Jane Eyre

This is a superb adaptation of the novel -- the leads couldn't be better cast, or better acted. Jane, who is intelligent, introspective and highly-principled, yet shy and insecure, and Mr. Rochester, who is emotionally-distant, secretive, and conflicted. Both are lonely, but they do serendipitously meet and fall in love.

Samantha Morton is the first Jane who looks, acts and speaks like the Jane I know from the novel. And Ciaran Hinds, with his awkward, gruff demeanor and off-putting behavior is perfect. The excellent production values enhance the emotion and direction of the plot. If you are as passionate about British literature as I am, this film will thrill you. Even as I write this, I am re-experiencing the very intense emotion of the scene when Jane is about to leave Rochester's estate. It is a very moving scene and I have never forgotten it.

This is the real thing.

I think that Samantha Morton's Jane Eyre in Robert Young's 1997 TV adaptation of the great novel, could've been the best screen Jane ever. Morton was 20 years old and the closest in age to the young orphaned governess, childlike in the appearance but strong willed, serene yet very intelligent with acute sense of right or wrong. Two years prior to her Oscar nominated role as a mute girl in Woody Allen's "Sweet and Lowdown", Morton proved that she could say a lot by the mere look at her face, by her impressive and speaking eyes alone. It is sad that the film took too many liberties with the book and not only in omitting many important plot lines in order to fit in its 108 minutes length, but with too many changes to the very nature of the novel's two main characters and their relationship. Jane in the scenes with her employer is sometimes too demanding and not as tactful as she is in the book. The changes are especially obvious in Mr. Edward Rochester as he was played by Ciaran Hinds. Hinds is a talented, intense actor but I can't agree or like his reading and interpreting of Mr. Rochester's character. Some his scenes in the film made me cringe. Mr. Edward Rochester of the novel was not yelling or rather barking brute - it was difficult for me to believe that Jane Eyre would come to love so much. I also was unpleasantly surprised with Mr. Rochester openly displaying his affection for Adele. This manifestation was against the logic of his character.

Many reviewers loved this version; many hated it. And that is exactly as it should be. There are many possible interpretations of good literature, just as every person's character has many different facets. Versions of Shakespeare's plays have been enacted for hundreds of years and still every version represents something different about humankind, especially if there is innovation in the production, script or acting.

I first read Jane Eyre when I was about 8, nearly 60 years ago. It was the first book I ever cried over and it's fair to say that was part of my emotional development. I have read it many times and seen many filmed versions since - and I still love it, simply because it is fresh every time as different aspects reveal themselves - either because they are in the book or because the book resonates differently with me as I change.

So please open your mind when you watch this - and other - versions of the Bronte books. In my view it is not perfect, but few productions ever are. Even so, it was interesting, enjoyable and a joy to watch.

I usually like Samantha Morton, but her blankness didn't serve her well as Jane Eyre. She seemed too passive as well. Hinds just overwhelmed her (and maybe that was their point because the character does do that in the book ...at first).

I really thought they lacked any kind of sexual energy however and Hinds was generally too gruff and wild. Of course I've just seen him in Rome. He's an amazing actor and able to play "big" very well. But when you play a romantic lead, it's the little details that count. He came off more as a bully than a man desperate to find love and redemption.

Of course, any performance is better than William Hurt's! Shudder. Rochester should never, ever be played by a fair-haired man. Unless Daniel Craig decides to play him. Against Keira Knightly! Just teasing.

This movie is a watered-down and anemic portrayal of the novel, Jane Eyre.

Ironically, I read "Jane Eyre" because I caught PART of this movie on A&E one morning & thought that it looked good. I'm really glad that I didn't stay to watch the whole movie. If I did, I may never have read the book.

I finished the book today, and enjoyed it completely. I ran around all day looking for this movie, hoping to see a powerful and moving enactment of the beautiful, slightly supernatural tale. I am really glad I was able to rent it. If I'd bought it, I would be quite irritated right now.

I think that most of the problems with this movie lay in the writing. It seems to me that the screenwriter(s) sacrificed the best parts of the book in order to make the movie less than two hours. All of the things that I looked forward to seeing were gone or changed.

For the most part, I think the acting was good. But what was up with those kissing scenes? Jane looked pretty uncomfortable. Why didn't the director orchestrate the scene so that we did not have to see the actual 'kissing?' Clearly, the actors were not as passionate about each other as the characters were, but did we really have to see that?