Bent

I had seen the play on Broadway twice, once with Richard Gere and David Dukes, and once with Michael York and Jeffrey DeMunn. The movie is very faithful to the play and was just as interesting, which usually is not the case. Mick Jagger is great as Greta. All in all, I'd recommend this movie and did not find it pretentious in the least.

Kuranosuke Sasaki who is my favorite actor acted in the play "Bent". I wanted to see him, so I decided to watch it without taking it too seriously. However, after the play, I regretted watching it with a light heart because it was so tragic that my heart could not bear. Since I already knew the story, I also watched the film version. This is the story of gays under control of Nazis. It is famous that Jewish put on the yellow star, but for the first time I know gays are also the target of holocaust and have the pink mark on their chest. In the situation that human is not treated as human, gays survive with the dignity and love of human beings. I feel sad, dark, disappointed and don't like such an ending. However, I think this important story should be handed down from generation to generation.

When Martin Sherman's play first appeared (with Ian McKellen as Max and Tom Bell as Horst) it caused outrage and much discussion with its sympathetic and frank treatment of forbidden love in the age of the SS.

Here it has undergone a few changes but retains its stark power. Clive Owen (probably not my first choice for the role) plays Max, the homosexual who pretends to be a Jew so he is not at the bottom of the pecking order of prisoners. The way the SS force him to prove his sexuality is shocking whether on the printed page, in a theatre, or up on the big screen. Brian Webber plays his intellectual lover Rudy with some class and it is a brief but touching performance.

Lothaire Bluteau, who I had only seen before in 'Jesus of Montreal', was brilliant in the role of Horst, the prisoner with the pink triangle who awakens Max again from his imprisoned desires. There are quiet and intense scenes between the two that are almost unbearably moving to watch, and are done within this film extremely well.

Elsewhere in the cast, Ian McKellen himself plays Uncle Freddie (but those of us who saw him as Max would love to have seen that portrayal immortalised on screen), while Mick Jagger is surprisingly good as Greta (a role which could easily be played wrong but he's spot on).

This play/film is intended to make its audience confront their prejudices, to shock, move, and inspire them. I think it is an unmissable experience - a difficult one, but worthwhile.

While I didn't spot Jude Law or Rachel Weisz, I couldn't miss Clive Owen. What a fantastic performance and a gorgeous backside. Supported by Ian McKellen and a very glam Mick Jagger, he goes on a terrible journey that I can only imagine is amazing on stage.

It wasn't as horrificly graphic as I was expecting, which was pleasing, as some concentration camp films really upset me, but it still had a strong and poignant message to tell.

I wasn't sure if the bombed out properties used at the beginning as the club and Clive's house were to represent the stage show more than a true idea of where they would actually be, but I liked its quirks and artistic direction throughout.

As much as I love Mr Owen, I think I have to say that Lothaire really gives the greatest most emotive and heartfelt performance in this film and the "No touching" scene was unbelievable.

Clive Owen plays Max, a loose, carefree, and cowardly playboy who is caught by Nazis along with his gay partner and shipped off to the Dachau concentration camp to do hard labor. He pretends to be in the yellow star unit meaning that he is Jewish instead of the pink triangle unit meaning that he is gay. But he meets a member of the pink triangle named Horst who he befriends and begins developing feelings for as they work day after day moving rocks from one place to another. The film is based on a play of the same name that gained much critical acclaim and won many awards. One viewer may realize this very quickly upon watching this movie as the film does feel quite staged. film works as a message film, the message being "be yourself". The film nails this concept pretty much solidly. Unfortunately, there are some distractingly bad flaws here. As I mentioned earlier, the film is incredibly staged. The film doesn't feel like reality. There are scenes that are so stage like in execution, it almost incites an unintentional laugh. There's even a scene of violence that feels extremely prepared and strangely very dance like. It's really too bad because there are some fantastic scenes herein. There is an orgy scene early in the film that is full of erotic passion and beauty. There are some harrowing scenes that take place on the train that are pretty disturbing. And there is an early scene involving Mick Jagger that is pretty interesting. Overall, even though it's interesting, moving and well acted, it's a poor film. There are some undeniably powerful scenes, but there isn't enough there for me. I recommend it if it sounds interesting to you. Just be prepared for some really sloppy directing.