An oddball journalist and his psychopathic lawyer travel to Las Vegas for a series of psychedelic escapades.An oddball journalist and his psychopathic lawyer travel to Las Vegas for a series of psychedelic escapades.An oddball journalist and his psychopathic lawyer travel to Las Vegas for a series of psychedelic escapades.
- Awards
- 1 win & 3 nominations total
Brian Le Baron
- Parking Attendant
- (as Brian LeBaron)
Featured reviews
An oddball journalist and his psychopathic lawyer travel to Las Vegas, with a car full of drugs, alcohol and the pursuit of the American Dream.
A psychedelic trip into the macabre, a chaotic spiral into madness. These terms perfectly describe Hunter S. Thompson's novel describing his drug fueled trip of the west. Depp does a perfect rendition of Thompson and truly is a marvel to watch in this film. In his rendition it is easy to see how Depp has become one of this generations finest actors. This film for the casual viewer may be difficult to follow and or watch, but to me personally is a fantastic film one in which does what it was intended to do, and that is to entertain and to darkly and at times humorously take the viewer on a chaotic ride. With a huge cult following and an eventual prequel that came out; Rum Diaries, this is a wonderful peek into the world of the not so normal and the drug fueled ride that is Hunter S. Thompson's life. The soundtrack is perfect for this film as it follows suit with the chaos that is viewed on the screen. I highly recommend this film to film buffs and lovers of dark comedies.
A psychedelic trip into the macabre, a chaotic spiral into madness. These terms perfectly describe Hunter S. Thompson's novel describing his drug fueled trip of the west. Depp does a perfect rendition of Thompson and truly is a marvel to watch in this film. In his rendition it is easy to see how Depp has become one of this generations finest actors. This film for the casual viewer may be difficult to follow and or watch, but to me personally is a fantastic film one in which does what it was intended to do, and that is to entertain and to darkly and at times humorously take the viewer on a chaotic ride. With a huge cult following and an eventual prequel that came out; Rum Diaries, this is a wonderful peek into the world of the not so normal and the drug fueled ride that is Hunter S. Thompson's life. The soundtrack is perfect for this film as it follows suit with the chaos that is viewed on the screen. I highly recommend this film to film buffs and lovers of dark comedies.
This is far from your everyday movie, and only for those with a deep appreciation for the diversity of film-making, or fans of Hunter S. Thompson. This does not mean those mentioned will enjoy it, although definitely respect the attempt. I personally found it fascinating. To portray a permanently drug induced state to the big screen was done with creativity and subtle humour. You could expect nothing less from director Terry Gilliam who has played such a massive role in the brilliant and original Monty Python works.
Having never read any of Hunter S. Thompson's work, I get the impression that justice is done for the adaptation to the big screen. An absolutely quality cast must be credited for this, ensuring a natural performance is achieved. Las Vegas which features strongly throughout the movie seems to be so appropriate when dealing with this subject matter, they just seem to go hand in hand.
Having never read any of Hunter S. Thompson's work, I get the impression that justice is done for the adaptation to the big screen. An absolutely quality cast must be credited for this, ensuring a natural performance is achieved. Las Vegas which features strongly throughout the movie seems to be so appropriate when dealing with this subject matter, they just seem to go hand in hand.
In a sense, this is kind of like the movie Terry Gilliam was born to do.
Terry Gilliam is an awesome visual director in the same way that Tim Burton is an awesome visual director: every single frame bleeds its own distinct style of beauty, but sometimes the story just doesn't hold it up, or the stylistic elements get in the way. However, what could possibly be better to found Gilliam's surreal psychedelic imagery on than Hunter S. Thompson's story of his exploration into the American Dream? Still, it's a hard thing to pull off, translating Thompson to film, and while Gilliam does succeed, it's largely from the support of the incredible cast working under him to work out. Johnny Depp and Benecio Del Toro especially have to really work on exaggerating when needed, slowing down when necessary through what feels like hundreds of hallucinogenic scenes with just barely enough narrative structure to pull them together.
Of course, the outcome is pretty fantastic, but it sets this movie squarely in the "love it or hate it" section of the world's video library, which is pretty much Gilliam's career simplified anyways.
--PolarisDiB
Terry Gilliam is an awesome visual director in the same way that Tim Burton is an awesome visual director: every single frame bleeds its own distinct style of beauty, but sometimes the story just doesn't hold it up, or the stylistic elements get in the way. However, what could possibly be better to found Gilliam's surreal psychedelic imagery on than Hunter S. Thompson's story of his exploration into the American Dream? Still, it's a hard thing to pull off, translating Thompson to film, and while Gilliam does succeed, it's largely from the support of the incredible cast working under him to work out. Johnny Depp and Benecio Del Toro especially have to really work on exaggerating when needed, slowing down when necessary through what feels like hundreds of hallucinogenic scenes with just barely enough narrative structure to pull them together.
Of course, the outcome is pretty fantastic, but it sets this movie squarely in the "love it or hate it" section of the world's video library, which is pretty much Gilliam's career simplified anyways.
