Dead Men Can't Dance

"Dead Men Can't Dance" is a film that relies heavily on other films, interweaving plot conflicts and cliches that we've seen a million times before into one motion picture. However, the ones they use to combine work nicely: A small all-women platoon fights its way through Vietnam, trying to figure out which among them are spies and which in the government are the villians working alongside the enemy. Sure, we've seen it all before, but in order for a film like this to work, it must take the cliches seriously and make sure they flow and interlap smoothly. This film does that, and it knows how to make them work. After all, this is a movie trying to be an action flick, not a serious approach to the Vietnam War.

The cast is generally good- Michael Biehn, Mark Edward Anderson, and Adrian Paul stand out as the men trying to lead the women to victory, and most of the women, played by a bunch of unknowns, are well played. Its almost as if all the actors know that their characters are paper-thin and designed to be cardboard cutouts, and they choose to have fun with it. This factor helps tremendously.

However, despite these pluses, the film as a whole is extremely poor. The camera work is shoddy, and the production values are terrible. It looks as if it was filmed with a cam corder most of the time, and the synthesizer music only adds to its cheeziness. Some directors can hide a low budget (1993's "Fortress" is a good example). This guy, however, cannot. The results are an impressive, if overused, plot with lousy details around it. And if you don't have the visuals mastered in war films, you don't have anything.

*1/2 out of ****

This product of the Phillipines was made by people who have absolutely no understanding of US Army Ranger training and operations. It explains why it is the worst piece of drivel a few noteworthy actors and actresses have put into their acting careers. I think the few 10 votes here must have been from the makers of this film.

I was totally sucked in by the video cover.

I love movies about small unit warfare (Sniper, 84 Charlie Mopic, Platoon even) and a movie starring Michael Biehn (Navy Seals) couldn't be totally rock bottom, even for a video rental? No such luck, though. Instead of being a movie of a small unit stuck behind the lines, it turns into a "we're going to prove women soldiers are just as good as men, and we're going to prove it in North Korea" howler come exploitation movie - except there are no decent shower scenes.

Watch the great R. Lee Ermey wasted in a throw away role. Watch Hiep Thi Lay (Heaven And Earth) go through 'Nam flashbacks when faced with a concrete cylinder "tunnel" (people, she's a girl going through Ranger training, how old is she supposed to be in this - 35? 45?).

All I can say is that the producers of this junk should be fragged.

Why, you ask? I'll tell you why.

It's because "Dead Men Can't Dance".

Alex

I wanted so much to like a movie staring my two favorite actors--Adrian Paul and Michael Biehn. I'm not your crazed fan type. . .but somehow these two men have stuck in my imagination. Both have (for the most part) appeared in works with good scripts and intelligent characters.

Why this turkey? The story line-- women saving a male black ops team in Korea-- was painful. The film looked as if it had been shot with an old 8mm on a budget of $1.95.

I hope my favorite guys had a good time or got paid a lot of money. It was painful to watch.

You should know that direct-to-DVD movies about the military are going to be full of tired cliché's. This one put just about every single one I can think of in the mix.

Kathleen York has an Oscar nomination for Crash, but it is for the music. Stick to that because we don't need another G.I. Jane. especially one that gets a Ranger badge just for being slapped a couple of times.

Michael Biehn (Aliens, The Terminator) was her love interest and probably the best thing about this flick. At least he appeared to know something about being military.

R. Lee Ermey (Full Metal Jacket) made an excellent slimy Senator, and I always enjoy Grace Zabriskie ("Big Love").

I guess there is a good reason I have not seen anything before this that was directed by Stephen Milburn Anderson or written by Paul Sinor. It is not likely that I ever will except by accident.