Saving Private Ryan

It gives a million reason why no one should go to war and one very powerful reason to go to war. It is a soul numbing realistic depiction of what our grandfathers, fathers, uncles, brothers and sons have faced in humanities darkest moments. Not just in WWII but in any war. No one can see this movies without being altered in some way. No one should miss it with the EXCEPTION of those war veterans that have already been there. The surround sound puts the audience in the middle of the battle.

Steven Spielberg has out done himself and effectively held up a mirror to civilization for events to which we should all be ashamed of, rather than appalled at the movie for its real life depictions. I suggest that this movie be made standard view for congress as well as the President each and every time the question of war comes up. This movie would not stop future wars but I would hope the objectives would be much more clearly defined. I say this as a US Marine.

It's been over a year since first seeing Saving Private Ryan -- it's a worthy effort by Speilberg--his best since Shindler's List by far. You've probably heard about the amount of violence, blood, and gore and that's all true--it's got the Viet Nam movie style violence (and then some) but it's not gratuitous. Were it sanitized like early WWII movies, modern audiences probably wouldn't take it as seriously.

The movie has that trademark Speilberg style--the structure is all tied up and unified from beginning to end, the emotional symbols abound, the music swelling when he's working at your emotions, the hand held camera that worked so well in Shindler's List to give you a feeling of participation, camera angles and periods of silence to disorient you (like Shindler), suspense techniques learned from Hitch... It's a movie that stays with you for a period afterwards.

Hanks will be the early front runner for Oscar after this flick--Academy members like him AND it IS his best acting job ever. While Speilberg will likely be criticized for attempting to manipulate the audience's emotions while keeping a distance from the inner core of his characters, Tom Hanks reveals a really complex military leader in this story, and does so without overacting--somehow it comes from within. While you may not empathize deeply with many of the platoon, you will still feel something because of the relationship that is formed with Hanks.

After the initial set-up, you will have the opportunity to participate in the D-Day operation and experience the horror of it. Those who have been in a real war can comment about how realistic or not Speilberg captures its chaotic horror in this scene.

In my case I again feel very lucky that my draft number was high, so I never had to face Nam like many of my classmates. Speilberg reminds us brutally in "Saving Private Ryan" that we All have a debt to pay to the brave souls who have sacrificed so much for us. What Tom Hanks does with his performance is to remind us of this debt in a very personal way.

I went to see Saving Private Ryan twice in the theatre. I was very impressed the first time I saw it, and the battle scenes were so haunting that I felt it would be worthwhile going again. While I again enjoyed them, they obviously did not have the same impact as when seen for the first time and this caused me to give greater attention to the remainder of the film. It didn't hold up well.

I feel it would have been best for Spielberg to have begun this film right off in the boat. No advance warning, no sentimentality. It would have been perhaps the most amazing first scene in cinematic history. But he had to overdo it. The first graveyard scene can be accepted, though it is undesirable. But the second was insulting, not just to me, but to the film itself and the message it had attempted to convey. He can understate well, as the scene in which Mrs. Ryan is told of the fate of her sons proves.

(The rule which is so often broken by film makers today is don't tell, show. But they are so used to talking down to the audience that it is seen as desirable and normal. I see it as manipulative and condescending).

It also seemed as if I could actually see the seams in the movie, the transition from one scene to the next. It was obvious that it was _written_. Yes, of course, all screenplays are written. But a truly good film can draw you in to the point where it IS reality. SPR did not do that for me. I'm sure there has already been sufficient comment on the stereotypicality of the characters. And of course the scene in which there is an argument over whether or not to take the child along with them.

There is a sense in which films like this are protected from artistic judgment because it is felt that the message they are conveying is so important. I believe this is part of the reason it has received as much praise as it has. While the battle scenes and cinematography are truly magnificent, those things alone are not enough for a film to be considered the greatest film of all time, nor even the greatest war film of all time.

The first 23 minutes of this film is rated at a 12.

My good friend and I took our sons, 17 at the time, to see this in a theater. I am a senior military officer who experienced combat in 1967 - 68 - 69. We wanted the boys to see the horror of war, the slaughter.

I have had to pack up the personal effects of my comrade to send back to his mother after he was killed in the Viet Nam war. Those of you who have not done this cannot even comprehend.

After the opening combat scenes the film was an 8. Well done.

War is hell and to those of us who have been there ... well I don't know what to say.

Neither of our sons joined the military ... thank God.

To think that this movie did not win Best Picture is a crime. Director Steven Spielberg uses all of his talent and resources to give to the world the greatest war film ever made.

Though it's true that this is not the type of movie you want to sit down with the family and eat popcorn, the emotional drive of the picture, the story's poignant messages, and the fantastic acting of the cast draws you into a world that is both dangerous and unpredictable.

Spielberg is able to take you into action and make you feel as if you are a participant in the movie and not just a viewer. This is Tom Hanks' best movie he ever did. Forget his performances in Philadelphia and Forrest Gump (though they were also good); he should have received another Oscar for the role of Capt. John Miller, a leader who must act strong in front of his men, but must also hide his emotions from them. It would have been well-deserved if he won again.

I give this movie my highest recommendation. Saving Private Ryan is a movie that makes you realize how life is precious and how honor and duty, though they are deep philosophical concepts that are praised in war, can put you in jeopardy of losing your life for something you may not believe in.