Rebecca

I thought this was marvellous, and that Charles Dance as Maxim, Emilia Fox as The Second Mrs De Winter, and Diana Rigg as Mrs Danvers, were note perfect - but that's before I saw the 1970s version with Jeremy Brett, Fox's mother Joanna David, and Anna Massey.

However, this 1990s version runs a close second. It isn't as involving to watch, and Dance has a certain dryness that perhaps does not work all through the piece - but the cast do well (including Faye Dunaway as Fox's chaperone). Set pieces are excellent, there's beautiful scenery, and a tight script, and all this is good.

You rarely see watchable literacy adaptations of this quality, and this version of 'Rebecca' does not really disappoint. It's just that it has already been done better before - and it is a shame that the 1997 version is the only one now widely available for viewing.

Watch it by all means - but try to seek out other versions as well.

This was an excellent production of a famous story. The acting was just as good as the previous versions and the photography was the best, far better than most theatrical movies. One thing that made this version special was seeing Rebecca and hearing her in a flashback sequence.

The second Mrs. DeWinter has no first name, and she was never given one for the film. Caroline DeWinter was the ancestor that the second Mrs. DeWinter dressed as for the costume ball. If this was not mentioned in the film, it should have been. It is mentioned in Alfred Hitchcock's masterful version of the book, by Dame Judith Anderson. Now, in context of the film, it was definitely closer to the book than Hitchcock's version (which you can blame David O. Selznick for the changes in the plot), and there is some very good acting, but it still seems like what it is, and that is a television film. Christopher Gunning provided a very emotional score though, with a heart wrenching theme for cello and orchestra.

Oh I wish I were Emilia Fox. Charles Dance as Maxim De Winter captured my heart- I will dream of him as he romanced this young lady with love and romance. I adore his moments of sensitivity towards his blossom. The manner in which he glances at his bewildered beauty brings tears of joy to my wounded heart. As a mere example when Maxim states:''of course I love your hair.'' Mrs De Winter smiles as if a thousand bars of gold were placed into her hands. To find a romance with such wonder would be my dream- this wonderful portrayal of acting is solidified by wonderful acting from all the cast.The music is complements the darling movement of the film. An amazing cast with the wonderful Faye Dunaway of whom as usual acted with such high vivaciousness.

This is a terrific adaptation of Daphne du Maurier's 1938 novel. The period detail, costume and scenery are all spot-on, and the acting is good, especially among the principals. Generally, this television version is more faithful to the book, both in spirit and in plot, than the 1940 Hitchcock version with Laurence Oliver and Joan Fontaine. I found Charles Dance to be a much more believable Maxim de Winter, with some definite sex appeal that was lacking in Olivier's portrayal. Emilia Fox was perfectly charming as the 2nd Mrs. de Winter, managing to come across as shy and unsure of herself without appearing too passive or neurotic. As has been stated in other reviews, the romance between the two was far more believable and realistic in this version.

Diana Rigg gives quite a different portrayal of the creepy Mrs. Danvers than Judith Anderson did, and I found Rigg's more humane and pathetic (although still sinister) housekeeper more three-dimensional. The supporting characters are also good, and I even enjoyed Jonathan Cake's scenery-chewing portrayal of Jack Favell.

All in all, a great effort, well worth watching.