The story of a young girl who witnesses her dad's death on stage at a rock concert and becomes mentally mute/deaf; four years later, she discovers that she can only communicate by singing.The story of a young girl who witnesses her dad's death on stage at a rock concert and becomes mentally mute/deaf; four years later, she discovers that she can only communicate by singing.The story of a young girl who witnesses her dad's death on stage at a rock concert and becomes mentally mute/deaf; four years later, she discovers that she can only communicate by singing.
- Awards
- 10 wins & 4 nominations total
Osvaldo Maione
- Franco Rammus
- (as Oswldo Maione)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
10SnowYs
I'd have to say I wouldn't like this movie half as much as I do if the little girl, Amy, hadn't been such a wonderful actress. I was just blown away by her singing abilities, as well as her acting abilities. I hope we see more of Alana in the future.
Although I liked 'Amy' a lot, and will give it high marks, I disagree with the statement by other reviewers that the movie differs a lot from the standard American fare.
Sure, the scenery is great, the people talk different accents, and the cops are almost British in their politeness. Yet, from a plot point of view this movie is as canonical as it can be. For starters there is the not so subtle emotional plot line of a mother and her daughter who have not completed mourning their loved one. There is a considerable amount of bad guys and good guys, whose roles sometimes flip. Halfway through the film there is an extended chase and search sequence. Then there are the characters with a serious deficiency, like the guitar player who is a dropout, which turns out to be a great asset in the plot. I mean, this is Disney! And last but not least there is the happy ending.
Sure, the scenery is great, the people talk different accents, and the cops are almost British in their politeness. Yet, from a plot point of view this movie is as canonical as it can be. For starters there is the not so subtle emotional plot line of a mother and her daughter who have not completed mourning their loved one. There is a considerable amount of bad guys and good guys, whose roles sometimes flip. Halfway through the film there is an extended chase and search sequence. Then there are the characters with a serious deficiency, like the guitar player who is a dropout, which turns out to be a great asset in the plot. I mean, this is Disney! And last but not least there is the happy ending.
The latest film from Australians Nadia Tass and David Parker (Malcom, The Big Steal, Stark, Mr Reliable, Ricky And Pete and Pure Luck) works superbly in some respects and woefully in others.
A little girl (Amy Enker) sees her rock star father (Nick Barker from The Reptiles) die from electrocution on stage. She then seems to be unable to speak or to even hear others. Her mother (Rachel Griffiths) refuses to have her daughter taken from her by welfare and they hide out in inner city Melbourne. There they meet assorted misfits and desperates including a musician called Robert (Ben Mendelsohn).
These film makers enjoy adding a slight touch of surrealism to their movies, especially to the peripheral characters. In Amy this takes the form of stupid eccentrics, in particular singing policemen, which some may find the most appealing element of the film but which I found annoying; only a distraction from that which is so much more effective.
The dramatic aspects of Amy are particularly strong. Rachel Griffiths and Ben Mendelsohn are two of our most emotive actors. The essential element of the film is the emotional pain the little girl and her mother are enduring caused by the death of a man they both loved dearly. Their grief is strongly portrayed.
The search by these two for a solution that may allow the daughter to escape her self imposed withdrawal from the world is poignant and demanded a film that steadfastly remained a drama.
Dad's electrocution, an utterly hateful paparazzi photographer and a helplessly crying young lad reeling from domestic violence and drunkenness are all I needed from Amy. The rest didn't fit at all.
It was also pretty unlikely that the little girl could sing so well, but hey, that's entertainment!
A little girl (Amy Enker) sees her rock star father (Nick Barker from The Reptiles) die from electrocution on stage. She then seems to be unable to speak or to even hear others. Her mother (Rachel Griffiths) refuses to have her daughter taken from her by welfare and they hide out in inner city Melbourne. There they meet assorted misfits and desperates including a musician called Robert (Ben Mendelsohn).
These film makers enjoy adding a slight touch of surrealism to their movies, especially to the peripheral characters. In Amy this takes the form of stupid eccentrics, in particular singing policemen, which some may find the most appealing element of the film but which I found annoying; only a distraction from that which is so much more effective.
