The Shooter

Aw, come on, have you ever seen a western, (or any other movie) where the horses do a whoopsie, or have you ever seen a pile of it in the street where they live? Of course not.

But there is plenty of "it" here. In the script, the story, the plot, the whole darn 85 minutes of it. Be warned, it is a real struggle to keep watching.

The "Hero" rides along, hears screams, finds the "baddies" whipping a poor girl and guess what? BANG, BANG, BANG. and the girl is rescued and taken to Kingston, to Duncan's saloon, where she "works", (as they call it).

Alas, one of the bad guys was the son of a local real bad guy, who sets out to revenge the killing of his son. Of course there is the gunfight or three, where "hero" is such a sharpshooter.

The Shooter is a surprisingly solid, albeit unwholesome western that defies expectations. This is thanks in large to a an over the top performance from Randy Travis as the antagonist, and he plays the part so well. Overall, the movie holds its own as a much better film than one might expect from a direct-to-video western from the late 90s.

The film seems to takes some liberties with historical accuracy, particularly concerning the depiction of brothels and prostitution in the west. The movie portrays the prostitutes as a lower class, when in fact, they were usually the richest in town and owned their own businesses. Furthermore, the dark twist in the mayor's story adds another layer of intrigue, as he goes from a symbol of authority to just another villain.

The film is also notable for the presence of veteran actor William Smith, who plays a gruff old cowboy seeking vengeance. It's a great chance to see the famous actor, and his powerful presence on screen is a testament to his impressive fifty-year career at the time of the film's release.

When I stumbled upon the 1997 Western "The Shooter" here in 2024, I had never heard about it. And seeing that it was directed by Fred Olen Ray, I have to admit that I wasn't really harboring much of any grand expectations to the movie. But with it being a movie that I hadn't already seen, of course I opted to give the movie a fair chance.

Writer Tony Giglio put together a rather enjoyable script and storyline. It was pretty straightforward, sure, but I liked it.

The only familiar faces on the screen were leading actor Michael Dudikoff, and also Kane Hodder and Nils Allen Stewart. I have to say that Michael Dudikoff carried the movie quite nicely, and it was nice to see him in a movie such as this; one that wasn't the archetypical action movies he starred in earlier. I was surprised to see the likes of Kane Hodder and Nils Allen Stewart in the movie, despite it being in small roles only. But their presence was most welcomed, nonetheless. The acting performances in the movie were good.

If you enjoy Western movies, then I will say that this movie is actually worth watching. I was genuinely entertained throughout the course of the movie.

I will actually go as far as to saying that this is by far the best movie from director Fred Olen Ray that I've seen.

My rating of "The Shooter" lands on a six out of ten stars.

I'm surprised about the many female voters who even give this film better marks. My thought about this film was that the target audience is adult and male. Whipped and tortured women, merciless revenge and a high body count are typical ingredients, introduced into film history by the spaghetti subgenre. The opening and the hand-smashing are DJANGO rip-offs. THE SHOOTER however lacks the style of e.g. DJANGO. Score, acting and cinematography are mediocre at best but if you look for the above mentioned ingredients you are in the right place here. And the actors don't have an Italian accent.

4 / 10.

"The Shooter" was a different type of film for Michael Dudikoff. Although normally associated with action flicks that incorporate martial arts, this film , because it was a western, enabled him to display that he is a far more capable actor than certain formula story lines have allowed.

The major problem, of course, is that the film does not allow any solid character development. The fleshing in is really left to the viewer . We can only guess at the sadness that has made the Shooter, whose real name is Michael Atherton, the killer that he is- a killer, mind you, that a little town, terrorized by a local bully, welcomes as a hero who can release it from its misery.