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Ayn Rand: A Sense of Life

  • 1996
  • Not Rated
  • 2h 25m
IMDb RATING
6.5/10
675
YOUR RATING
Ayn Rand: A Sense of Life (1996)
BiographyDocumentary

A documentary focusing on the life of novelist and philosopher Ayn Rand, the author of the bestselling novels The Fountainhead and Atlas Shrugged and originator of the Objectivist philosophy... Read allA documentary focusing on the life of novelist and philosopher Ayn Rand, the author of the bestselling novels The Fountainhead and Atlas Shrugged and originator of the Objectivist philosophy.A documentary focusing on the life of novelist and philosopher Ayn Rand, the author of the bestselling novels The Fountainhead and Atlas Shrugged and originator of the Objectivist philosophy.

  • Director
    • Michael Paxton
  • Writer
    • Michael Paxton
  • Stars
    • Sharon Gless
    • Michael S. Berliner
    • Harry Binswanger
  • See production info at IMDbPro
  • IMDb RATING
    6.5/10
    675
    YOUR RATING
    • Director
      • Michael Paxton
    • Writer
      • Michael Paxton
    • Stars
      • Sharon Gless
      • Michael S. Berliner
      • Harry Binswanger
    • 24User reviews
    • 15Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Nominated for 1 Oscar
      • 1 win & 2 nominations total

    Photos6

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    Top Cast32

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    Sharon Gless
    Sharon Gless
    • Self - Narrator
    • (voice)
    Michael S. Berliner
    • Self - Editor of Rand's Letters
    • (as Dr. Michael S. Berliner)
    Harry Binswanger
    Harry Binswanger
    • Self - Professor and Friend
    • (as Dr. Harry Binswanger)
    Sylvia Bokor
    • Self - Artist
    Daniel E. Greene
    • Self - Artist
    Cynthia Peikoff
    • Self - Friend and Secretary
    Leonard Peikoff
    • Self - Intellectual Heir and Friend
    • (as Dr. Leonard Peikoff)
    Al Ramrus
    • Self - Writer and Producer
    John Ridpath
    • Self - Professor: York University
    • (as Dr. John Ridpath)
    Mike Wallace
    Mike Wallace
    • Self - CBS News Correspondent
    Janne Peters
    Janne Peters
    • Self - Kay Gonda
    Peter Sands
    Peter Sands
    • Self - Dietrich von Esterhazy
    Buzz Aldrin
    Buzz Aldrin
    • Self - Astronaut on Moon
    • (archive footage)
    • (uncredited)
    Neil Armstrong
    Neil Armstrong
    • Self - Astronaut on Moon
    • (archive footage)
    • (uncredited)
    Cecil B. DeMille
    Cecil B. DeMille
    • Self - Addresses Extras
    • (archive footage)
    • (uncredited)
    Phil Donahue
    Phil Donahue
    • Self - Interviews Ayn Rand
    • (archive footage)
    • (uncredited)
    Grand Duke Nicholas
    • Self - Accompanies Tsar Nicholas
    • (archive footage)
    • (uncredited)
    Edith Head
    Edith Head
    • Self - Pins Costume
    • (archive footage)
    • (uncredited)
    • Director
      • Michael Paxton
    • Writer
      • Michael Paxton
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews24

    6.5675
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    Featured reviews

    7AlsExGal

    Good biography of a unique writer and philosopher

    I've been interested in Ayn Rand ever since I read "Atlas Shrugged" when I was only 22 years old. I didn't quite get everything Ayn was trying to say in that book at the time, and I chalked it up to my lack of life experience given my youth. When I was 40, I ran across this documentary on public TV. I figured that since 18 years had passed, watching this documentary combined with my maturity would enable me to understand Ayn Rand.

    This biography is a very sanitized version of Ayn Rand's life. The biography is accurate if not complete, since there is a lack of balance in the presentation due to the absence of information that shows the flawed and even somewhat "kookie" facets of the woman. For example, she encouraged her followers to smoke to highlight mankind's dominance over fire. The film also makes out her relationship with her husband, Frank, to be an ideal romance that lasted for decades. In fact, Ayn cheated on Frank for years with colleague Nathaniel Branden. To give her credit, she was true to her philosophy in being "objective" about the affair in the sense that she insisted that both her and Branden's spouse know what was going on. She ceased being objective, though, when Branden tired of her and began having an affair with a younger woman. She threw Branden and his research out the door with all of the emotion of any human being whose heart was being "subjectively" stomped on. I bring these points up not for the purpose of character assassination. Instead, I think that that it is difficult to get a balanced view of someone whose life work was pronouncing how life should be lived without examining the both the flaws and triumphs in that person's own life.

