A hardened mercenary in the Foreign Legion begins to find his own humanity when confronted with atrocities during the fighting in Bosnia.A hardened mercenary in the Foreign Legion begins to find his own humanity when confronted with atrocities during the fighting in Bosnia.A hardened mercenary in the Foreign Legion begins to find his own humanity when confronted with atrocities during the fighting in Bosnia.
- Awards
- 3 wins total
Stellan Skarsgård
- Peter Dominic
- (as Stellan Skarsgard)
Marina Bukvicki
- Muslim Girl
- (as Marina Bukvic)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
1993, Bosnia. Having seen his wife and son murdered by Muslim terrorists, Guy has become bitter and hard and is fighting as a mercenary for the Serbs. When a prisoner exchange sees his partner take a girl he knows and try to kill her and her unborn mixed child, Guy is forced to kill him to protect them. However he then finds himself in a bitter war with a woman and child that no one wants.
I have seen this movie twice now and can find little to dislike about it, but also realise that it is not for a fun evening in with friends. The film is unrelentingly bleak and depressing as it is a look at the bitter and cruel war fought in Bosnia. The subject matter is framed around Guy, as a man who has been turned hard by the horror he has seen and it works well for this reason. We see it through the eyes of a man who has seen it all and has no more hurt left to feel. The film doesn't simply act out atrocities for us to watch but frames them within this story however we know that nothing is made up or exaggerated in terms of the bigger picture.
The film lacks any sort of traditional American cop-out (it's no spoiler to say that Guys wife and child don't turn out to be alive after all!), only the opening `this is why he's like this' 10 minutes are a little too neat and could have been dispensed with I didn't need it to explain why he was dead inside, only that he had become it due to war which was partly true. However this doesn't really take away from the film, only slightly weaken the character.
The cast are pretty good but the film is 99% Quaid's. He gives a great performance which is subtle and very downbeat. His eyes are where most of the acting occurs and he does it very well his character is very unsympathetic and has only a marginal redemption to look forward to but yet Quaid mixes it very well. Kinski is out of the film before her name has even appeared on screen, while Ninkovic does a good job, again despite a unsympathetic character. The rest of the cast are OK but hard to judge as much of the dialogue is in Serbo-Croatian and their performances are hard to judge. Faces such as Skarsgård add interest, but I did wonder why he had bothered for such a short time on screen.
Overall this is not a fun film to rent on Friday night but a bleak anti-war film that will leave you in no doubt that the conflict in Bosnia (and perhaps everywhere else) is of no value when compared to the enormous cost in terms of human life and suffering.
I have seen this movie twice now and can find little to dislike about it, but also realise that it is not for a fun evening in with friends. The film is unrelentingly bleak and depressing as it is a look at the bitter and cruel war fought in Bosnia. The subject matter is framed around Guy, as a man who has been turned hard by the horror he has seen and it works well for this reason. We see it through the eyes of a man who has seen it all and has no more hurt left to feel. The film doesn't simply act out atrocities for us to watch but frames them within this story however we know that nothing is made up or exaggerated in terms of the bigger picture.
The film lacks any sort of traditional American cop-out (it's no spoiler to say that Guys wife and child don't turn out to be alive after all!), only the opening `this is why he's like this' 10 minutes are a little too neat and could have been dispensed with I didn't need it to explain why he was dead inside, only that he had become it due to war which was partly true. However this doesn't really take away from the film, only slightly weaken the character.
The cast are pretty good but the film is 99% Quaid's. He gives a great performance which is subtle and very downbeat. His eyes are where most of the acting occurs and he does it very well his character is very unsympathetic and has only a marginal redemption to look forward to but yet Quaid mixes it very well. Kinski is out of the film before her name has even appeared on screen, while Ninkovic does a good job, again despite a unsympathetic character. The rest of the cast are OK but hard to judge as much of the dialogue is in Serbo-Croatian and their performances are hard to judge. Faces such as Skarsgård add interest, but I did wonder why he had bothered for such a short time on screen.
Overall this is not a fun film to rent on Friday night but a bleak anti-war film that will leave you in no doubt that the conflict in Bosnia (and perhaps everywhere else) is of no value when compared to the enormous cost in terms of human life and suffering.
I suspect that for most Western Europeans and Americans the name 'Bosnia' is now no longer simply the name of a country, but also carries a subliminal implication of atrocity and ethnic viciousness. I doubt, then, that many people would approach this film with any false expectations of what it will contain.
That said, viewers should not come to this film for a political explanation of why and how the war happened - for that, it's probably best to read a few books. This film does attempt to give a human explanation of how and why wars like this one happen and continue to happen, though.
