Next Stop Wonderland

"Next Stop Wonderland" is a lovely, very underrated indie romantic comedy, co-written and directed by Brad Anderson ("Happy Accidents", "The Machinist"). The always wonderful Hope Davis stars as Erin, a nurse from Boston who's dumped by her boyfriend, Sean (Philip Seymour Hoffman). Her liberal mother (Holland Taylor) places a personal ad for her in the paper (without Erin's consent). Initially appalled by the idea, Erin's life starts to change when she decides to meet the guys who answer the ad.

"Next Stop Wonderland" gets away from stupid Hollywood clichés, and is romantic without being corny. Anderson's and Lyn Vaus's witty script has some amazing dialogue, and Hope Davis brings the right emotional depth/low-key humor to her character. This movie is similar to the recent "Broken English" (starring another indie goddess, Parker Posey), only better. Honduran actor José Zuniga plays a Brazilian guy (hopeless romantic or prick?), speaking a very mannered Portuguese (more like some kind of "portuñol", a mixture of Portuguese and Spanish) that doesn't beguile the most naïve Portuguese speaker - which is very annoying for native Brazilians, specially considering that there are so many talented Brazilian actors out there that would've fitted the part. Of course I'm not saying foreign people can't play someone of a different nationality, but when the actor can't pull a decent accent, that's a problem. Anyway, that's a minor flaw, and "Next Stop Wonderland" is definitely an adorable flick. The soundtrack, full of classic Brazilian bossas (a rarity in American movies) is a plus, and the perfect complement to the movie's bittersweet atmosphere. 8.5/10 in my books.

Just saw this last night, while on a "date"...and I'm glad that I listened to my friends who recommended it. This is a PERFECT date movie. Enough of a romantic comedy to put you in that oh-wouldn't-it-be-great-to-be-in-love mood, but unpredictable and un-corny enough to slip away from the usual Hollywood trappings. I won't ruin it for anyone, but the "linoleum moment" was priceless, and Hope Davis is terrific. I'm renting "The Daytrippers" this weekend.

Erin's boyfriend leaves her after years together with nothing more than a video tape featuring the reasons why he has left. Finding herself single again, Erin is forced back into the market when her mother puts her in the classified ads. Meanwhile Alan is a plumber pursuing his dream of becoming a marine biologist. However volunteering at the local aquarium doesn't earn him any money which is a problem given the gambling depths that his father has amassed with loan shark Frank.

A very slight film, this indie-romance will appeal to those who see the false sentiment of Hollywood romcoms as below them but yet also yearn for the sweet, fated romance that they normally contain. This compromise is well delivered in this film that will appeal to the same audience that seek this mix. The plot has the elements of the contrived hand of fate and it is amusing the way the two characters drift around one another. It doesn't have a great deal of substance to it and it will annoy some viewers because of how knowingly "kooky" it all it is. It is rarely hilarious but it is sweet and amusing throughout. The presence of Anderson as writer and director drew me to this film as I know him as a name from Homicide, The Shield and the brilliant The Wire. This film has little in common with these but is still worth a look for doing what it does do well.

The cast help matters greatly by turning in "indie" performances while delivering the rather sentimental material. Davis is a fine example of what I mean as she is very much a "kooky" type while also having enough humanity about her to make her character interesting. Gelfant is very much a secondary character of the two but he does well enough considering he is supposed to representing Mr Right. The support cast compliments the overall feel of the film with turns from Argo, Hoffman, Buono, Zúñiga and The Wire's Gilliard Jr all in small roles.

Overall then a kooky romance for those who want the silly emotion of the Hollywood romcoms without all their gloss and sweeping music. Slight and an acquired taste perhaps but amusing and sweet even if it is quite forgettable.

I love this movie's realism, juxtaposed with a certain magic, i.e., fate, karma, destiny - and the question of whether these elements exist in real life. Here, the possibilities unfold and are played out as quietly, subtly and unexpectedly as they can and often do in real life.

What surprised me most is that when I was doubting whether our heroes (Alan and Erin) would get together at all, I realized that it was okay - disappointing, but okay - if they didn't; as long as they found happiness, that would be fate calling the shots. The movie as a whole puts a positive spin on being alone with yourself, on the importance of taking the time to find what you really want and need. Which is something we all need in life, but how often does Hollywood promote that philosophy?

All the actors were terrific, especially the two leads, Alan Gelfant and Hope Davis; they were people you might really know - quietly passionate in their pursuits, sometimes just struggling to get through the day. There's a lot of humor too: in the prickling, loving tension between Erin and her mom; in the bar-table philosophies spouted by various characters; and particularly the in blind-dating montage - I will attest to how true to life this is!

See this movie - heck, buy it. The more you watch it, the more you get out of it.

This is a very enjoyable movie. I must admit that I had my doubts at first, as it looked far too sugary for my taste. Poor marketing I guess. However, this is the first movie in years which I watched and then watched again the next day. Hope Davis' character, Erin, elicits many emotions -- the first of which is pity. Having been dumped by what is clearly the wrong man, we witness her attempt to re-enter the dating scene. She is immediately catapulted back into the world of losers, married men, and guys who are downright scary. She handles all of this with grace, but more than a hint of cynicism. You can often see the depression in her face, as she moves from one date to the next, always telling her friends that "there's no such thing as destiny." And yet, there is (as she discovers.)

Her character seems very much the essence of the modern young single person: She tells herself she is happy alone, but quietly yearns for the depth of true love. She is never rude, except when it's deserved, but she is never particularly friendly either. She inadvertantly wears the scars of years of dating on her sleeve. A very subtle and clever performance from the ethereal and under-appreciated Hope Davis. HIGHLY RECOMMENDED