12 Angry Men

Whether or not we really needed a remake of the famous Henry Fonda film, updated with a range of nationalities and transferred to television, this is a well-enough done update benefiting from some strong actors in the cast. Jack Lemmon takes on the voice of dissent (the Fonda role), while George C Scott is the redneck extremist (played earlier by Lee J Cobb). We also have Hume Cronyn and Ossie Davis, both fine actors in their eighties or thereabouts by the time this was filmed.

The script has been slightly updated but the premise is the same, all about family betrayals and the head-on reassessment of prejudice. Lemmon in particular is excellent as the quiet reasoner ready to debate the whys and wherefores with his fellow jurors. And Scott is memorable in one of his final roles, simmering on the edge of indignation until the pay off moment when he realises not all his problems can be solved by pinning blame on others.

This shouldn't replace the 50s version but is good enough in its own right to stand alongside it.

Watching this movie was like peeling an onion- the more it progressed the more the heart of the real matter was revealed. The ideas this movie fosters- the certainty that everyone enters the jury room with a hidden agenda were proven. Most of all it brings to light the fact that justice and money are connected. I was in awe of both Jack Lemmon and Hume Cronyn- how they were men of courage. Though the whole movie is set in a jury room it never lacks for tension and action. This movie should be required for every person who ever has to serve on a jury.

Nothing about Sidney Lumet's "12 Angry Men" cries out for an update, yet here we are. And it's a pretty good one. And(!) somehow angrier than the original. A dozen character actors fronted by Jack Lemmon and George C. Scott (both ideal choices for their respective roles) and William Friedkin extracts terrific performances from just about everyone. As aesthetics go, it may not be as striking; then again, the handheld camerawork enhances the fly-on-the-wall vibe.

I think this sums it up best: in a bizarre dystopia where the original film no longer exists, this will do nicely. The fundamentals are still intact, the actors are new and interesting, and in that respect, it really does feel like a stage play.

Not bad at all.

This is possibly the most watchable crime film of all time. It is quite difficult to separate it from the 1957 original, though it is set more to a 1990's audience, in terms of social thought, and mannerisms.

Jack Lemmon, and George C. Scott excel in this tele-movie, as two men of principle, both acting on there instincts and trying to arrive at the correct verdict, for a young man on trial for murder. We dont see the actual trial, the murder, or the lawyers, we instead have to rely on the discussions of the jurors to get an understanding of the events.

I dont know of many movies where you are kept on the edge of your seat for the entire film, but this is one of them. The remarkable fact is that the movie is limited to just one room, and virtually no props or special effects. Whether you have seen the original or not, this film will not disappoint. With a supporting cast of Armin Mueller Stahl, and Edward James Almos, this movie has no real weak points.

Like the original 1957 film, this remake is a taut drama. Unlike most remakes, this one is as good as the first. The script still stands up as a gritty revelation of human psychology. The cast is solid, and the characters are more diverse than in the original. Look at both versions and see a study not only in the workings of human nature but also in the workings of script adaptation at its best.