The Game

Like 'A Christmas Carol' with the ghosts replaced by 'Interesting Events', enough to make the most self absorbed think again. Wholly unrealistic in its portrayal but intensely engaging with some boomerangs to navigate and some thoughtful reflections to ponder.

This movie is really very good. Typical David Fincher movie. It has you trapped all the time, you do not know what is happening until the end, if you like thrillers, I recommend it.

Let me just tell you that, as a middle aged film buff, I have seen my share of flicks, good and bad. Very few rate as high as "The Game" in entertainment value. "The Game" is most definitely one of the "most fun" movies to hit the silver screen in a long time. Filled with plot twists and turns, this film takes the movie-goer on a psychological roller coaster ride from the tile screens to the final credit roll.

"The Game" is truly an intelligent tale, sort of a brain teaser that you get to watch and listen to, with a time limit. You have just 128 minutes to solve this, and chances are, like me, you'll be hanging on the solution to this puzzle until the very end.

The script was well written by a writer who clearly understands the needs of an adult audience. Yes, we like our fun but we like to exercise our brains once in a while also. And let there be no mistake about the great performances offered here by Michael Douglas and his co-stars. I was engrossed by all and couldn't take my eyes of the screen.

There is plenty for everybody here. Fun for all. A big winner in my book and definitely on my list of all time favorites. Get it and enjoy the ride!

The Game (1997)

The steely intensity of Michael Douglas comes to play once again here in a role where that determination keeps getting waylaid by the mixed-up birthday present he's been handed, somewhat against his will.

Or against his better judgement, at first, because he does sign off on playing "The Game," which is an experience with a bow. That is, without any good clues about who the players are or why it's quite happening, except that his birthday has come and gone, events begin to happen around him that are inexplicable. And that he can't ignore.

Intensity rules. Douglas, playing the obscenely wealthy Nicholas Van Orton, gets led further and further into the madness and crime and murder of this huge huge charade. Or so it seems.

In a manner the director, David Fincher, is cozy with, reality bends but psychology seems to be solid. That is, you are secure, somehow, in the main actor's head as the world distorts. The main example is of course "The Fight Club," the distortions are almost literal in the more ordinary "Panic Room," and the world is somewhat friendlier in "The Curious Case of Benjamin Button." Yes, these are all Fincher films (as is the brand new American version "Dragon Tattoo" flick and the riveting "Se7en").

The production and the shooting and editing in particular are all first rate, classic Fincher. Douglas plays his part with conviction and you end up not quite sympathizing with him (he's a spoiled jerk even as his world evaporates) but you certainly are in his shoes, wondering what is going on. It's crazy and exciting and certainly baffling for a viewer--which is part of the game, actually. The viewer is another layer in the layers of perceivable reality.

And then it just goes too far. In a way, the film is preposterous from the start, but yet you go along with the idea because very rich people have very unusual lives, and maybe this kind of mind-trip birthday present with lots of people participating could happen. Money moves mountains. But when things get almost comically absurd, when the twists of identity and loyalty keep happening, you want to just say, walk away. Get a grip. Refuse to play, or maybe (at least) refuse to believe things like this are possible.

This is where Michael Douglas is perfect, and maybe does what few actors could pull off. Because as it gets insane, his character toughs it out. He's the type to take a challenge, to get extreme, to be risky, to protect his self-interests without surrender.

In some ways it's a great movie, so watch it as if it'll never let you go. And when it's just too much, be glad you went along for as long as you did. And enjoy the rest of the show for its theatrics. It remains really well made all through.

"The Game" took me on one psychological thrill ride after another loaded with twists and turns scene after scene.

Michael Douglas pulled off his best performance as Nicholas Van Orton a man who is approaching his birthday. Upon which he receives an invitation to play a game given to him by his brother Conrad played by Sean Penn. Nicholas reluctantly agrees and soon finds out that the game is more than he bargained for.

I thoroughly enjoyed this film because I never knew who was trustworthy or what was going to happen next, this truly was one film that must be seen by those who enjoy never knowing for sure how a movie will turn out.

"The Game" is all Michael Douglas and how well he pulls off his role of being the innocent who happens to be in the middle of a game he can't control. However, a really good movie can not be pulled off by one actor, a whole lot of credit should go to Sean Penn and Deborah Kara Unger for their convincing portrayals in this film.