Dead Silence

I think Dead Silence is a better story, then the book ( A maiden's Grave ) on which it was based. This is rare indeed, for usually a story looses depth, when it is turned into a movie. In this case, the plot is more compact, with less unnecessary details, which contributes to the tension.

Pretty good Matlock'ish movie. James Garner is a missed gem. Awesome to also see Scott Speedman in a very early role prior to Underworld. Nice twist at the end!

"Dead Silence" has a real grabber of an opening, and rarely lets up thereafter. The hostage drama plays out in a somewhat logical manner, until the end, where credibility gets stretched to the max. It is interesting to see the way James Garner manipulates the situation to his advantage, only to have the whole thing unraveled by what appears to be nothing more than a tacked on ending. Nevertheless the film delivers a lot of tense moments, and is entertaining, despite the rush to a rather unbelievable conclusion. The movie is well acted, and the on location photography is acceptable. I recommend seeking this one out. - MERK

Exciting film dealing with a hostage rescue unit of the FBI. They must try to talk a deranged convict and his buddies out of killing a group of young kids held in an abandoned slaughter house. Things go about as expected until the last 20 minutes when a surprise is thrown in which spices up an otherwise routine suspense picture.

Dead Silence is one of the best movies I've seen in a long time. It has all the elements necessary for a quality film. Drama, suspense, action, and even the occasionally witty comment by the all-star cast are present. Drama and action, specifically, are present in spades. James Garner truly shines in his role as the conflicted FBI agent John Potter, as does James Villemaire, who portrays the character Sonny, one of the kidnappers of the deaf children. Dead Silence is a one of a kind, edge of your seat movie, sure to keep you guessing till the climatic finale. I recommend this film to all, as everyone should see this exemplar of modern film-making.