A police negotiator confronts a framed counterpart.A police negotiator confronts a framed counterpart.A police negotiator confronts a framed counterpart.
- Awards
- 2 wins & 6 nominations total
Siobhan Fallon Hogan
- Maggie
- (as Siobhan Fallon)
Leonard L. Thomas
- Allen
- (as Leonard Thomas)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Danny Roman (Samuel L. Jackson) is a top negotiator for the city of Chicago but all things changes for the worse. When his best friend (Paul Guilfoyle) got murder by a mysterious shooter. Now Danny is accused of murder and for embezzlement as well. His best friend knew that some of his colleagues are corrupted police officers, he was going to tell Danny what was going on before he got killed. Danny has no other choice to take some hostages on a federal building including Internal Affairs officer Inspector Niebaum (The late J.T. Walsh), who might be involved with the death of his best friend. The only person that Danny could trust is another negotiator by the name of Chris Sabian (Two-Time Oscar Winner:Kevin Spacey). Chris might be the only man, who could save Danny's life and clear his name.
Directed by F. Gary Gray (Friday, The Italian Job "2003", Set It Off) made an entertaining, suspenseful, action-thriller with sharp performances by Jackson and Spacey. The director certainly has an eye for suspense and creating good action sequences. The movie has an strong supporting cast like David Morse, Ron Rifkin and the late John Spencer. The picture was well received by the film critics but it got lost, when it was released in the summer of 1998. "The Negotiator" was an box office disappointment but it did found an audiences on Video and TV.
DVD has an sharp anamorphic Widescreen (2.35:1) transfer and an strong Dolby Digital 5.1 Surround Sound. DVD has two featurettes, production notes, the original theatrical trailer and four trailers from the two lead actors. "The Negotiator" is certainly better than most action-thrillers has to offers these days. This movie truly does focus on character development as well. "The Negotiator" is certainly one of the most underrated movies of the 1990's. Paul Giamatti steals the show in his supporting role as a ex-thief turned informant. Super 35. (****/*****).
Directed by F. Gary Gray (Friday, The Italian Job "2003", Set It Off) made an entertaining, suspenseful, action-thriller with sharp performances by Jackson and Spacey. The director certainly has an eye for suspense and creating good action sequences. The movie has an strong supporting cast like David Morse, Ron Rifkin and the late John Spencer. The picture was well received by the film critics but it got lost, when it was released in the summer of 1998. "The Negotiator" was an box office disappointment but it did found an audiences on Video and TV.
DVD has an sharp anamorphic Widescreen (2.35:1) transfer and an strong Dolby Digital 5.1 Surround Sound. DVD has two featurettes, production notes, the original theatrical trailer and four trailers from the two lead actors. "The Negotiator" is certainly better than most action-thrillers has to offers these days. This movie truly does focus on character development as well. "The Negotiator" is certainly one of the most underrated movies of the 1990's. Paul Giamatti steals the show in his supporting role as a ex-thief turned informant. Super 35. (****/*****).
Just when you think he's cornered, he thinks of a new strategy. Samuel L. Jackson portrays Lieutenant Danny Roman, police hostage negotiator. When he's framed for a crime he didn't commit, against his fellow police officers no less, he knows that the only way out is to bring in an equally tough negotiator, Lieutenant Chris Sabian played by Kevin Spacey, who's from another precinct and who therefore could not have been contaminated by the bad elements within his own force, which buys him the necessary time to bluff and blindside while he finds the clues he needs to prove he's innocent. Chicago is taken hostage along with the few people he retains as bargaining chips, and we are taken along for the ride. This was a masterful job of film-making from beginning to end. The characters and story were flawlessly developed. We don't precisely know who's guilty or who's innocent. Roman conducts his interrogation and trial while he negotiates with the police outside, some of whom are working overtime to eliminate Roman before he figures it all out. This all occurs right under the noses of the FBI who are in way over their heads and don't have a clue who's guilty or innocent, just like the rest of us watching. Along the way, we get to witness Roman lecture his underlings about the finer points of negotiations while he himself has just become a hostage taker. "Never say no!" he barks with effective zeal. And he tests his bewildered pupils continuously, who fail continuously. Only Sabian is smart enough to understand what's going on in Roman's mind. The strategy is shared by two men who think alike, who are under stress, and have an innate instinct for lie detection. The screenplay was terrific. The cinematography was effective. The acting of Jackson and Spacey exceptional. And the supporting cast, particularly bad-guy-turned-good-guy Paul Giamatti who provides great comic relief, was outstanding. If you're in the mood for an intelligent, taut thriller, The Negotiator delivers... 9/10.
An honest cop is an easy target, right? Well, this is what the trailer of "The Negotiator" states, but it also states a lot of more things; some which it shouldn't state. So my first recommendation is: don't watch the trailer of this film before watching the film itself
It will make it better. Danny Roman (Samuel L. Jackson) is a successful negotiator and, as it happens in these films, he's getting too close to something and consequences are ahead.
