To foil a terrorist plot, an FBI agent assumes the identity of the criminal who murdered his son via facial transplant surgery, but the crook wakes up prematurely and vows revenge.To foil a terrorist plot, an FBI agent assumes the identity of the criminal who murdered his son via facial transplant surgery, but the crook wakes up prematurely and vows revenge.To foil a terrorist plot, an FBI agent assumes the identity of the criminal who murdered his son via facial transplant surgery, but the crook wakes up prematurely and vows revenge.
- Nominated for 1 Oscar
- 11 wins & 23 nominations total
James Denton
- Buzz
- (as Jamie Denton)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
90U
Face/Off
This is an epic action movie with everything and more: plane explosions, a jail break, boat chases, the latest scientific advances, and of course, the white doves flying off before a gun fight. It also has the premise of putting on someone else's face, which is an insane plot twist, which somehow turns out amazing. Also, if you don't already appreciate the gem to American cinema that Nicholas Cage is, prepare to be blown away.
Preposterous fun big, loud and exciting with a master at the helm
Sean Archer is the head of a special unit set up to hunt down master criminal Caster Troy. In an airport shootout Archer puts Troy in a coma and captures his brother Pollux. Archer then discovers that Troy has planted a bomb in LA, yet Pollux refuses to reveal where it is. With time running out Archer is offered a terrible option - to switch faces with Troy and have surgery to alter his body shape. After the surgery Archer goes undercover in prison to learn the location of the bomb. However when in prison, Troy awakes from his coma, forces the doctors to give him Archer's face, kills everyone who knows about the mission and assumes Archer's life. Trapped in prison, Archer is forced to escape from prison and join with Troy's gang to expose Troy - mayhem ensues.
This was Woo's third American film and it was the one he finally struck gold with. The story is simply daft - don't try to pick holes in it because it's far too easy to do. What makes the film is that the plot is glossed over by sheer spectacle and great action - you barely have a moment to catch your breath, never mind pick holes in the plot. The action is fantastic throughout - plenty of trademark slow-mo, diving with two guns etc and all given such style. In his other US films it all felt like Woo-lite, however here he is allowed to do just what he wants. OK - the plot may not stand up in repeated viewing, but the action is superb!
Travolta and Cage both have great fun playing each other - they mange to swap roles really well. Travolta has the most fun as he gets to ham it up as Troy for most of the time, but Cage has the better role as he plays the `good guy' for most of it. Allen and Gershon are both good as the protagonist's partners but have little to do in this man's world. Really it's all about Cage and Travolta and Woo - nobody else really matters.
Overall this may not be a great film due to the weakness of it's plot, but it is still a superb action movie. Most action movies have poor plots - but not all can provide the huge amount of action and fun that Face/Off does. Fantastic!
This was Woo's third American film and it was the one he finally struck gold with. The story is simply daft - don't try to pick holes in it because it's far too easy to do. What makes the film is that the plot is glossed over by sheer spectacle and great action - you barely have a moment to catch your breath, never mind pick holes in the plot. The action is fantastic throughout - plenty of trademark slow-mo, diving with two guns etc and all given such style. In his other US films it all felt like Woo-lite, however here he is allowed to do just what he wants. OK - the plot may not stand up in repeated viewing, but the action is superb!
Travolta and Cage both have great fun playing each other - they mange to swap roles really well. Travolta has the most fun as he gets to ham it up as Troy for most of the time, but Cage has the better role as he plays the `good guy' for most of it. Allen and Gershon are both good as the protagonist's partners but have little to do in this man's world. Really it's all about Cage and Travolta and Woo - nobody else really matters.
Overall this may not be a great film due to the weakness of it's plot, but it is still a superb action movie. Most action movies have poor plots - but not all can provide the huge amount of action and fun that Face/Off does. Fantastic!
Wow....this one is good
This one has a tough job of convincing the audience that the main characters, Travolta and Cage, could swap faces via plastic surgery and still be convincing as one another. It works! Woo has a certain style down-the long flowing robes, slow mo shootouts, orchestral hype in the background, furious shoot outs, explosions, etc. Essentially a more stylish Bruckheimer movie if ya think about it.
I have always liked the Bald guy and Gina Gershon here the most from the supporting cast, and enjoyed the way both the leads got to 'understand' the others' family, way of life, friends, etc. You have to like how Castor gets Travolta's girl to learn knife fighting, for example, or seeing the camaraderie of Cage's group.
Good shootouts and action, sometimes the conceits here are quite far flung, but you can live with that as an audience. I sure did, and so give this...