    The documentary did give me some insight into Ayn Rand's philosophy, though, and I'll have to say that she seems to be someone who threw the baby out with the bath water at every turn. As a youth in Russia, prior to the Russian revolution, she saw the failure of the Russian orthodox church to connect with the parishioners and help their lives in any way. This caused her to become an atheist without causing her to explore if it was in fact that this particular institution of religion was the failure, rather than the concept of God. After the revolution she saw the utter failure of the policies of Communism, and this caused her to believe that pure unadulterated capitalism is the only economic system that works, not bothering to realize that there might be a middle ground that looks out for society's weaker members while also rewarding enterprise and hard work.

    The fact that Ayn was what is an "odd bird" in 21st century America - an atheist capitalist - can only make me wonder what she would have to say about today's situation of fundamentalist Christian dogma intertwined with cut-throat capitalism that has become today's Republican party.

    If you are interested in learning the main points about Ayn Rand's life, this is a good source for the facts and even some insights - particularly good are the clips from her appearances on the Donahue show shortly before her death. However, realize that this biography is somewhat sanitized.
    everykindofpeople

    Advertising Selfishness

    I find this film to be little more than veneration for a woman who claimed she had no time for veneration but was more than willing to have people worship her. Rand was a hypocrite. At the end of her life she took Medicare for her lung cancer which was due to her lifetime of smoking. Thats not even mentioned in the film. I gave Rand's ideas my full attention for some 3 months a few years ago and was intrigued by them before coming to the conclusion her ideas are badly flawed. I read the Fountainhead and a number of her essays but didn't get far with Atlas Shrugged, by then I'd had enough. I'm a geriatric nurse, and I meet many people near the end of their lives and I meet their families, and see the quality of their relationships (or lack there of) and I can tell you, consistently, its those who live and care for others and open themselves and receive the care of others who have the happiest lives. I see it again and again and again. There's a name for it, its called love. Rands "individualism" is suicidal for the individual, the family and society. I'm rating this film so low because it does little more than promote these ill gotten ideas.
    zerchi2

    A quality documentary

    This documentary presents a well organized and concise picture of one of the most important thinkers of our time. If you don't know much about Ayn Rand, this film is worth watching, if only to be introduced to her ideas. Even though her philosophy is more aligned with the founding principles of America than that of any other 20th century thinker, she is all but discarded in American public schools. The popularity of twentieth century anti-mind/anti-humanism philosophies, amongst the Ivory Tower, has muted the voice of Ayn Rand in the classroom. If you grew up in the United States, you probably missed out on her side of the debate altogether. Rand's ideas are worthy of your consideration, and they're highly worthy of serious critical review.

    I hope you will take the review of this film written by ChrisWN with an entire shaker of salt. The size of the shaker is up to you, but you should know that the immature ranting of ChrisWN is typical of those who despise Ayn Rand. Let the fatuous nature of his writing be the measure by which he should be taken seriously as a film critic or as a critical thinker. And, further, let his ramblings be recorded as representative of the opposite of Ayn Rand's devotion to reason.
    6filmbay

    Ayn Rand movie suffers a bit from a lack of objectivity

    The memorable, and ultimately appalling, thing about Ayn Rand: A Sense of Life,the new film biography of the right-wing novelist-philosopher, is that it is perfectly true to its subject. Just as Rand, who was born in 1905 in Leningrad as it was convulsed by revolution, declared that she had not changed her ideas about anything since the age of 2½, this reverential documentary presents her thoughts as uncontested truth.

    The evangelical tone is set by filmmaker Michael Paxton, quoted in the press material as saying that he first found Ayn Rand when he was an adolescent trying "to find a book that would answer all of my questions and give my life meaning." A Sense of Life contents itself with interviewing her friends and acolytes. It acknowledges that she was much criticized, and even considered a crank, but her critics don't appear on screen and their views are not explained.

    But neither Rand nor the film should be dismissed, if only because she is widely read and her ideas have been deeply influential. They lie behind much neo-conservative commentary, which recasts democracy -- essentially an untidy contest of ideas and interests -- as a secular religion (she called it Objectivism) where competing points of view are greeted with adolescent impatience.

    But more particularly, Rand's influence helps explain the concealed romanticism of much right-wing commentary, which replaces iconic figures from other belief systems with buccaneering businessmen and entrepreneurs. As this film unwittingly makes clear, Rand herself was one of the great romantics. A worshipper of Hollywood, and partly successful screenwriter, she laments that the film version of her novel The Fountainhead "lacked the Romanticism of the German films she had loved as a youth." That these films were the precursors of fascism seems to have escaped the notice of Rand and her disciples.