That's all you'll hear from me. After this main plot line, "The Negotiator" becomes a nerve- racking ride; with thrills all the way through and a very intelligent use of the general elements of the crime thriller. See, that's the thing about crime thrillers: they are always around the same kind of ideas and stories. I recently watched "Edison" and I didn't like the way it handled things; because it wanted to give an explanation to a conspiracy that was confusing and difficult to understand, sadly inside of a good script.
"The Negotiator" suffers from the same thing. However, writers James DeMonaco and Kevin Fox make it up with some beautifully written, gripping dialogue in a fantastic achievement; considering that one of them hadn't done anything before and the other had written "Jack". The screenplay of "The Negotiator" is probably what brings the rest to life.
It isn't the writers' fault but, although the cameras are well placed and F. Gary Gray's direction is accurate, everything feels a little bit like television (like in "SWAT"). I'm not saying this is a bad characteristic, because it doesn't make the film less dynamic and because the film is, as I said, intelligent; but it's ultimately disappointing. The music by Graeme Revell is one of the high points, with chilling strings that accentuate the characters' looks in the moments of tension.
These moments of tension also look like television, but we forgive it because we get some good intense looks. If "The Negotiator" is not good for everything else (which is not entirely true), it is good because of the actors (casting by David Rubin). Samuel L. Jackson is full of perfectly managed rage as Danny Roman, achieving a better performance than the ones he got in other movies where he carried guns, like "The Long Kiss Goodnight", "Rules of Engagement", even "Shaft" and definitely "SWAT".
A lot of the actors in the cast come from television or are now still on television (which may help the feeling I was talking about), like Ron Rifkin, John Spencer, Carlos Gomez, Nestor Serrano, Stephen Lee and Doug Spinuzza. They are all great, and so is the late J.T Walsh in a small role. Besides, Regina Taylor is powerful as Jackson the cold David Morse is astounding playing a kind of villain and showing he's one of the best for playing villains today; even in films like "Dreamer".
Paul Giamatti steals the show as a maniac hostage, which is a nice performance to see Giamatti before becoming the cult performer he is now. He was still good then. Siobhan Fallon is also flawless as a law-abiding secretary. But Jackson is the centre of the movie, alongside the other main character. Chris Sabian appears late in the film, but in the skin of Kevin Spacey he encounters Jackson's craziness and "The Negotiator" elevates itself into a whole different level. Spacey's facial expression and manner of talking and Jackson's unique eyes movement are just little details of their incredible performances and their chemistry.
Wonderful actors pay attention to details in movies. At least just to watch Spacey and Jackson, you can't miss "The Negotiator". It has one of the best acting duos I've seen in a long time.
That's all you'll hear from me. After this main plot line, "The Negotiator" becomes a nerve- racking ride; with thrills all the way through and a very intelligent use of the general elements of the crime thriller. See, that's the thing about crime thrillers: they are always around the same kind of ideas and stories. I recently watched "Edison" and I didn't like the way it handled things; because it wanted to give an explanation to a conspiracy that was confusing and difficult to understand, sadly inside of a good script.
"The Negotiator" suffers from the same thing. However, writers James DeMonaco and Kevin Fox make it up with some beautifully written, gripping dialogue in a fantastic achievement; considering that one of them hadn't done anything before and the other had written "Jack". The screenplay of "The Negotiator" is probably what brings the rest to life.
It isn't the writers' fault but, although the cameras are well placed and F. Gary Gray's direction is accurate, everything feels a little bit like television (like in "SWAT"). I'm not saying this is a bad characteristic, because it doesn't make the film less dynamic and because the film is, as I said, intelligent; but it's ultimately disappointing. The music by Graeme Revell is one of the high points, with chilling strings that accentuate the characters' looks in the moments of tension.
These moments of tension also look like television, but we forgive it because we get some good intense looks. If "The Negotiator" is not good for everything else (which is not entirely true), it is good because of the actors (casting by David Rubin). Samuel L. Jackson is full of perfectly managed rage as Danny Roman, achieving a better performance than the ones he got in other movies where he carried guns, like "The Long Kiss Goodnight", "Rules of Engagement", even "Shaft" and definitely "SWAT".
A lot of the actors in the cast come from television or are now still on television (which may help the feeling I was talking about), like Ron Rifkin, John Spencer, Carlos Gomez, Nestor Serrano, Stephen Lee and Doug Spinuzza. They are all great, and so is the late J.T Walsh in a small role. Besides, Regina Taylor is powerful as Jackson the cold David Morse is astounding playing a kind of villain and showing he's one of the best for playing villains today; even in films like "Dreamer".
Paul Giamatti steals the show as a maniac hostage, which is a nice performance to see Giamatti before becoming the cult performer he is now. He was still good then. Siobhan Fallon is also flawless as a law-abiding secretary. But Jackson is the centre of the movie, alongside the other main character. Chris Sabian appears late in the film, but in the skin of Kevin Spacey he encounters Jackson's craziness and "The Negotiator" elevates itself into a whole different level. Spacey's facial expression and manner of talking and Jackson's unique eyes movement are just little details of their incredible performances and their chemistry.
Wonderful actors pay attention to details in movies. At least just to watch Spacey and Jackson, you can't miss "The Negotiator". It has one of the best acting duos I've seen in a long time.
