IMDb RATING
6.8/10
6.2K
YOUR RATING
A group of women who are imprisoned on the island of Sumatra by the Japanese during World War II use music to relieve their misery.A group of women who are imprisoned on the island of Sumatra by the Japanese during World War II use music to relieve their misery.A group of women who are imprisoned on the island of Sumatra by the Japanese during World War II use music to relieve their misery.
- Awards
- 1 win & 7 nominations total
Johanna ter Steege
- Sister Wilhelminia
- (as Johanna Ter Steege)
6.86.2K
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Featured reviews
A heartfelt, underrated work of art with some magnificent performances.
Why didn't more people see this film? This is what makes it great:
As an ensemble piece it works wonderfully - the cast are truly magnificent. Glenn Close is fabulous as the 'central' character and most well known 'star', but she does not monopolise all the scenes and screen time. She blends in with what is a wonderful cast, and does so impeccably. Why she hasn't been given more kudos as an actress is beyond me - she is stunning.
The film worked perfectly because of what comes across as a genuine rapport between the female cast. Each actress brings a different element to the story - Jennifer Ehle is strong willed and beautiful, Julianna Marguilles fiesty and dominant, Pauline Collins has such a human quality which she conveys to perfection, Cate Blanchett portrays wonderfully a quiet woman with a rebellious side. All compliment and balance each other. The actresses succeed admirably in bringing to the fore the bond that grew between their real life inspirations for this story.
The direction is precise and the cinematogrpahy beautiful. Despite the bleak context, Japan still looks vibrant and colourful, full of life.
The score. I can't do justice to the score in words - the vocal orchestra formed by the women is just beautiful and poignant to listen to and really does need to be heard to be understood. Somehow the actresses manage to make the music symbolise their humanity and spirit. It works wonderfully.
Overall, this is a heartfelt film with a profound message of hope which runs all the way through it. 'Paradise Road' is one of those rare films which reminds you of the indestructible nature of the human spirit. I wish there were more films like this one, and I wish more people had have seen this film. In a word it's a gem.
As an ensemble piece it works wonderfully - the cast are truly magnificent. Glenn Close is fabulous as the 'central' character and most well known 'star', but she does not monopolise all the scenes and screen time. She blends in with what is a wonderful cast, and does so impeccably. Why she hasn't been given more kudos as an actress is beyond me - she is stunning.
The film worked perfectly because of what comes across as a genuine rapport between the female cast. Each actress brings a different element to the story - Jennifer Ehle is strong willed and beautiful, Julianna Marguilles fiesty and dominant, Pauline Collins has such a human quality which she conveys to perfection, Cate Blanchett portrays wonderfully a quiet woman with a rebellious side. All compliment and balance each other. The actresses succeed admirably in bringing to the fore the bond that grew between their real life inspirations for this story.
The direction is precise and the cinematogrpahy beautiful. Despite the bleak context, Japan still looks vibrant and colourful, full of life.
The score. I can't do justice to the score in words - the vocal orchestra formed by the women is just beautiful and poignant to listen to and really does need to be heard to be understood. Somehow the actresses manage to make the music symbolise their humanity and spirit. It works wonderfully.
Overall, this is a heartfelt film with a profound message of hope which runs all the way through it. 'Paradise Road' is one of those rare films which reminds you of the indestructible nature of the human spirit. I wish there were more films like this one, and I wish more people had have seen this film. In a word it's a gem.
Strong, moving testament
I love this movie because I love the characterization of the women in it. I felt powerfully with the women, felt I knew them, felt complete identification with most of them.
I actually think it's hard to specify the actions and words that will make a character both realistic and sympathetic. Showing mere suffering won't do it. But here, Mr. Beresford has been able to stir such warm feelings (particularly toward the Roberts girl, the Glenn Close and Jennifer Ehle, her Dutch friend, and the Cate Blanchett characters). The romanticism, cheer and background of the Ehle character are particularly well drawn.
This is a far superior movie to 'Platoon', by the way - and a wonderful tribute to those who went through the awful 3.5 year ordeal.
Another thing I quite liked (these days) was to see a movie that did not attempt to make the Caucasians the moral villain relative to the other race depicted.
This is not a movie concerned with p.c. appearances - the Japanese are not shown as somehow merely "different", a difference we "simply cannot understand or judge" because of our different culture. Setting a woman on fire for bargaining for medicine for a sick elderly woman is brutality in any culture - and this movie does not attempt to minimize the moral wrong.
Bravo, Mr. Beresford.
I actually think it's hard to specify the actions and words that will make a character both realistic and sympathetic. Showing mere suffering won't do it. But here, Mr. Beresford has been able to stir such warm feelings (particularly toward the Roberts girl, the Glenn Close and Jennifer Ehle, her Dutch friend, and the Cate Blanchett characters). The romanticism, cheer and background of the Ehle character are particularly well drawn.
This is a far superior movie to 'Platoon', by the way - and a wonderful tribute to those who went through the awful 3.5 year ordeal.
Another thing I quite liked (these days) was to see a movie that did not attempt to make the Caucasians the moral villain relative to the other race depicted.
This is not a movie concerned with p.c. appearances - the Japanese are not shown as somehow merely "different", a difference we "simply cannot understand or judge" because of our different culture. Setting a woman on fire for bargaining for medicine for a sick elderly woman is brutality in any culture - and this movie does not attempt to minimize the moral wrong.
Bravo, Mr. Beresford.
An amazing film which deserves to be recognized
The film was both moving and heart warming. It shows the unbelievable story of a group of women surviving a PoW camp against all the odds. I found it hard to believe that anyone was made to live in the conditions they were put in and live to tell the story. The acting was excellent and i don't think this film has got the praise it deserves. It is made even more moving by the fact it is based on a true story.
Gripping and uplifting true story of women faced with indomitable odds.
This film gripped me from the opening scene in the hotel ballroom and prooved to be a class act right to the end. Director Bruce Beresford's track record includes Driving Miss Daisy, Tender Mercies and Breaker Morant, so Paradise Road came as a special treat, not realising at the time of viewing that he had directed these films. The realistic scenes of violence had a tremendous impact in contrast to some of the wonderful underplaying of the leading actresses, notably Glenn Close and Pauline Collins. The Japanese actors, although unknown to me were chillingly effective. I can only hope for more films of this calibre but alas they are few and far between.
A movie showing the war crimes of Japan
Very interesting movie with a musical heart and its soul suffering from what ignorant people can do during a war. Music unites people even in difficult moments.
Did you know
- TriviaThe music in the film was derived from the actual score transcripts used in the P.O.W camps which survived World War II.
- GoofsThe women of the choir did the singing while sitting down because of having to work in the extreme heat during the day left them exhausted.
- Quotes
Adrienne Pargiter: You don't hate them do you?
Margaret Drummond: No.
Adrienne Pargiter: Why not?
Margaret Drummond: I've tried, but I can't bring myself to hate people. The worse they behave, the sorrier I feel for them.
- SoundtracksSymphony No. 9 in E minor Op. 95 'From the New World' II. Largo
Written by Antonín Dvorák (as Antonin Dvorak)
- How long is Paradise Road?Powered by Alexa
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Дорога в рай
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $16,000,000 (estimated)
- Gross US & Canada
- $2,007,100
- Opening weekend US & Canada
- $62,518
- Apr 13, 1997
- Gross worldwide
- $2,007,100
- Runtime
- 2h 2m(122 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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