U Turn

A marked gambler (Penn) on the run, comes to a little town in the middle of nowhere, south USA. A town filled with very unusual characters, sordid secrets and strange opportunities, that seem very appealing to this "Pat Poker" on the run, which desperately needs money to pay the idiotic, redneck town mechanic. Penn and Nolte are at the greatest level, and Lopez fills the requisites of her character. Beautiful piece of writing, with surprising plot twists which make way to a most brilliant ending, "Stone" style despair. A very misunderstood work by this brilliant, all-American director. Another piece of genuine America, with all her virtues and even more flaws, seen trough "stone" cold eyes...

Bobby Cooper is on his way to pay off his gambling debt to a Las Vegas loan shark. However when his car breaks down he has to wait in a small town until it is fixed. Unwittingly he is meets a beautiful woman and her husband, who offers him money to kill her. With the odds stacking up against Bobby he finds himself drawn deeper into greed, theft and murder.

This was a step away from political dramas and conspiracy thrillers for Oliver Stone, here he takes a standard film-noir plot and gives it his own touch. The plot is pure noir - full of shady characters, femme fatales, double crosses and murder, but it is compelling right till the end. It's thrilling to see Bobby become trapped in the town of Superior by a series of events (some coincidental, some deliberate) and unable to get away from the inevitable.

But what Stone does makes it even better. He films the whole thing in a style similar to that of Natural Born Killers, except not as graphic. He uses different film stocks, he cuts in different shots of characters while they voice over - the overall effect adds to the tension and the feeling of excitement. However he also makes good use of the wide landscape and uses long panoramic shots - this isn't a pop video director! Another great touch is the music - it's not moody like most noirs but instead mirrors the bright desert by being upbeat and unusual, the overall effect being a very quirky feeling.

The cast are roundly excellent and a great list of names. Sean Penn is totally believable as someone who tries to avoid the unavoidable and you do feel like he's trapped. Lopez has not been better - she is every inch the sultry femme fatale. Nolte is creepy as her husband, and does well mixing his gruff exterior with deeper guilt. Powers Booth, Joaquin Phoenix and Claire Danes are all good in minor but still important characters. Pleasant surprises exist in the rest of the cast with Jon Voight, Laurie Metcalf and Liv Tyler making cameos - although in the case of Tyler I found it more distracting than the others (she appears in the background as if the film is saying "look - it's Liv Tyler".

Overall an excellent criminally-ignored film with a great cast and the touch of a great director.

Brilliant & hallucinatory cinematography, impeccable use of music, and a handful of dark, edgy character sketches all work together very nicely to make this bleak, dark-humoured desert noir an overlooked highlight of Oliver Stone's career. The highly evocative atmosphere plays out against the Arizona desert in a way that (in addition to foreshadowing some of the work done in Terry Gilliam's own twisted little masterpiece 'Fear & Loathing in Las Vegas') seems to mirror, in a more subtle and tasteful manner, much of Stone's work in 'Natural Born Killers'. However, rather than hitting us over the head with whatever socially charged 'message' he may have been attempting to convey in that film, here he is simply content to let it build up a thick and steamy ambience that moves our hapless comrades on towards their own impending personal apocalypse. Nick Nolte, Sean Penn, and Jennifer Lopez all turn in great performances and Billy Bob Thornton's eccentric character sketch elevates what may be defined as a bit part to a far more relevant status. Modern noir with a few dark twists and a taste all it's own that's well worth digging into...for those who have a taste for this kind of thing, if you know what I mean.

As usual before adding my two ha'porth-worth of comment, I looked at other comments (including Roger Ebert). And, although I didn't read all of them (there are very many), I was surprised that none I read seemed to pick up what was perfectly obvious to me: this is a very funny film, but done in a deadpan style. So deadpan, in fact, that I'm not surprised that might be news to many. I have, coincidentally, recently been buying up on DVD quite a few classic film noir (Build My Gallows High, The Strange Love Of Martha Ivers) and like everyone else thought that the era of film noir had come and gone and that such films were no longer being produced. Well, blow me if I'm not very wrong: this is quintessential film noir (though done in colour and with the proviso that most film noir is not intended to be funny). It would be pointless to recount the plot, but if you liked all those classic Mitchum/Bogart/Van Helin/Edwrad g Robinson etc films, you will love this. Sean Penn never disappoints. By the way the very final twist in the plot had me laughing out loud. Go for it: you won't be disappointed.

It's like a trip into purgatory, and the place is filled with devils and yes, that includes our protagonist. It's like a twisted version of Chinatown but without the big conspiracy but with the incest plot. All with the crazy style and editing a la Oliver Stone.

The thing is J. Lo should have used this role to really help her film career but she screwed it up. She didn't use it to her advantage at all, she didn't bring all the characters out to the surface. But the rest of the cast is crazy, in talent but also in the direction they take the characters. Sean Penn, Nick Nolte, Billy Bob Thornton, Jon Voight, Powers Boothe, Joaquin Phoenix, Claire Danes, Julie Hagerty. All were insane and over-the-top but low-key great.