Savior

One of the most painful depictions of war I've ever seen, this shows the effect of a civil war on ordinary people in a very powerful way. Stony-faced Dennis Quaid is excellent as ever as the emotionally-shut-off mercenary tiring of the pointless and unresolvable fighting in Bosnia, slowly allowing himself to feel again some years after the horrific death of his family when a woman and child inveigle themselves into his life. Some of the scenes in here are beyond horrific, particularly near the end where a massacre of civilians is made to seem quite dull and everyday to the killers. The pointlessness of such tribal warfare is emphasised by the shadowy depiction of the combatants, the almost total absence of 'good guys' and 'baddies' - I for one could rarely tell which side the soldiers on screen were supposed to represent. Certainly not for the fainthearted, this is war in all its foulness and degredation, fully exposing the evil mankind can inflict on itself. Not pleasant viewing, but a moving, powerful experience.

Great movie and easily Dennis Quaid's best work. Very tough to watch at times but in the end extremely rewarding and cathartic.

Its so appreciated that some artists in the world have something to say and do a timely, thoughtful movie to tell the world what they are missing or ignoring. You can either see what they have to say, or see the next assembly line CGI garbage. I suggest that any mature moviegoer give this a look.

There is some unexpected humor, a lot of horror and carnage and heartache, and I do suggest you keep the tissues close by for a some incredibly emotional scenes.

There is not a whole lot of dialogue which is also much appreciated. Most of the time actors are better when they have nothing to say but alot to express. The actors in this movie are all very natural and real. Not the least of which was the baby! One of the best performances by a new born I've ever seen..this child is beautiful.

Thanks to Dennis Quaid who probably made the equivalent of cab fare for this one..you did a great job in an invaluable movie.

I know that many people consider this movie 'Politically incorrect'. Probably it is in some way. I'm not from the Balkans, but I live very near and I remember very well that war in front of my door and I was against the Serbs. This movie was made by a Serb director and show his point of view. Anyway I think that in this movie you can see what was that war for civilian people, any side they were. I found it a true document about the war, and, in the end, I was not disturbed by the fact that it was a movie from a Serb director. I think that this demonstrates that it's a good movie. After watching this movie, you don't hate the Serbs, the Croatians or the Bosnians, you hate the war for the consequences on civilian people.

I suspect that for most Western Europeans and Americans the name 'Bosnia' is now no longer simply the name of a country, but also carries a subliminal implication of atrocity and ethnic viciousness. I doubt, then, that many people would approach this film with any false expectations of what it will contain.

That said, viewers should not come to this film for a political explanation of why and how the war happened - for that, it's probably best to read a few books. This film does attempt to give a human explanation of how and why wars like this one happen and continue to happen, though.

Inevitably, some have accused Savior of bias; though an American film, the director is a Serb, and it was filmed on location in Montenegro; with such emotive subject matter partiality would hardly be surprising. Indeed, the film does not flinch from discussing atrocities committed by Bosnian Muslims. Those who accuse this film of being pro-Serb, however, should consider that one of the most hateful caracters in the whole film, whom we witness carrying out pointlessly vicious acts of cruelty and mysogyny, and who happily admits to being a serial rapist, is himself a Serb.

Viewers should instead look to the human heart of this film. Dennis Quaid gives us a superb performance, rendering a character of some complexity (look at his expression when one character tells him 'You are a good man'). He is ably matched by Natasja Nincovic's complicated, battered portrayal of a Serb woman - and not merely a 'rape victim' stereotype that we know from other films.

There is a religious subtext for those who like looking for such things - plenty of Christ imagery, chiming nicely with the title. There is a special irony in the cross Joshua carries; apparently a Catholic, he has come to Bosnia specifically to kill Muslims in revenge for the loss of his family in a terrorist bombing - yet by joining the Serbs he is also aligned against the Catholic Croats. Perhaps this says something about the self-destructive nature of his revenge, and about his own internal conflict. This is a film about a man divided against himself, in a country divided against itself.

It is particularly effective that the main character in this film is an American. We are tempted to comfortably see him as 'one of us', a decent man in the midst of a barbaric war - but we are not allowed such passive comforts. Eaten by revenge and pain, little seperates Joshua from his barbaric 'sidekick' Goran, whose mindless cruelty he meets with contempt but also inaction. His own conduct is difficult to stomach, but nonetheless presented as the actions of a human, not a monster.

What Antonijevic's film does, then, is look at the line between those who have, and those who have not, become indifferent to the suffering of others - it is in this way that the perpetuation of war is explored. There are no politics, no discussion of religion, or of 'age old ethnic hatreds'. The focus of this strong film is the simple human cost both in lives extinguished and lives mutilated by war. Indeed, for those not very familiar with the details of the war in Bosnia, the practical anonymity of the different soldiers throughout the film will heighten the sense of War as something soldiers do to Civilians.

People who respect and appreciate this film should steer clear of the recent Behind Enemy Lines however - it reuses fragments of the Lake scene in Savior to simplistically anti-Serb effect, completely bastardising the intent of the people who originally created those images.

Nonetheless, despite what has been done to it Savior remains beautifully acted, tragic, mature film-making.

I watched this movie with skepticism but I have to admit I was wrong. This is a powerful movie and it left me drained out by the time it got over. The last 15 to 20 minutes are sure to move even the cold hearted so,I am surprised and saddened that there are still some folks here at the forum fighting over its anti/pro Muslim/Serbian credentials.

There is no winner in any war - only despair & death and at times, a faint glimmer of hope. Saviour depicts this with astonishing realism and at times,is difficult to watch but I guess that what war is all about. Dennis Quaid gives an Oscar winning performance and considering, the fact that Oliver Stone produced this, it has a antiwar platoonesque feel to it.