The Peacekeeper

I'm a big fan of B movies, just interests me what the producers can pull off with limited budget and what kind of stock footage they steal, or the obvious video game cgi thats overlaced into the video.

This movie however has something that other B movies lack. A fairly descent and slightly more believable plot then the recent James Bond movies. Lundgren somewhat performs much better than his other features. It's fun to see Montel in this type of role. Keep an eye out on the dramatic Bruckheimer-like ending sequence, they pulled it off quite well.

Other than that, its definitely worth a watch if you're a fan of action movies, B movies, or Lundgren.

The first thing that strikes you about the movie is the similarity of the title to the big-budget DreamWorks SKG debut movie [The Peacemaker] (starring George Clooney and Nicole Kidman and directed by Mimi Leder). Frequently movies with such cheap and obvious cash-in aspirations turn out to be: cheap, obvious and, of course, rubbish. This movie is a jolly exception. Don't be put off by Dolph Lundgren being in it, he isn't enough to undermine the movies good points.

High among those good points is the swift and exciting direction which is never better than during the spectacular roof-top car chase which occurs within the first twenty minutes. This chase is so good it could quite comfortably fit into a Bond movie featuring, as it does, eye-popping stunts, edge-of-the-seat excitement and ridiculous spectacle. While it does veer wildly into the improbable it never feels impossible and this aspect, for any action sequence, is of paramount importance. It is interesting to note that two key aspects of this chase sequence - the roof-top nature and the escape by getting out of the car just before it crashes through a parapet and down to the ground - also popped up in the same year's Bond adventure [Tomorrow Never Dies] (the motorcycle chase in Bangkok occurs partly over rooftops, the remote-controlled BMW car park chase ends by Bond getting out of the car just before it crashes through a parapet and down to the ground).

Another good point is the script. It's not consistently good but it is rather better than normal for a film that is not shown theatrically (it received it's UK premiere on Sky television not at cinemas). There are frequent one-liners which help push up the entertainment value while Roy Scheider and Michael Sarrazin share an unusual and thought-provoking plot line. Rather than demanding money and a plane to an extradition-free country, the usual demands of a nutball who has control of nuclear weapons in America (see [Broken Arrow]), betrayed Saddam Hussein-assassin Doug Murphy (Michael Sarrazin) turns up surprisingly alive though he was bombed by 'friendly fire'. His demands are for the President (Roy Scheider, the entire twilight of his career looks like it is going to be a series of DTV presidents) to commit suicide - to sacrifice his life for his country just as Murphy had (even though he had little choice about it and he survived) - on national television to stop a nuclear bomb going off in Washington D.C.

However, where this really scores over its pseudo-namesake [The Peacemaker] is that this movie accomplishes almost all it set out to, it is about as good as it could possibly be.

I don't know who I felt sorry for more in this movie, Roy Scheider or Dolph Lundgren. Roy Scheider was a one time big box office star who's now appearing in low budget action films. Dolph Lundgren aspired to rise above B action movies and I heard he even quit movies a few years ago out of disgust, only to return to yet another low budget role.

Roy plays the president, and speaks in a delicate southern accent that seems completely out of character for him. Dolph plays the hero (natch) but he's showing his age and looks really silly when he runs.

The movie? Mix together the last several straight to video action dramas you've seen. Everything from the camera angle to the canned music soundtrack seems like stuff you've seen dozens of times. I'm beginning to wonder if movies like this don't all come from a parallel universe where things happen the way they do on screen, they all seem like they have interchangeable parts and were made by the same person.

The Peacekeeper is an obviously familiar, but undeniably fun action vehicle for Dolph Lundgren. With the ever present 90s feel, the painfully generic title that would make Steven Seagal jealous, and enough entertaining action scenes to satisfy, The Peacekeeper is far from being the worst use of your time.

While it's an obvious Die Hard (1988) ripoff, I'd say it's a solid ripoff, and probably one of the better ones. It's Die Hard meets a Bond movie plot, with the setting of a missile silo being a little boring. The movie gets a little bogged down with its plot, but the action's loads of fun and Dolph is charismatic enough. The stakes are suitably high and the race against time didn't bother me.

Dolph Lundgren does a serviceable acting job and is helped out by Montel Williams, who gets a lot of screen time as the obligatory African-American sidekick that 90s action movies love (Die Hard with a Vengeance (1995), Under Siege (1992), Drive (1997), etc.) and he's pretty good.

The action sequences are the highlight. The long car chase near the beginning is actually excellent, and it's Bond film worthy. Definitely a high point, it may be the best action scene here. There are two or three brief shootouts and some small fights, with one long fight in a missile room being another highlight. Definitely loud, explosive, glorious B-movie action, and it's great.

One of Dolph's best 90s vehicles, this movie is underrated and is a great diversion. Seriously, name another movie that has a rooftop car chase. I wouldn't mind seeing Montel Williams again either.

Oh, and Dolph is chased down a large vent by an explosion. Things get pretty crazy.

Major Frank Cross faces a court martial for an act of mercy he showed to Turkish refugees. However the President intervenes and employs him to protect the black bag that contains the missile launch code for the US nuclear weapons. On his first day, Cross is attacked by terrorists and loses the black bag. He follows the terrorists to the silo and teams up with Kt Con Northrop to stop the launch. Meanwhile the President is on-route to meet the demands of the terrorist - however their demands are not ordinary.

Oh good - more `terrorists with nukes' plots, throw in a bit of Die Hard and we're away. The story here is really daft and has major plot drivers that aren't explained. It's not a bad plot overall - in fact the demands and the motives of the terrorists are quite clever and interesting. However it is a Dolph Lungren film so it's not going to be that great…..

The action scenes are OK but rarely believable, eg a rooftop car chase is fun but stupid! The terrorist's main demand brings the greatest tension, but their motives make them seem too sympathetic and when they become ruthless it is harder to accept. Outside of this `demand' I thought it was mostly poor, most of the plot seemed to exist to create action scenes that didn't deliver.

Lungren is as good as ever - ie, mediocre. He does his strong man stuff well, but he lacks charisma and relateability. Scheider is OK as the President and plays out his dilemma well - however the script lets him off too lightly. Chat show host Montel is actually OK as Northrop, but I just couldn't forget that it was Montel!

Overall this is bland video entertainment - it's not terrible, but it's not good either.