Kiss or Kill

If Frances O'Connor and Matt Day don't get regular, steady acting work and eventually become big stars, I'll be very surprised. Despite all the other good things about "Kiss Or Kill", the two of them hold the movie together. O'Connor is sexy and tough, and Day is a solid leading man. The rest of the cast does a good job, especially the cops. The plot is a little loose, but it kind of makes you guess as to what's going on. In the end, this is a must see. Go rent it right away!!!

Day, Barry Langrishe, Chris Haywood, Andrew S. Gilbert, Max Cullen, Barry Otto. First impression is another road movie with two young lovers doing the Badlands. Director Bill Bennett is not that stupid. He has managed to add a twist in the genre, adding that extra spice. Yes, the fugitives are young and beautiful, with personality to keep one interested. But do they really know each other. Wherever they spend the night, a throat is sliced. Who could it be? Do they know each other that well? The entire movie is based on our perception of others. Do we really know much about our close ones. Even the detectives, (on the young lovers trail), have a moment over breakfast when one reveals a past the other never knew about. And for the general public, there is the character Zipper, an ex-footballer admired by everyone. But a video tape in the possession of our heroes reveals his inner evil. Matt and Frances do a fine job in a movie without a script, (they worked on a plot outline and the rest just happened). The great moments occur with the detectives played by Haywood and Gilbert, two skilled actors who bounce off each other so well that you sometimes feel as if you are watching a documentary. The technics used with the jump-cuts is an old one but works here. Just glad they didn't give us a picturesque of the Australian outback.

The attention-grabbing beginning of this movie finds two scam artists, having accidentally killed a victim, stumbling on the possibility of blackmailing a football star, and setting in motion a quirky road movie with hints of black humour.

I have to say, this sketchy synopsis recalls the type of plotline the Coen brothers might use. This is slightly misleading - the film is darker, less gimmicky and ultimately less fun than standard Coen brothers fare - but nonetheless the film does share several of the brothers' failings - noticeably an inability to create a consistent tone or convincing psychologies for the lead characters. We know the most important character suffered severe trauma as a child, yet we learn little about her other than that, and her boyfriend seems an even bigger mystery.

Also, to illustrate the problems the film has with tone, the film has noirish themes, but has incongruously bright sunny photography. It also contains one brilliantly funny sequence, in which a cop finds he knows his partner less well than he thought, but frankly this scene looks like it comes from another movie.

However, the film is always watchable. It does look attractive, even if its main stylistic tic - continual jump cuts, presumably in homage to Godard - does jar after a while. Moreover, a brash, confident central performance from Frances O'Connor definitely holds the attention, and I did feel that I cared for her basically hard-to-like character.

Although the film is only a partial success, it still looks like the type of film that could develop a cult following.

I thoroughly enjoyed Kiss or Kill. I thought it was well acted, stylistically shot and terribly romantic! I recommend this film for couples that want to make it a Blockbuster night. Written and directed by Bill Bennett, this movie is about two cons who accidentally end up on the wrong side of the law and on the lam. Frances O'Connor absolutely sizzles stealing almost every scene. Matt Day holds his own as her tough as nails boyfriend with the big heart. Kiss or Kill's supporting cast charms as well with each character introduced breathing new life, meaning and comedy to the movie. I didn't think there was one bad performance in it. Kiss or Kill was witty, clever and, in some scenes laugh out loud funny. Kiss or Kill get's my seal of approval. Bust out the popcorn!

Amazing, australian, creeping and gripping! These are the adjectives that suit to this movie. It is a masterpiece about trust. How much do you trust your partner? That is the issue! and everything becomes more complicated if you are also psychotic like the protagonists of the movie. In fact nikky is an almost mad and disturbed girl, grown up with a terrible memory: her mother's murder; now she is a thief who robs the victims with her partner Al : a wealthy, strange guy. One night while they are robbing a rich manager in Sidney,something goes wrong: after he has been drugged, he dies and besides they find a videotape who showed the unusual sexual enjoyments of a very famous rugby ex-champion. So, Nikky and Al decide to flee to Perth(on the other shore of Australia) and are chased by the police and Zipper Doyle(the rugby ex-player) who wants to recover his video. During the journey trough Australia, they are involved in some strange deaths and they start to be suspicious of each other;but something is happening and nobody is understanding it ! Among huge australian landscapes, motels owners, sage aborigines, mysterious "carsleepers", odd desert stories, kangoo meat, Al and Nikky are going to find themselves and to figure their relationship out. Frances O' Connor is resounding and the editing incredible; the story is gonna grip you by its frenetic rhythm. A Must!