Double Tap

This is an unbelievably stupid movie. How does an idiotic farrago of a script like this ever get made into a film? Nothing any of the characters says or does is for a moment credible... and yet the piece is apparently aiming to be a "gritty, realistic crime drama". The director sort of has a stab at some meaningful creative input, and I'd guess would probably be quite likely to produce something watchable with a real script... but nothing could save this nonsense. More believable characterisations and narrative would have been produced if the actors had been restricted to mouthing "Gaga. Googoo." for the entire length of the film. I'm really sick of being expected to accept this sort of rubbish as if it were a credible effort at film-making. Not recommended to anyone... if you have low enough standards to watch this, then you should be quite happy watching any flickering image without bothering to pay admission or rental. Well ok, the score is interesting, and Heather Locklear shows signs of a performance better than might have been expected from her record... but really *nothing* could defeat such an abysmal script.

It doesn't sound like much. A direct-to-video flick with a generic title, starring Heather Locklear. However, Stephen Rea -not the type of actor you would expect in this kind of movie- gives a full-fledged characterization of a hit-man with a conscience and idiosyncratic habits (and I don't mean the double tap to the head of each of his victims; his other skills include gardening...). His relationship with the FBI agent played by Heather Locklear rings true. Add to this a flamboyant directorial style and a good soundtrack, and you get one of the better B movies of the year. Rating: 7.

Stephen Rea is a philosophical gardener. Because gardening doesn't pay enough, I suppose, he's also a hit man with a signature of leaving a rabbit's foot next to his victims. Heather Locklear is in some law enforcement agency, although which is never quite clear. While she's trying to track him down, he's hired to kill her, so of course they fall in love which is never consummated.

It's a mildly ridiculous script, but director Greg Yaitanes manages some nice touches, like filming Miss Locklear in her group scenes so she is tiny. The leads underact, there are a few performers who will later become notable, like Mykelti Williamson, and the 90- minutes slid by before I noticed.

"Double Tap" asks the question: Can a beautiful deep cover FBI agent (Locklear) fall for a shadowy hitman (Rea) with scruples? This, the film's premise, has potential which is mostly lost in a morass of Hollyweird window dressing including jerky jump cuts, unnecessary blends, strange music, over acting, cheap atmospherics, etc. with little attention paid to story coherence and character development. Bottom line: "Double Tap" is little more than an fodder for those in the mood for some noirish crime drama on late night TV.

So I came back after a fulfilling Thursday night, only to sit down for one of the best movies I've seen (regardless of the budget) in quite some time. Locklear fits the role to a tee...and this is coming from a guy whose mother tortured him by watching General Hospital after baseball practice EVERY SINGLE time! Rae demonstrates a keen role that made me shiver and relate at the same time. Even the cinematography was exceptional. A little over the edge at times with the one-liners, this mind-game of a flick still let's you laugh at the dark-humored, though deeply plotted, script. If you're going to watch this, watch it for the dialogue as much as you watch it for the action...and Heather, that's a really neat tatoo... <3