U Turn

It's like a trip into purgatory, and the place is filled with devils and yes, that includes our protagonist. It's like a twisted version of Chinatown but without the big conspiracy but with the incest plot. All with the crazy style and editing a la Oliver Stone.

The thing is J. Lo should have used this role to really help her film career but she screwed it up. She didn't use it to her advantage at all, she didn't bring all the characters out to the surface. But the rest of the cast is crazy, in talent but also in the direction they take the characters. Sean Penn, Nick Nolte, Billy Bob Thornton, Jon Voight, Powers Boothe, Joaquin Phoenix, Claire Danes, Julie Hagerty. All were insane and over-the-top but low-key great.

U-Turn is about a man named Bobby Cooper (Sean Penn) who is on his way to pay a debt to a gangster when his car breaks down in the small, redneck town of Superior. There, Bobby is taken advantage of by the good IL' boys in every way possible, from the dirty mechanic to the town sheriff. He meets a beautiful girl named Grace (Jennifer Lopez) and falls for her, and she seemingly falls for him as well. From here, there are twists and turns in the plot all the way to the very end of the movie.

Sean Penn was decent as Bobby, but seemed a bit week and was taken advantage of a bit too easily. I guess that was Bobby's character so he did a good job. Jennifer Lopez did not have as big a part as I thought, but she did OK with it. Nothing spectacular, just OK.

The characters that stole the movie, in my honest opinion, were Darrell the mechanic (Billy Bob Thornton) and Toby N. Tucker (Joaquin Phoenix). They had the redneck stereotypes down pat, especially Thornton.

This movie was a decent little thriller. I am glad I did not see it way back when it was in theaters but it is OK for a rental. I give 7 of 10 stars.

This is one of my favorite Oliver Stone films. It has everything (cheating incestuous sex, chopping off digits, a dumb hick mechanic, a blind native American who wants Dr. Pepper all the time, etc etc etc) that a well-rounded movie needs, plus it was completely done in a comic fashion. It is closest to Stone's other film "Natural Born Killers" by way of stylish camera shots and the addition of comedy into a dramatic setting.

Sean Penn brilliantly plays the lead character, whose car blows a radiator hose out in the middle of the Arizona desert, and the closest town is that of Superior, AZ, a dirt-road town with barely 1,000 people living there, if that. Penn goes through hell from the beginning when random characters in the city want something from him and in return, it drives him to try his best to get the hell out of Superior. Everything during his days in Superior is centered around money and the fact that he has hardly any. So he gets schemed into murders, and he gets whatever little he has taken away from him (his train ticket gets ripped up by the local hoodlum, TNT, again brilliantly played by Joaquin Phoenix, and he has several full bottles of beverages broken for different reasons). Therefore, he's constantly running in circles to get out of this town.

There is an all-star cast (back then, and now) of actors: Jennifer Lopez (a better singer than actress), Nick Nolte, Joaquin Phoenix, Billy Bob Thornton (the best among the bunch as the hick mechanic), Sean Penn, Claire Danes, Liv Tyler (only for a second in the train station), and Jon Voight...all packed into a nice DVD. The music had that comic, light-hearted side to it (with the country sound of a jew's-harp played over violin or whatever, etc) which helped you to see the irony that is driving him to madness in this town. Again the camera shots were awesome, and they had that Oliver Stone quality of the 90's where he would switch frames with the villain of the movie with an animal skull and switch the point-of-view to see what the actors are seeing, and so on.

I didn't like the ending so much. I kind of wanted things to resolve themselves, but instead, things just keep on falling into the bad-luck-category of his life. I also hated Jennifer Lopez's delivery of lines (just like in any other movie with her...The Cell, etc) because they feel so fake and put on that you know the director was just looking for T&A for the film. Also she doesn't play a native American very well. She has a thick accent straying too much towards Latino that you don't pick up on any cultural change until you get the story.

Overall, though, (bad point aside) it is a brilliant movie that is easy to watch if you like the other Stone films. I had to give it a 9/10 for great performances, great music, awesome story, and everything in between. Go out and buy it if your a fan of any of the actors listed above, or if you are trying to find a great weekend film with friends.

In "U-Turn," Oliver Stone narrows his focus from the broad-canvass projects he typically produces. Those seeking the knowing profundities of "JFK" or "Nixon" will be disappointed. This is a genre picture of the desert southwestern potboiler variety, a much-updated "Painted Desert" kind of film. Lots of bad luck, scorpions, whiskey, sexual perversity, bullying, greed, lots of sweat and very little shaving. The basic questions begged by a movie like this one are these: Who will have sex? Who will live? Who will die? And who will end up with the money? By the final reel, all these questions are very satisfactorily answered. For a picture of this type, "U-Turn" is very good indeed.

Sean Penn is smashing, Nolte has never been creepier, and Jennifer Lopez is, er, extremely effective in this film's only real female role. John Voight, buried in the role a mystic Indian, is most entertaining. And we get another patented oddball performance by Billy Bob Thornton that is absolutely worth the price of admission. For good measure, Juaquin Phoenix and Claire Danes deliver a too-brief but electrifying turn as a young couple adept at creating trouble. As if Sean Penn, in this picture, didn't have enough already.

Sure, the predictable desert atmospherics are a bit overdone. But the solid script by John Ridley, the letter-perfect performances, and Stone's sure directorial hand make this one of his better films.

This movie is out of the theatres, so one word to you parents about "U-Turn." This is not one to watch in the presence of the kiddies. It contains very graphic and violence and sexual material clearly unsuitable for young folk or the sensitive soul of any age.

But if you like your film noir with sand and scorpions thrown in for good measure, this is a sure-fire rental that will leave you fully satisfied.

A marked gambler (Penn) on the run, comes to a little town in the middle of nowhere, south USA. A town filled with very unusual characters, sordid secrets and strange opportunities, that seem very appealing to this "Pat Poker" on the run, which desperately needs money to pay the idiotic, redneck town mechanic. Penn and Nolte are at the greatest level, and Lopez fills the requisites of her character. Beautiful piece of writing, with surprising plot twists which make way to a most brilliant ending, "Stone" style despair. A very misunderstood work by this brilliant, all-American director. Another piece of genuine America, with all her virtues and even more flaws, seen trough "stone" cold eyes...