*** outta ****, it's quite good
I have always liked the Bald guy and Gina Gershon here the most from the supporting cast, and enjoyed the way both the leads got to 'understand' the others' family, way of life, friends, etc. You have to like how Castor gets Travolta's girl to learn knife fighting, for example, or seeing the camaraderie of Cage's group.
Good shootouts and action, sometimes the conceits here are quite far flung, but you can live with that as an audience. I sure did, and so give this...
*** outta ****, it's quite good
One of the greatest action films ever made
John Woo knows, if anybody, how to make good, stylish action. And that's exactly what this film is; good, cool, stylish action. The plot is great; fairly psychological and quite interesting. It has a fast(and remarkably even) pace, I don't think more than 30 minutes passes at any point in the movie without a giant action scene. All in all, I'd guess there are about four or five major shootouts, and two chase scenes which are each several minutes long(without getting repetitive, fortunately). The acting is excellent; every single major part is well-played. John Travolta, Nicolas Cage, Joan Allen, Alessandro Nivola, Gina Gershon, Dominique Swain... all give great, entirely believable performances. The best are definitely Travolta and Cage, though; fantastic, truly stellar performances. The characters are all well-written and credible, right down to the most minor one. The action is cool and very stylish, in every single action-scene. The theme of the film is great; of course, the story is completely unlikely, with the face-switching and all, but once you get past that, once you suspend disbelief, you'll most likely enjoy the film thoroughly. The script is excellent, plenty of action, drama, and thriller parts. Also, you gotta love the sharp contrast 3/4's into the movie, with the kid listening to sugary pop-music, while people are shooting intensely at each other. Great film. I recommend it to any fan of John Woo, Nicholas Cage, John Travolta and action films. 8/10
Corny. Crazy. Cool.
Face/Off is amazing because it mixes an outrageously cornball plot with some of the best acting in an action movie. How John Woo pulled it off is beyond me. His visual imagery is flamboyant and decorative, yet never fails to deliver the goods. There is always a flurry of images to grasp our attention. Granted, his typical trademarks are here, but never does the script suffer from the same problems as in his other works.
Nicolas Cage and John Travolta are phenomenal in their dual roles each. The rest of the cast isn't very deep and is more filler than anything else. The editing job feels underdone, particularly when the action sequences get to the "overcooked" staged. Still, how many speedboat chases or airplane crashes are you going to see in a slow-motion?
Overall, a summer action movie that delivers in acting, directing, and most other departments. 4 out of 5 stars.
Nicolas Cage and John Travolta are phenomenal in their dual roles each. The rest of the cast isn't very deep and is more filler than anything else. The editing job feels underdone, particularly when the action sequences get to the "overcooked" staged. Still, how many speedboat chases or airplane crashes are you going to see in a slow-motion?
Overall, a summer action movie that delivers in acting, directing, and most other departments. 4 out of 5 stars.
Nicolas Cage on the Roles That Changed His Life
Nicolas Cage on the Roles That Changed His Life
Nicolas Cage breaks down his transcendent performances in Valley Girl, Vampire's Kiss, and Face/Off to reveal how they changed both his career and his life.
Did you know
- TriviaNicolas Cage and John Travolta spent two weeks together before filming to learn how to play each other. They decided on specific gestures and vocal cadences for each character that could be mimicked.
- Goofs(at around 40 mins) The Geneva Convention regulates the treatment of victims and prisoners of war, not criminal prisoners of society. The guard makes a reference to the Geneva Convention simply to intimidate new prisoners and give the impression that the prison guards are not limited to any domestic and international laws that protect mistreatment of prisoners.
- Quotes
Castor Troy: [to agent Winters as she poses as a flight attendant] Y'know, I could eat a peach for hours.
- Alternate versionsIn the Domestic release, the Paramount opening logo is played, and at the end of the film, The still closing version of the Paramount logo is shown; while on the International prints, the Buena Vista International logo is played for 20 seconds before the company credits is shown.
- SoundtracksThe Hallelujah Chorus - Since By Man Came Death
From oratorio "Messiah"
By George Frideric Handel (as Georg Friedrich Händel)
Performed by Boston Baroque Orchestra & Chorus
Conducted by Martin Pearlman (uncredited)
Courtesy of Telarc International Corporation
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Contra/Cara
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $80,000,000 (estimated)
- Gross US & Canada
- $112,276,146
- Opening weekend US & Canada
- $23,387,530
- Jun 29, 1997
- Gross worldwide
- $245,676,146
- Runtime
- 2h 18m(138 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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