To foil a terrorist plot, an FBI agent assumes the identity of the criminal who murdered his son via facial transplant surgery, but the crook wakes up prematurely and vows revenge.To foil a terrorist plot, an FBI agent assumes the identity of the criminal who murdered his son via facial transplant surgery, but the crook wakes up prematurely and vows revenge.To foil a terrorist plot, an FBI agent assumes the identity of the criminal who murdered his son via facial transplant surgery, but the crook wakes up prematurely and vows revenge.
- Nominated for 1 Oscar
- 11 wins & 23 nominations total
James Denton
- Buzz
- (as Jamie Denton)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Face\off is the REAL masterpiece by John Woo (at least among his movies directed in the USA). It's spectacular, touching, tough and strongly directed.
Here there are a bunch of references to all his precedent movies, in particular to "The Killer" and "Hard Boiled" , with all their poetic in those long shoot-out which look like classical ballets, in that hyperbolic violence which actually is self ironic, in that kung-fu fights derived by Hong Kong film industry.
Eventually John Travolta and overall Nicholas Cage perfectly play the "literary" theme of doubles. 9\10 without second thoughts.
Here there are a bunch of references to all his precedent movies, in particular to "The Killer" and "Hard Boiled" , with all their poetic in those long shoot-out which look like classical ballets, in that hyperbolic violence which actually is self ironic, in that kung-fu fights derived by Hong Kong film industry.
Eventually John Travolta and overall Nicholas Cage perfectly play the "literary" theme of doubles. 9\10 without second thoughts.
This one has a tough job of convincing the audience that the main characters, Travolta and Cage, could swap faces via plastic surgery and still be convincing as one another. It works! Woo has a certain style down-the long flowing robes, slow mo shootouts, orchestral hype in the background, furious shoot outs, explosions, etc. Essentially a more stylish Bruckheimer movie if ya think about it.
I have always liked the Bald guy and Gina Gershon here the most from the supporting cast, and enjoyed the way both the leads got to 'understand' the others' family, way of life, friends, etc. You have to like how Castor gets Travolta's girl to learn knife fighting, for example, or seeing the camaraderie of Cage's group.
Good shootouts and action, sometimes the conceits here are quite far flung, but you can live with that as an audience. I sure did, and so give this...
*** outta ****, it's quite good
I have always liked the Bald guy and Gina Gershon here the most from the supporting cast, and enjoyed the way both the leads got to 'understand' the others' family, way of life, friends, etc. You have to like how Castor gets Travolta's girl to learn knife fighting, for example, or seeing the camaraderie of Cage's group.
Good shootouts and action, sometimes the conceits here are quite far flung, but you can live with that as an audience. I sure did, and so give this...
*** outta ****, it's quite good
90U
This is an epic action movie with everything and more: plane explosions, a jail break, boat chases, the latest scientific advances, and of course, the white doves flying off before a gun fight. It also has the premise of putting on someone else's face, which is an insane plot twist, which somehow turns out amazing. Also, if you don't already appreciate the gem to American cinema that Nicholas Cage is, prepare to be blown away.
This would not have worked had it takes itself seriously.
This film has some of the cagiest Nic Cage moments ever. And I love crazy Cage.
This film has some of the cagiest Nic Cage moments ever. And I love crazy Cage.
John Woo knows, if anybody, how to make good, stylish action. And that's exactly what this film is; good, cool, stylish action. The plot is great; fairly psychological and quite interesting. It has a fast(and remarkably even) pace, I don't think more than 30 minutes passes at any point in the movie without a giant action scene. All in all, I'd guess there are about four or five major shootouts, and two chase scenes which are each several minutes long(without getting repetitive, fortunately). The acting is excellent; every single major part is well-played. John Travolta, Nicolas Cage, Joan Allen, Alessandro Nivola, Gina Gershon, Dominique Swain... all give great, entirely believable performances. The best are definitely Travolta and Cage, though; fantastic, truly stellar performances. The characters are all well-written and credible, right down to the most minor one. The action is cool and very stylish, in every single action-scene. The theme of the film is great; of course, the story is completely unlikely, with the face-switching and all, but once you get past that, once you suspend disbelief, you'll most likely enjoy the film thoroughly. The script is excellent, plenty of action, drama, and thriller parts. Also, you gotta love the sharp contrast 3/4's into the movie, with the kid listening to sugary pop-music, while people are shooting intensely at each other. Great film. I recommend it to any fan of John Woo, Nicholas Cage, John Travolta and action films. 8/10
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Nicolas Cage on the Roles That Changed His Life
Nicolas Cage on the Roles That Changed His Life
Nicolas Cage breaks down his transcendent performances in Valley Girl, Vampire's Kiss, and Face/Off to reveal how they changed both his career and his life.
Did you know
- TriviaNicolas Cage and John Travolta spent two weeks together before filming to learn how to play each other. They decided on specific gestures and vocal cadences for each character that could be mimicked.
- GoofsDuring the hangar shootout one of Archer's federal agents is killed with a shotgun blast (we get a good look at his face), yet a few moments later you notice the same agent is standing, alive and well.
- Quotes
Castor Troy: [to agent Winters as she poses as a flight attendant] Y'know, I could eat a peach for hours.
- Alternate versionsIn the Domestic release, the Paramount opening logo is played, and at the end of the film, The still closing version of the Paramount logo is shown; while on the International prints, the Buena Vista International logo is played for 20 seconds before the company credits is shown.
- SoundtracksThe Hallelujah Chorus - Since By Man Came Death
From oratorio "Messiah"
By George Frideric Handel (as Georg Friedrich Händel)
Performed by Boston Baroque Orchestra & Chorus
Conducted by Martin Pearlman (uncredited)
Courtesy of Telarc International Corporation
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Contra/Cara
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $80,000,000 (estimated)
- Gross US & Canada
- $112,276,146
- Opening weekend US & Canada
- $23,387,530
- Jun 29, 1997
- Gross worldwide
- $245,676,146
- Runtime
- 2h 18m(138 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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