What did little Eve see--and how will it haunt her? Husband, father and womanizer, Louis Batiste, is the head of an affluent family, but it's the women who rule this gothic world of secrets,... Read allWhat did little Eve see--and how will it haunt her? Husband, father and womanizer, Louis Batiste, is the head of an affluent family, but it's the women who rule this gothic world of secrets, lies and mystic forces.What did little Eve see--and how will it haunt her? Husband, father and womanizer, Louis Batiste, is the head of an affluent family, but it's the women who rule this gothic world of secrets, lies and mystic forces.
- Awards
- 12 wins & 17 nominations total
- Julian Grayraven
- (as Vondie Curtis Hall)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Lynn Whitfield and Samuel L. Jackson are also superb as the parents whose complex and troubled relationship's problems spill over onto the children, especially the two daughters, Eve and Cisely. Cisely sees herself as a buffer comforting her father and trying to protect him from her mother whom Cisely sees as a rival for her father's affections. Eve bounces around amidst the angst of being a middle child and the desire to understand the adults' world. This definitely a movie to see. It's a shame that jewels like this get overlooked in the usual Hollywood hype machine.
I came across this film in the budget DVD section of one of the chain stores when I was buying a bunch of films that I had never heard of to watch when it got too hot in summer to move outside. After it had lain around for several months, I finally got around to watching it, and it just blew me away!
This film held my attention from the opening scene. To begin with, it was set in a completely different world - Louisiana, which may be an American state, but is still "foreign". The film contained elements of mystery, family life, and infidelity in an exotic mix spiced with voodoo. The story centered around an upper middle class creole family, descended from a Frenchman and a freed African slave, who bore her liberator 16 children!
The film began with a party at the elegant home of the Doctor, Louis, the father of the child Eve and philandering husband of Roz. The family included Louis' mother and sister, who had the gift of second sight and who "was not unfamiliar with the inside of a mental hospital." From that party, events unfolded, the significance of which depended on the perception of the participant. Eventually tragedy strikes, but was it provoked or did he have it coming?
Not only was the setting and story oh so different, the performances were excellent, including the small cameo roles, and the background music just so haunting that I agree with all those reviewers who found it to be one of the best films ever.
I would just love to see what this group would do with an all black version of "Streetcar named Desire."
I think this was one of the best movies of 1997 and should have received more recognition. I look forward to what Kasi Lemmons does next.
I mentioned earlier that I loved the fact that this film kept us grounded by continually showing us scenes from the bayou. It kept our minds focused on where we were and the environment that surrounded these troubled people. Amazingly, Lemmons has transformed this setting into more than just a place, she has given it life. Not only through our characters, but it also is the center of most of the magic that occurs. It is a very symbolic reference. A bayou is a creek or a secondary waterway that is a passageway to another larger body of water. In this film, Eve represents the bayou as she travels to her family, the larger body of water. Also, whenever Mozelle calls upon the 'spirits' her first sight is of the bayou. Lemmons may be saying that the bayou is more than just water, it is the center of everyone's universe in this town. Perhaps it has more meanings, but I really felt that Lemmons was using the bayou as more than just a place setting, it spoke to me more about the characters.
Finally, I would like to add that coupled with the amazing acting, Lemmons gives some of the most memorable direction behind the camera. The scenes when Mozelle speaks about how she lost her second husband (the one that loved her the most) because her lover wanted her to himself was riveting. Told through the mirror, this was one of the most interesting ways to tell a flashback. Instead of using the classic 'black and white' or faded lines trick, Lemmons actually brought the scene to us. We witness it firsthand and this allows us to be impacted deeper. I felt the connection, and it worked.
Overall, this was a gem. I wasn't expecting to see such a caliber of acting and direction as I did in this film. The cinematography was outstanding. Lemmons has an eye and a passion for this film, and it is apparent with every scene that she captures. The Batiste family engulfs all of your emotion. Lemmons takes innocent children and captures you within their world, giving you only brief moments to breathe. She shows us the power behind Jackson's voice and the ability he has to expand his career. This was a surprise for me, but a well enjoyed surprise. I suggest you check this film out when time permits. It is a rare find that you will probably see in the bargain bin at any local store. Pick it up and enjoy it. I do not think you will be disappointed.
Grade: **** out of *****
Did you know
- TriviaAccording to writer and director Kasi Lemmons, her cut differed greatly from the final cut released to theaters, which eliminated a major character from the movie.
- GoofsAfter the Batiste family learns with relief that the boy who was hit by the bus wasn't Poe and Mrs. Batiste tells Eve to go upstairs and tell Cisely that they can all go outside, a boom mic is visible at the top of the frame.
- Quotes
Mozelle Batiste Delacroix: Life is filled with goodbyes, Eve, a million goodbyes, and it hurts every time. Sometimes, I feel like I've lost so much, I have to find new things to lose. All I know is, there must be a divine point to it all, and it's just over my head. That when we die, it will all come clear. And then we'll say, "So that was the damn point." And sometimes, I think there's no point at all, and maybe that's the point. All I know is most people's lives are a great disappointment to them and no one leaves this earth without feeling terrible pain. And if there is no divine explanation at the end of it all, well... that's sad.
- Alternate versionsThe Criterion Collection Blu-ray release includes both the theatrical cut (running 108 minutes 45 seconds) and the director's cut (running 115 minutes 33 seconds).
Details
Box office
- Budget
- $6,000,000 (estimated)
- Gross US & Canada
- $14,842,388
- Opening weekend US & Canada
- $3,287,846
- Nov 9, 1997
- Gross worldwide
- $14,842,388
- Runtime
- 1h 48m(108 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1