Phoenix

This film was a complete surprise. One of those rarities that come out out of nowhere and knock your socks off without much effort. Danny Cannon, it's director must be given credit for bringing this story to the screen, or video, as probably was the case.

Any film where Ray Liotta appears, is worth a look. Now, if one adds the great Anthony LaPaglia, one of the best actors around, it has to be outstanding. Mr. LaPaglia has never struck a wrong note in whatever I've seen him do. He shines here playing against type and almost stealing the film from Ray Liotta.

The story about bad cops in Phoenix is presented with a total sense of honesty, no pun intended. There are a bunch of these guys in every police department in large cities. The director packs a lot of action into this movie. It will keep the viewer glued to the screen.

In addition to Ray Liotta and Anthony LaPaglia, there are brief glances at Anjelica Houston, Brittany Murphy, Jeremy Piven, Giancarlo Esposito and others that make this film a delight for fans of thrillers.

Either catch it on cable, or run to the video store and rent it. You won't regret it!

Sometimes I question why one movie gets theatrical distribution while another does not. To be fair, I think things generally swing the right way. Movies that call video their home do it for sometimes a much deserved reason: they stink. This is not the case with Phoenix however.

It's a breath of fresh air to take a chance on a direct-to-video quickie and have it turn out this good. The story is tight and look at all the recognizable faces in the cast. That helps me out. The whole police officer-gambling junky angle is different - Liotta as the lead carries it off well and Phoenix is just all around better than most cop boilers I've seen in the last six months. It sure ain't lacking in clichés of the genre, but that has come to be expected. Phoenix is just a well filmed, nicely acted piece of work from director Danny Cannon who makes amends for the theatrical bomb Judge Dredd. Worth a look on a slow night or for Liotta fans.

There was no shortage of 'cool' crime thrillers released on the success of Goodfellas in the nineties, and while I wouldn't say that this is one of the very best of them; it's certainly one of the better ones. Phoenix benefits from Scorsese's leading man Ray Liotta, who takes the lead role in this film as a gambling addicted copper. The plot focuses on crime as you would expect, but the gambling side of the plot is what really makes and sets it apart from most of the other nineties crime flicks. Ray Liotta is Harry Collins, a cop with a gambling addiction; and, like most gamblers, a money problem resulting from it. He owes money he doesn't have to his bookie, a man who calls himself "Chicago", and after being given a few days to pay; he soon realises that he's going to have to take steps to raise the money. This prompts him to set up a plan with his fellow coppers Mike, James and Fred to rip off local pimp and all round bad guy Louie. Naturally, the plan goes tits up and pretty soon all four of them are forced to pay the consequences...

The film is never really brilliant (though in fairness, this sort of film doesn't usually turn me on all that much), but it manages to keep a fairly good pace going throughout and doesn't get boring. Ray Liotta has played this sort of role many times before and since, and as you would expect he is well at home with the leading role in this film. British director Danny Cannon (also director of rubbish such as Judge Dredd and I Know What You Did Last Summer) has recruited a decent cast of below a-list stars, which includes Anthony LaPaglia, Daniel Baldwin, Jeremy Piven and Xander Berkeley, as well as one of my favourite B-movie actresses, Kari Wuhrer. Anjelica Huston also appears, but is horribly miscast as Liotta's love interest. There's plenty of what most people will have come to expect from modern crime flicks; we have car chases, shootouts, sharp dialogue and all the rest of it. I'd have preferred the film if we'd have got a bit more of the gambling theme thrown in, but that's not too important as overall, this is a more than passable effort and I'm sure crime fans will enjoy it.

I was expecting straight-to-video fodder here the kind you watch stupefied because it happened to be on late at night. It revealed itself to be a taut little thing that tries to create its own world.

It was caught in the Tarantino craze so we have small talk about cartoons, movies and music peppered throughout. It has, eventually, a heist in animal masks gone awry that makes poor sense and cookie cutter resolutions where we drive around to settle scores with a bunch of characters that were left hanging so that it's all neat by the end.

For a while it manages to strike some spark, most of it in the first half.

A man who we understand is trying to be upstanding while everyone around him is fickle, but he has a blind spot for gambling. It's not about the money, for him it seems to be a warped way of measuring himself up against the universe, challenging the fates to pave whatever way they have in store so he can have a mandate to abide by. He makes a mess, owing everyone in town, but won't take the easy way out because a bet is a bet; opportunity for self-worth.

So when the fates shuffle the deck and he's dealt the role of hapless stooge who loses everything, he goes through it with stoic persistence to settle debts. Ray Liotta is as good as he was for Scorsese in a similar twitchy role as fates conspire to crush him.

It's no Asphalt Jungle where the heist is the ritual that opens us from anxiety to dreamlike visions, but it beats Reservoir Dogs.

Noir Meter: 2/4 | Neo-noir or post noir? Neo

Harry is a police officer - he is also a degenerate gambler in debt to bookie Chicago for $32K. That's basically the plot, it seems simple but it is enough to drive the film's core once it has been surrounded by plot twists, tension, strong performances, interesting characters and good dialogue.

Hats off to Danny Cannon - he was the great British hope once after making Young Americans and going to the US he then messed up with Judge Dredd. But here he shows that he does have talent to lead a dark thriller successfully - albeit he is helped greatly by the plot and his actors. The film follows Harry and his 3 colleagues as they revolve around several loan sharks and bookies whilst also trying to have lives and relationships. The main focus is Harry's addiction to gambling in all areas of his life. There is also a subplot involving Angelica Huston which is meant to represent Harry's potential redemption, but this is not well developed and is secondary to the main story. The story eventually turns into a heist-gone-wrong movie but even then has enough twists to keep the interest.

The main strength of the film lies in the actors that are assembled together here. Liotta plays the role well, making it possible to like this person but also making his gambling side believable - it's hard not to feel for him and his bad luck as the film progresses. Anthony Lapaglia, Daniel Baldwin, Jeremy Piven are all excellent for different reasons as his colleagues. Piven good as the cop drawn into things he doesn't want to do and Baldwin and Lapaglia are as solid as every in corrupt roles. Both Ribisi and Huston are capable of great performances but neither have a lot to work with here in terms of time or plot involvement. Giancarlo Esposito is as good as ever in a small role as Louie the loanshark - but then I've never seen him put in a bad performance, even in a bad film.

Overall the plot is similar to many other crime thrillers out there. What makes this rise above the normal TV material is a dark atmosphere from Danny Cannon, a strong lead in Liotta with uniformly great support from the rest of the cast and tension an twists throughout.