All the Little Animals

you can't help it.

I found it is better to watch this movie as a spectator rather than as a participant, because if you allow yourself to become involved in the story, the inconsistencies will annoy you to no end.

The whole theme about cruelty to animals holds no weight because we never become involved with any animals - in fact the stepfather seems to be more of a true animal in the sense of doing what is necessary to survive than any other character.

Christian Bale wavers from being profoundly retarded one minute to quite normal the next. John Hurt shows no remorse for his past deed, indeed is rather demented in confiding that he did the right thing in his little fairy tale retelling.

The main thing that will keep you watching is to see what will happen next. Nothing happens as it should - oh, the basic good will triumph over evil theme is there in all its faded glory, but what will keep you watching this movie is because it is exactly like roadkill. You know it's bad, but you just have to see what it is...

First, I want to say that- if you are by any chance the director or writer or producer or anyone who worked on this film, please contact me for a job working with you, I want to work in film and this is a prime example of what I love to see at the cinema. I was in luck that, for the Palm Beach Film Festival, one of the films was cancelled and "All the Little Animals" was substituted. I have always loved Christian Bale's acting, and he is really great in this one- but the entire film is beautiful and captivating. The cinematography is gorgeous, from the streets of London to the forest where much of the film takes place- I especially loved a castle resting magically on a hilltop and dreamlike sequences where Bale's character is floating down a river holding a fox. This is indeed a film about little animals- mainly ones that are found dead on the street. This is a risky film in that it tries to balance fantasy and adventure with true horror (I guess that qualifies it for the "classic" fantasy genre of story books in which the endings were not always happy and the events were sometimes brutal)- making it very questionable for small children. I have rarely been so shaken by suspense at the movies as I was toward the awesomely climactic final scenes here. There is a human villain in this film who is so outrageously, perversely evil that he will come off as a joke for those who are not scared to death by him. I was. John Hurt is quite wonderful too, as an old hermit who befriends Bale. I do not want to spoil the plot- but I will say that it involves many a dead animal- and the moral theme that animals are as beautiful, if not more, than people (from the giant beasts down to microscopic ones). I got the feeling half way through this film that the late Jim Henson would have loved this - it is not unlike the "Storyteller" films that he directed for television in the late 80s, in which John Hurt played the narrator. In fact, the Hurt character is quite similar to the one he played in those as well. Here is a film that is great to look at, terrifically acted and written, and very moral. It is the best film I have seen yet this year.

ALL THE LITTLE ANIMALS

Aspect ratio: 2.39:1 (2.35 Research)

Sound format: Dolby Digital

Until it takes a darker turn during its latter stages, there's a quiet dignity at the heart of this unusual drama, the directorial debut of producer Jeremy Thomas, based on a novel by Walker Hamilton. Christian Bale - a long way from EMPIRE OF THE SUN and two years from American PSYCHO - plays a mentally impaired young man who runs away from his creepy stepfather (Daniel Benzali) in the wake of his mother's death and ends up in Cornwall, where he befriends an eccentric hermit (John Hurt) whose fondness for animals strikes a healing chord within Bale's damaged psyche. Together, they set out to bury the dead creatures they find around their ramshackle home in the forest, many of them killed by traffic on lonely country roads.

Characterized by its magical performances (Bale is utterly convincing as the 10 year old boy trapped in a 25 year old's body) and eye-popping, panoramic vistas of the English landscape, the film offers a gentle reminder of mankind's place in the natural scheme of things, though Thomas makes his point without stooping to preachiness or obvious metaphors. In an amusing turnabout from standard Hollywood practices, this UK-lensed film features an American actor (Benzali) playing a Brit villain, the catalyst for a late-breaking plot development which some may find overly melodramatic. By turns humane, frightening and beautiful, this isn't a movie for all tastes, but adventurous viewers will be rewarded for their patience. A possible cult in the making.

My son and I really liked this film. If you are into shoot 'em up, no thinking or feeling required movies, then this one is not for you. For those who like animals and like to see the little guy win once in awhile, this is a great film. The stepfather, DeWinter, is a typical "nothing matters but money" type person and his unfortunate stepson, Bobby, gets caught in the line of his ruthless fire. As fate would have it, Bobby meets an eccentric and oddly lovable old fellow, Mr. Summers, who is into giving the poor creatures who have been flattened on the road a decent burial and a little compassion for what their little life once was. I know in this steam roller over everything that isn't human world that we live in, a lot of people aren't concerned in the slightest with what befalls those who are not so fortunate as them, particularly when it's a non-human unfortunate. But I found it very refreshing that someone took the time to write a book and do a film about the "underdogs" of life on this planet. I found myself cheering Bobby on when he finally finds his backbone and deals with his stepfather appropriately. For those who love animals and maybe even detest the cruelty that some people just feel they have to exhibit towards the helpless, this is a one in a million movie where the little guys win.

Some people need total control of everything and everyone in their lives. When they fail to enforce their will, these individuals lash out in anger, torment, or aggression. "The Fat" could be the poster child for such outrageous behavior. Daniel Benzali has played the heavy many times before (see "Suckers"), but his performance in "All the Little Animals" is pure evil, and reason alone to seek this film out. John Hurt and Christian Bale give fine performances, but it is Benzali who makes the movie memorable. The film is highly original, deliberately paced, and the ending is extremely satisfying. Highly recommended. - MERK