--PolarisDiB
When you start watching this movie, you'll decide if you like it or not. But if you don't want to wait, I'll tell you. This movie is so trippy, so gross, so insane, so bizarre, and so friggin' crazy! Now with that said, it's also brilliant, funny, surreal, dark, entertaining etc. The story goes like this; a Dr. Journalism, Raoul Duke (Johnny Depp), and his wolf man attorney, Dr. Gonzo (Benicio Del Toro), are sent to Las Vegas to cover a Mint 400 motorcycle race but end up abandoning that in search of the American Dream. The two characters are out of their minds on drugs the entire time which is where the surreal factor comes into play. The film is based the famous novel by Hunter S. Thompson, which was based on real life events he experienced. I'm not kidding when I say that five minutes into this movie and you'll feel that someone drugged your drink or something. This is more than just a movie, it's an experience, and an experience like no other. If you haven't read the book or don't know what your getting yourself into, then you're gonna have one hell of a ride. Johnny Depp (of course) nails the performance of the character that the book created. What director, Terry Gilliam, did is take the book and match the images that we thought of while reading it, perfectly. Throughout the film, watching the two characters wander witlessly around Las Vegas tripping on acid, I felt like I was part of the experience. Also, Depp's performance is so good, that I started to forget that he wasn't really Hunter S. Thompson. The characters are both psychotic but in different ways. Raoul Duke has one foot in reality and another foot in a pit of madness, Gonzo, however, is off his rocker. He's just a ticking atom bomb ready to go off, I'd be scared to stay in the same room as him. But what keeps this movie going strong is the narration by Depp. Some of it's recited from the book but other times it's whatever's on his mind. Without the narration, the movie would be just one wacky thing after another. Overall, watching this movie is like being hit by a car, sucked into a tornado, spat out into a trampoline factory, raped by a wild tiger, eaten by Godzilla, thrown off the face of the Earth, and plummeting right down on the TV. Any negative reviews you may have heard about this movie make no sense. They love the book while hate the film for being so crazy and shapeless (oh, you mean exactly like the book). This is a perfect adaptation of the book. So great performances, surreal scenery, flowing narration, and a clever cameo by Thompson himself. When I first saw this movie, I liked it just fine. I've seen a few more times and every time I see it, it gets better. Now it's gotten to the point where I think it's one of the best films ever made. So if you're a Johnny Depp fan, or a Terry Gilliam fan, or a Hunter S. Thompson fan, or just in the mood for something different and I mean REALLY different, definitely check it out.
10smriga
I think the people who reviewed this film are a bit warped for thinking of it as anything less than a masterpiece. This film comes from the glorious days of Johnny Depp taking obscure roles in films and totally immersing himself in the character. Benecio Del Toro's performance was second to none, and I cannot for the life of me comprehend why someone would think this to be the "worst movie ever". God save us that we actually have to think a little when we sit in those awful theatre seats. Heaven forbid we're required to use our imagination a little bit and not have it handed to us in the form of Hollywood mindless pap. The film, del toro, Depp, and of course, Gilliam are all brilliant. I pity the fools who gave this movie a negative review and fail miserably in articulating their reasoning.
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Did you know
- TriviaIn the book, Hunter S. Thompson listens to "Sympathy For The Devil" by The Rolling Stones. The rights to play it in the film were too expensive for the production's budget.
- GoofsDr. Gonzo spoofs the "Richard Nixon salute" when he gets on the plane at the end of the movie. Nixon didn't resign or do the classic "salute" until 1974.
- Quotes
[watching Dr. Gonzo leave]
Raoul Duke: There he goes. One of God's own prototypes. A high-powered mutant of some kind never even considered for mass production. Too weird to live, and too rare to die.
- Crazy creditsThe Ralph Steadman drawings from the book are put in with the credits, along with the Gonzo & Duke in the Red Shark picture that takes up the whole screen at the end.
- Alternate versionsThe US-label Criterion ordered director Terry Gilliam and author Hunter S. Thompson to create a special Director's Cut. This cut contains a scene that otherwise was only to be seen in part and only in the cinematic trailer. It shows events in retrospect that the main character Raoul Duke remembers fragmentarily when listening to the recorded conversations on his cassette recorder. Furthermore there is a slightly longer version of another scene shortly before that. There is a bit more conversation going on between Raoul and Dr. Gonzo when they want to leave because of the trouble the kidnapped Lucy (Christina Ricci) is causing. Director's Cut's Pal running time is 144.1 seconds (2:24 minutes) longer because of two extended scenes.--Quoted from movie-censorship.com
- ConnectionsEdited from Vega$ (1978)
- SoundtracksMy Favorite Things
Written by Richard Rodgers (as Richard Rogers) and Oscar Hammerstein II
Published by Williamson Music
Performed by The Lennon Sisters
Courtesy of Ranwood Records/ A Walk Music Group Co.
By arrangement with Warner Special Products
Details
- Release date
- Country of origin
- Language
- Also known as
- Las-Vegasdagi qo'rquv va nafrat
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $18,500,000 (estimated)
- Gross US & Canada
- $10,680,275
- Opening weekend US & Canada
- $3,338,590
- May 24, 1998
- Gross worldwide
- $10,680,275
- Runtime
- 1h 58m(118 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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