To be perfectly honest, the expectations weren't all that high with this one, but it certainly exceeded. "The Negotiator" is a tight, well-written cop thriller with solid pacing and the huge benefit of Samuel L. Jackson and Kevin Spacey; the former is a cop that's desperate to expose a frame-up before he's abused by the legal system, and the latter is just trying to get hostages out of the building. But both of these actors are pros and elevate the already decent material.
As much as I tried, I couldn't really poke holes in the story's setup; and then all of a sudden, things really take off and I was along for the ride til the end. It certainly helps that both characters are hostage negotiators trying to read one another and adds a certain tension to their scenes. It's funny, I remember seeing the TV spots back in '98 and thinking "well, that doesn't look good at all." And I stand humbly corrected.
As much as I tried, I couldn't really poke holes in the story's setup; and then all of a sudden, things really take off and I was along for the ride til the end. It certainly helps that both characters are hostage negotiators trying to read one another and adds a certain tension to their scenes. It's funny, I remember seeing the TV spots back in '98 and thinking "well, that doesn't look good at all." And I stand humbly corrected.
In terms of plot and story development, The Negotiator offers little that is new. It's a very conventional film. However, it gets a much needed injection from its cast, especially the two leads Jackson and Spacey, whose verbal exchanges are exciting and dynamic.
The far-fetched yarn introduces us to Chicago hostage negotiator Danny Roman (Samuel L. Jackson). Roman's partner Nate (Paul Guilfoyle) is brutally murdered just as he is about to expose a bunch of cops who have been stealing from the Disability Fund. All the clues at the scene of Nate's murder point to Roman being the guilty one. Danny is arrested for the killing, but he remains determined to prove his innocence. He violently besieges the Internal Affairs division of the Chicago P.D, taking several hostages at gunpoint, and proceeds to demand that his name be cleared. Hostage negotiator Chris Sabian (Kevin Spacey) arrives on the scene to talk Roman into surrendering his hostages.
The ease with which Jackson's character is framed for a crime he didn't commit is hard to believe, and his subsequent decision to take hostages in order to clear himself stretches credibility to the limit. The solution to the mystery - with the revelation of the real killer coming right at the end - isn't especially believable either. However, improbabilities aside, The Negotiator is an entertaining work. As mentioned, Jackson and Spacey's confrontations are quite dynamic and help to make the film compulsively watchable. Siege thrillers by their very definition are exciting, and this one is no exception. Granted, The Negotiator is totally conventional fare, but within its limitations it remains a well-crafted, absorbing and agreeable offering.
The far-fetched yarn introduces us to Chicago hostage negotiator Danny Roman (Samuel L. Jackson). Roman's partner Nate (Paul Guilfoyle) is brutally murdered just as he is about to expose a bunch of cops who have been stealing from the Disability Fund. All the clues at the scene of Nate's murder point to Roman being the guilty one. Danny is arrested for the killing, but he remains determined to prove his innocence. He violently besieges the Internal Affairs division of the Chicago P.D, taking several hostages at gunpoint, and proceeds to demand that his name be cleared. Hostage negotiator Chris Sabian (Kevin Spacey) arrives on the scene to talk Roman into surrendering his hostages.
The ease with which Jackson's character is framed for a crime he didn't commit is hard to believe, and his subsequent decision to take hostages in order to clear himself stretches credibility to the limit. The solution to the mystery - with the revelation of the real killer coming right at the end - isn't especially believable either. However, improbabilities aside, The Negotiator is an entertaining work. As mentioned, Jackson and Spacey's confrontations are quite dynamic and help to make the film compulsively watchable. Siege thrillers by their very definition are exciting, and this one is no exception. Granted, The Negotiator is totally conventional fare, but within its limitations it remains a well-crafted, absorbing and agreeable offering.
Did you know
- TriviaThe movie was originally written to star Sylvester Stallone and Kevin Spacey. Kevin Spacey was supposed to be the hostage-taker with Stallone playing opposite him. When Stallone turned down the part, Spacey decided he wanted to play Chris Sabian rather than Danny Roman. Fortunately, the role originally meant for him was re-cast with Samuel L. Jackson.
- GoofsThe sharpshooter puts a laser dot on Roman's head and the officers in the helicopter light Roman up with about eight lasers while he's standing in the window. Police sharpshooters don't use laser sights (i.e. red dot on target). They're good enough to not need them and don't want to tip off the suspect that he's in their sights. Any cops who do have laser sights (which is unlikely, but conceivable) don't put them on the target and keep them there. The sights are for rapidly getting the gun on target - not replacing proper sight picture.
- Quotes
Lieutenant Danny Roman: When your friends betray you, sometimes the only people you can trust are strangers.
- Alternate versionsIn the Blu-ray, the 75th anniversary variant of the Warner Bros. Pictures logo is plastered at the beginning with the silent version of the 2003 variant. However, closing 1992 variant is retained at the end of the film.
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Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- El mediador
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $50,000,000 (estimated)
- Gross US & Canada
- $44,547,681
- Opening weekend US & Canada
- $10,218,831
- Aug 2, 1998
- Gross worldwide
- $44,547,681
- Runtime
- 2h 20m(140 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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