Shadow of Doubt

Nothing to much too add, nothing left to your imagination this is the last series of legal movies with a lot of common places. All the elements of a good commercial thriller are present: perversion, erotism, drugs, power and a woman in career well perform by Melanie Griffith. Tom Berenger it could be easily a statue or part of the furniture of certain scenes. The last political candidate for, hopefully, the last electoral campaign. A very expectable second to second film which in home video gives you a nice break. Rating: 4

I only watched it because it was on HBO in the middle of the night and nothing else was on. I cannot believe that Melaine was capable of such poor acting. Even Tom Berenger was weak. The script was poorly developed. Nothing at all good to say about this one

This is a decent legal suspense/thriller, if you can accept sweet little Melanie Griffiths as a kick-ass sex-crime lawyer, which she pulled off pretty well. She has to juggle returned perverts from the past with perverts from the present, and althought the plot isn't mind-boggling it's fine if you aren't expecting the world. It might be the equal of Copycat with Sigournay Weaver.

A surprisingly good thriller. This mystery with conspiracy theory overtones starring Melanie Griffith and Tom Berenger is well constructed. The clues to the killer could have been a touch stronger but it's basically a "play fair" mystery with lots of red herrings to keep you guessing. Berenger, as usual, is very good as the DA opposing defense attorney Griffith, whom he used to date. Griffith is very believable as the sharp attorney often underestimated due to her looks and little girl voice. Singer Huey Lewis is a very pleasant surprise as Griffith's investigator and tech expert.

Not every actor was meant to play every role. Richard Gere, for example, was ideal as a high-profile, hotshot lawyer in "Primal Fear"; Melanie Griffith plays the female version of more or less the exact same role here, and she makes a valiant try, but the result is just posing, not acting. The film is watchable, thanks mostly to good direction by Randal Kleiser, who gives it the look and feel of a picture destined for theatrical release, even though it barely got any. But it is weakly plotted, and relies on all sorts of contrivances to move along (criminals who are carelessly spilling their guts out about crimes they committed, etc.). And what's worse, it doesn't play fair with the audience; the resolution is based on clues we had no way of knowing about. At least Tom Berenger proves that he is still a dependable actor. (**)