Inevitably, some have accused Savior of bias; though an American film, the director is a Serb, and it was filmed on location in Montenegro; with such emotive subject matter partiality would hardly be surprising. Indeed, the film does not flinch from discussing atrocities committed by Bosnian Muslims. Those who accuse this film of being pro-Serb, however, should consider that one of the most hateful caracters in the whole film, whom we witness carrying out pointlessly vicious acts of cruelty and mysogyny, and who happily admits to being a serial rapist, is himself a Serb.
Viewers should instead look to the human heart of this film. Dennis Quaid gives us a superb performance, rendering a character of some complexity (look at his expression when one character tells him 'You are a good man'). He is ably matched by Natasja Nincovic's complicated, battered portrayal of a Serb woman - and not merely a 'rape victim' stereotype that we know from other films.
There is a religious subtext for those who like looking for such things - plenty of Christ imagery, chiming nicely with the title. There is a special irony in the cross Joshua carries; apparently a Catholic, he has come to Bosnia specifically to kill Muslims in revenge for the loss of his family in a terrorist bombing - yet by joining the Serbs he is also aligned against the Catholic Croats. Perhaps this says something about the self-destructive nature of his revenge, and about his own internal conflict. This is a film about a man divided against himself, in a country divided against itself.
It is particularly effective that the main character in this film is an American. We are tempted to comfortably see him as 'one of us', a decent man in the midst of a barbaric war - but we are not allowed such passive comforts. Eaten by revenge and pain, little seperates Joshua from his barbaric 'sidekick' Goran, whose mindless cruelty he meets with contempt but also inaction. His own conduct is difficult to stomach, but nonetheless presented as the actions of a human, not a monster.
What Antonijevic's film does, then, is look at the line between those who have, and those who have not, become indifferent to the suffering of others - it is in this way that the perpetuation of war is explored. There are no politics, no discussion of religion, or of 'age old ethnic hatreds'. The focus of this strong film is the simple human cost both in lives extinguished and lives mutilated by war. Indeed, for those not very familiar with the details of the war in Bosnia, the practical anonymity of the different soldiers throughout the film will heighten the sense of War as something soldiers do to Civilians.
People who respect and appreciate this film should steer clear of the recent Behind Enemy Lines however - it reuses fragments of the Lake scene in Savior to simplistically anti-Serb effect, completely bastardising the intent of the people who originally created those images.
Nonetheless, despite what has been done to it Savior remains beautifully acted, tragic, mature film-making.
That said, viewers should not come to this film for a political explanation of why and how the war happened - for that, it's probably best to read a few books. This film does attempt to give a human explanation of how and why wars like this one happen and continue to happen, though.
Inevitably, some have accused Savior of bias; though an American film, the director is a Serb, and it was filmed on location in Montenegro; with such emotive subject matter partiality would hardly be surprising. Indeed, the film does not flinch from discussing atrocities committed by Bosnian Muslims. Those who accuse this film of being pro-Serb, however, should consider that one of the most hateful caracters in the whole film, whom we witness carrying out pointlessly vicious acts of cruelty and mysogyny, and who happily admits to being a serial rapist, is himself a Serb.
Viewers should instead look to the human heart of this film. Dennis Quaid gives us a superb performance, rendering a character of some complexity (look at his expression when one character tells him 'You are a good man'). He is ably matched by Natasja Nincovic's complicated, battered portrayal of a Serb woman - and not merely a 'rape victim' stereotype that we know from other films.
There is a religious subtext for those who like looking for such things - plenty of Christ imagery, chiming nicely with the title. There is a special irony in the cross Joshua carries; apparently a Catholic, he has come to Bosnia specifically to kill Muslims in revenge for the loss of his family in a terrorist bombing - yet by joining the Serbs he is also aligned against the Catholic Croats. Perhaps this says something about the self-destructive nature of his revenge, and about his own internal conflict. This is a film about a man divided against himself, in a country divided against itself.
It is particularly effective that the main character in this film is an American. We are tempted to comfortably see him as 'one of us', a decent man in the midst of a barbaric war - but we are not allowed such passive comforts. Eaten by revenge and pain, little seperates Joshua from his barbaric 'sidekick' Goran, whose mindless cruelty he meets with contempt but also inaction. His own conduct is difficult to stomach, but nonetheless presented as the actions of a human, not a monster.
What Antonijevic's film does, then, is look at the line between those who have, and those who have not, become indifferent to the suffering of others - it is in this way that the perpetuation of war is explored. There are no politics, no discussion of religion, or of 'age old ethnic hatreds'. The focus of this strong film is the simple human cost both in lives extinguished and lives mutilated by war. Indeed, for those not very familiar with the details of the war in Bosnia, the practical anonymity of the different soldiers throughout the film will heighten the sense of War as something soldiers do to Civilians.
People who respect and appreciate this film should steer clear of the recent Behind Enemy Lines however - it reuses fragments of the Lake scene in Savior to simplistically anti-Serb effect, completely bastardising the intent of the people who originally created those images.