The dramatic aspects of Amy are particularly strong. Rachel Griffiths and Ben Mendelsohn are two of our most emotive actors. The essential element of the film is the emotional pain the little girl and her mother are enduring caused by the death of a man they both loved dearly. Their grief is strongly portrayed.
The search by these two for a solution that may allow the daughter to escape her self imposed withdrawal from the world is poignant and demanded a film that steadfastly remained a drama.
Dad's electrocution, an utterly hateful paparazzi photographer and a helplessly crying young lad reeling from domestic violence and drunkenness are all I needed from Amy. The rest didn't fit at all.
It was also pretty unlikely that the little girl could sing so well, but hey, that's entertainment!
I rented Amy with hesitance after reading that it was an Australian movie, and to be quite honest with you, I am not a huge fan of the movies that are produced in my country. Amy, however, is a brilliant film which does not focus on the typical Australian stereotypes which have previously dominated the majority of Australian movies. Instead, it relies on fantastic acting, dry humour and an intriguing storyline to capture the audience's attention. As I watched, I found myself being drawn into the mystery of Amy, a young girl who became traumatised after watching an incident which is only revealed after her mother experiences flashbacks to the event in the middle of the movie. This particular scene is superbly acted by Rachel Griffiths, and precisely depicts why Amy has withdrawn herself into a world of silence. Amy is a fantastic film which showcases Australian film production at its very finest.
If we talk about non-American movies, European and Asian cinema are quite well known, but Australia seems to stay behind a bit. However, from time to time one of their movies makes it all the way to one of our TV-stations and sometimes they offer a nice surprise. "Amy" is one of those Australian movies that are more than just worth a watch...
It is about an eight year old girl that has become mentally mute and deaf after she witnessed her father die on a stage during a rock concert. She lives with her mother on a farm, but because the government wants to take her from her mother, they are convinced that she is mistreated by her mom, they both move to the big city. Here they end up in a bad neighborhood, full of people who stand very low on the social ladder. At first the neighbors aren't too happy with the "intruders", but one of them soon finds out that he can communicate with Amy by making music and singing...
Even though the movie had its weaker moments, overall this is a very touching story that has been done in a very nice way. All the singing started to work a bit on my nerves after a while, but it wasn't that awful that it made me forget about the beauty of the movie. I guess you have to be the ultimate macho to say that this movie didn't touch you a bit and even then I wouldn't believe you. Personally I liked this movie very much and that's why I give it at least a 7.5/10.
It is about an eight year old girl that has become mentally mute and deaf after she witnessed her father die on a stage during a rock concert. She lives with her mother on a farm, but because the government wants to take her from her mother, they are convinced that she is mistreated by her mom, they both move to the big city. Here they end up in a bad neighborhood, full of people who stand very low on the social ladder. At first the neighbors aren't too happy with the "intruders", but one of them soon finds out that he can communicate with Amy by making music and singing...
Even though the movie had its weaker moments, overall this is a very touching story that has been done in a very nice way. All the singing started to work a bit on my nerves after a while, but it wasn't that awful that it made me forget about the beauty of the movie. I guess you have to be the ultimate macho to say that this movie didn't touch you a bit and even then I wouldn't believe you. Personally I liked this movie very much and that's why I give it at least a 7.5/10.
Did you know
- TriviaThe venue for the concert where Amy is found towards the end of the film is the Sydney Myer Music Bowl. It is located in gardens near the centre of Melbourne and is used for a wide range of functions, including concerts and Carols by Candlelight.
- GoofsWhen Amy is lost, her travels take her through a wide range of Melbourne locations representing a long, convoluted trip that would most likely be beyond the average 8-year-old child, requiring much walking and considerable use of public transport.
- Quotes
Tanya Rammus: Do you think that someone who can't speak could sing?
Dr. Urquhart: I once saw a woman who couldn't walk, but she could dance.
- How long is Amy?Powered by Alexa
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