action itself is ageless, one sign definitely links the movie to the 90s –the blatant lack of respect for the person of the US President and the undisguised criticism of political corruption. Maybe a way to exorcise the scandals that have been plaguing the White House over the last decades