Nonetheless, despite what has been done to it Savior remains beautifully acted, tragic, mature film-making.
10sepo
I was stumped at the video store - had basically narrowed the DVD search down to 2 - Sphere (yeah, I know..) and Savior, this interesting looking title on the bottom shelf.
Thank goodness I chose this one.
What a brilliant, gut-wrenching, agonising movie...
Other comments have said it was a low budget job, but the DVD version I just saw didn't even make you think about the mechanics of the movie - just the characters and events that this film portrayed.
The cinematics - beautiful scenery etc (to show that man really has no sense at all - he can be surrounded by some of the most amazingly beautiful surroundings and still turn the place to hell) and sound (the gunshots / ambient stuff etc were very well done) were all spot on..
For the actual plot, the other comments posted are a lot more lucid than mine, so I won't bother trying to explain the premise of this flick.
I really don't know what else to say - some of the scenes containing brutality were brilliant (in a really horrible way) - none of the usual hollywood (tm) bad guy finally gets it in the end type stuff - cliche - it really just showed how pointless these kinds of conflicts are. cliche
Oh man - this film is going to stick with me for quite some time. And I kind of wish it didn't. I was after a throw away movie (should have rented sphere) and instead got this thing that I just cannot stop thinking about.
Dennis Quaid was amazing in it, and the rest of the cast were excellent, too.
And yes, I cryed like baby Vera..
PS: I actually registered just so I could vote & comment on this movie..
Thank goodness I chose this one.
What a brilliant, gut-wrenching, agonising movie...
Other comments have said it was a low budget job, but the DVD version I just saw didn't even make you think about the mechanics of the movie - just the characters and events that this film portrayed.
The cinematics - beautiful scenery etc (to show that man really has no sense at all - he can be surrounded by some of the most amazingly beautiful surroundings and still turn the place to hell) and sound (the gunshots / ambient stuff etc were very well done) were all spot on..
For the actual plot, the other comments posted are a lot more lucid than mine, so I won't bother trying to explain the premise of this flick.
I really don't know what else to say - some of the scenes containing brutality were brilliant (in a really horrible way) - none of the usual hollywood (tm) bad guy finally gets it in the end type stuff - cliche - it really just showed how pointless these kinds of conflicts are. cliche
Oh man - this film is going to stick with me for quite some time. And I kind of wish it didn't. I was after a throw away movie (should have rented sphere) and instead got this thing that I just cannot stop thinking about.
Dennis Quaid was amazing in it, and the rest of the cast were excellent, too.
And yes, I cryed like baby Vera..
PS: I actually registered just so I could vote & comment on this movie..
One of the most painful depictions of war I've ever seen, this shows the effect of a civil war on ordinary people in a very powerful way. Stony-faced Dennis Quaid is excellent as ever as the emotionally-shut-off mercenary tiring of the pointless and unresolvable fighting in Bosnia, slowly allowing himself to feel again some years after the horrific death of his family when a woman and child inveigle themselves into his life. Some of the scenes in here are beyond horrific, particularly near the end where a massacre of civilians is made to seem quite dull and everyday to the killers. The pointlessness of such tribal warfare is emphasised by the shadowy depiction of the combatants, the almost total absence of 'good guys' and 'baddies' - I for one could rarely tell which side the soldiers on screen were supposed to represent. Certainly not for the fainthearted, this is war in all its foulness and degredation, fully exposing the evil mankind can inflict on itself. Not pleasant viewing, but a moving, powerful experience.
I know that many people consider this movie 'Politically incorrect'. Probably it is in some way. I'm not from the Balkans, but I live very near and I remember very well that war in front of my door and I was against the Serbs. This movie was made by a Serb director and show his point of view. Anyway I think that in this movie you can see what was that war for civilian people, any side they were. I found it a true document about the war, and, in the end, I was not disturbed by the fact that it was a movie from a Serb director. I think that this demonstrates that it's a good movie. After watching this movie, you don't hate the Serbs, the Croatians or the Bosnians, you hate the war for the consequences on civilian people.
Did you know
- TriviaDirector Predrag Antonijevic was a political prisoner during the conflict depicted in his film.
- GoofsIn the opening scene at the restaurant, army soldiers are seen eating at a table with their hats on. Army soldiers remove their hats indoors unless carrying a weapon.
- ConnectionsFeatured in Behind Enemy Lines (2001)
- SoundtracksRasti, Rasti, Moj Zaleni Bore
Traditional folk song
- How long is Savior?Powered by Alexa
Details
Box office
- Budget
- $10,000,000 (estimated)
- Gross US & Canada
- $14,328
- Opening weekend US & Canada
- $3,898
- Nov 22, 1998
- Gross worldwide
- $14,328
- Runtime
- 1h 43m(103 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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