    This appealing simplicity, a charming oblivion to her own contradictions, gave Rand a widespread following among those looking for answers, even as it exasperated intellectuals. She believed that each individual has a sacred core of personal talents and dreams which can be expressed in a free society. People may choose to co-operate, but these choices must ultimately serve their self-interest. If an action is truly selfless, she often said, it is "evil." Her reasoning was that selflessness in one's own life can be enlisted by political systems such as communism that call on human beings to sacrifice themselves for the state.

    These views were apparently burned into Rand's consciousness by the horrors she witnessed during and after the Russian Revolution -- a period the film recalls through family photographs and archival film footage. She decided that capitalism was the only hope for mankind. "Capitalism leaves every man free to choose the work he likes," she declares on screen, oblivious to the deadening monotony of most people's jobs, not to mention unemployment.

    Like her spiritual successors she prefers the grand and distant vista, and does not approach closely to see the outcasts and victims who are part of every great undertaking. She loved "the view of the skyscrapers where you don't see the details," declares the film, unselfconsciously.

    This made her a formidable popular writer. She was seriously able to declare that Marilyn Monroe seemed to have come from an ideal, joyful world, that the star was "someone untouched by suffering." The hero of her last novel, Atlas Shrugged,was the direct descendant of Cyrus, the hero of a boy's adventure story she read at the age of 16. Like most libertarians, she had a deeply childish world view.

    Never beautiful, Rand's intensity (and searching black eyes) seduced more than a few men. According to Harry Binswager, one of her academic admirers, "her idea of feminity was an admiration of masculine qualities." This was also Hitler's idea of feminity, and Rand's screenplays invariably include an idealized hero or heroine standing on a distant promontory, Leni Riefenstahl-style, but these fascinating parallels are of course not examined in A Sense of Life.

    Rand had a powerful, if not searching, intellect. In many on screen interviews seen in the film, she gives apparently convincing answers to her critics. But the answers are always framed in absolutes -- "man wants freedom, suffering has no importance" -- which are essentially empty postulates. But they have an attractive ring.

    A Sense of Life is worth seeing because its naive presentation of Rand is consonant with Rand herself. In fact, it feels like nothing so much as an in-house biography of the founder of some fundamentalist religious sect. It acknowledges its subject's imperfections (her infidelity to her husband of 50 years, for example), but only to declare them redeemed by her quest for truth.

    Rand was, of course, a lifelong atheist. But her work is a testament to the yearning for belief. The film concludes on a lingering shot of a poster for Atlas Shrugged,"Don't call it hero worship: it's a kind of white heat where philosophy becomes religion." Or, perhaps, the ashes that are left when you turn up the temperature on a new belief system to the point where human community and compassion are burnt away. Conrad Alton, Filmbay Editor.
    orssengo

    Ayn Rand is my most favourite Philosopher!!!

    Ayn Rand has helped me to have an integrated view of life.

    She teaches for reason and trade, instead of faith and force.

    She is against mysticism, which rules by means of guilt, by keeping men convinced of their insignificance on earth. She is against the dogma of man's poverty and misery on earth.

    She teaches you to face the universe, free to declare your mind is competent to deal with all the problems of existence and that reason is the only means of knowledge.

    Ayn Rand states that intellect is a practical faculty, a guide to man's successful existence on earth, and that its task is the study of reality (as well as the production of wealth), not contemplation of unintelligible feelings nor a special monopoly on the "unknowable".

    She is for that productive person who is confident of his ability to earn his living - who takes pride in his work and in the value of his product - who drives himself with inexhaustible energy and limitless ambition to do better and still better and even better - who is willing to bear penalties for his mistakes and expects rewards for his achievements - who looks at the universe with the fearless eagerness of a child, knowing it to be intelligible - who demands straight lines, clear terms, precise definitions - who stands in full sun light and has no use for the murky fog of the hidden, the secret, the unnamed, or for any code from psycho-epistemology of guilt.

    Her words will help people to free themselves from fear and force forever.

    Thanks Ayn for you direction. She has given me an integrated view of life. I hope, by reading her books, you get it too.

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    Documentary

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    Details

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    • Release date
      • February 13, 1998 (United States)
    • Country of origin
      • United States
    • Official site
      • Official site
    • Language
      • English
    • Also known as
      • Ayn Rand: Un sentido de la vida
    • Filming locations
      • Los Angeles, California, USA
    • Production companies
      • AG Media Corporation Ltd.
      • Copasetic Inc.
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $1,000,000 (estimated)
    • Gross US & Canada
      • $205,246
    • Opening weekend US & Canada
      • $26,101
      • Feb 16, 1998
    • Gross worldwide
      • $205,246
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 2h 25m(145 min)
    • Color
      • Black and White
      • Color
    • Sound mix
      • Stereo
    • Aspect ratio
      • 1.85 : 1

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