FairyTale: A True Story

Fairytale: A True Story is a truly charming and delightful film, that has all the charm of the enchanting Secret Garden and the equally wonderful Little Princess. The screenplay was very solid, and the film does look very, very beautiful, with perfect camera-work and splendid period detail. The simple but well-told story tells of two young girls who find and photograph fairies, and they manage to convince even Sir Arthur Conan Doyle (marvellously played by Peter O'Toole) that the fairies are real. The music was really lovely to listen to, and director Charles Sturridge manages to draw spirited (and exemplary) performances from his two leads Florence Hoath and Elizabeth Earl. The supporting cast include Paul McGann, Pheobe Nicolls and Harvey Keital, and all do more than a respectable job. Overall, a very pleasing and charming film, that does certainly leave you wanting fairies at the bottom of your garden, like the back of the video box promised. 10/10 Bethany Cox.

This film ostensibly tells the "true story" of the girls who photographed the "Cottingley Fairies" in Yorkshire. But the film takes the point of view that the photographs were genuine and that the fairies were real.

In old age, the girls involved admitted it was all a hoax - so why does the film treat what they say as true?

There is a scene in which Arthur Conan Doyle tries to convince committed rationalist Harry Houdini (Harvey Keitel) that what the girls say must be true - after all how could they, two young girls with apparently no knowledge of photography, fake the photographs and fool some of the greatest minds in the country? Houdini maintains, of course, that they have done so, however unlikely it may seem.

It strikes me that what Houdini says is correct and that THIS IS A BETTER STORY TO TELL! It is precisely because it seems so unlikely that makes it such a good story (now that we know the truth).

My view is that the two little girls were hoaxers, but that doesn't mean I don't have an enormous amount of respect for their achievement. Surely a better tribute is paid to them by showing fully the extent of their cleverness?

When I saw the average for this film was 6.2 I was uncertain whether I would watch it or not - I am so glad I DID! It was simply delightful and the acting superb, convincing and absolutely fun. I recommend this to anyone who wants to be entertained with a purity and simplicity rarely seen in today's films. It should be rated G and not PG since there was nothing offensive in it and I can't wait to watch it again with my grandson! Peter O'Toole, Harvey Keitel and the little girls made it all so believable. The English scenery, the attention to detail to the time period around 1917 and the entire storyline was wonderful. I recommend this movie to anyone who just wants to believe that there really are fairies. Enjoy!

Based on a famous "Cottingley fairies" hoax perpetrated by two English girls during World War I in 1917, "FairyTale: A True Story" presents alternate views of reality to suggest that, like the view of Aborigines, dreams are as real as conscious reality. If you take the special effects fairies too literally in this film, you will miss the point. The film plays a trick on you, just as the original incident played a trick on Sir Arthur Conan Doyle in 1917. Houdini, as played by Harvey Keitel, gets the point. Although he's one to debunk mystics who defraud the gullible, he too trades on people's need to believe in magic. The girls' deception is also a sort of benign fraud. As any magician, they should never reveal their "secret." The film invites comparisons to the famous French classic, "Forbidden Games" in which children construct an elaborate fantasy world as a way of coping with the reality of war. Here too, the girls use fairies to fill the void in their lives left by their father, who has gone "missing" on the front in France. "I know what they mean by 'missing,'" says one of the sisters, conscious of reality but hoping to "believe" in the unlikely event of his return. This is not a kiddie film, but a langorous period piece on the nature of belief and faith in the face of empirical skepticism. The film reinforces its theme with beautiful details, as at the end when the father says he smells the perfume which isn't there, or in the ghostly intrusion of a dead brother that changes the mind of a skeptical reporter. Even the final sequence, involving fairies, is so charming it steers clear of cynical manipulation. Although there are moments when the plot seems to become arbitrary or plodding, it's all tied up neatly and beautifully in a magical finale. I'd hesitate to call this a classic, but it is a worthwhile "sleeper." Just bring an open mind and heart.

After watching this film I realize that it is not so much about whether it "was really" true or untrue...the essence of the film, made amply clear is the Belief of the two girls in fairies that made them see them in the first place. On a metaphysical level the film says that if you really believe in something, however odd or outlandish, it will come true or be true. There's no sense in being contentious about the basis of this film because that is very much valid as I have pointed out above. To do so, as I see some people have done over here, is to not only misunderstand the message of the film but to downplay its other qualities.

The acting of Florence Hoath as Elsie and Elizabeth Earl as Frances is really impressive. Both have done complete justice to their characters. The rest of the cast, Paul McGann as Elsie's father, Peter O'Toole as Arthur Conan Doyle and Harvey Keitel as Houdini are also really good. I also absolutely agree with most of the reviewers here that the early 20th century has been evoked very well. But of course, the best thing about the film is the cinematography. It's gorgeous! The woods where the girls encounter the fairies are evoked beautifully, they're appropriately dreamy and realistic. Praise must definitely be due to the set decorators who have done a brilliant job with the house that the Wrights live in and especially the room which Elsie and Frances share. It's a dream garret room! The music is also quite good. I thoroughly recommend this film, certainly for those who believe in Believing things and also for those who like to watch a really well made period film.