Six Days Seven Nights

This romantic comedy and adventure story had a bunch of good and bad things going for or against it., but overall was an enjoying story that was a pleasant diversion. I don't know if I'd own it, but it's worth watching once or twice.

THE GOOD - Some tremendous South Seas island scenery; a good mix of comedy and adventure with attractive leads in Anne Heshe and Harrison Ford; and fast-moving story meaning good entertainment.

THE BAD - Poor messages about fidelity and marriages; an annoying, whining character played by David Schwimmer; too heavy - for family viewing - on the profanity and cleavage.

I've seen this movie quit a few times before but it's still got charm and I still really enjoy watching it. Ford and Heche show real chemistry and they also show good comedic ability in their roles. Schwimmer pretty much renews his ole role of "friends" Ross but it works here and Obradors adds a certain Je ne sais quoi if ya get my drift. Overall this movie has a lot going for it, I guess you would call it a romantic comedy but it's got good action, good humor, Danny Trejo as a no lines saying pirate (not one line, really people? Sorry Danny) and a good story that works well for what it is...a fun movie. This is a great film to watch with a date as it really caters to both sexes and should be entertaining to most who watch, so sit back and kick yer feet up and just enjoy the ride people.

I have seen Six days, Seven nights and I loved it. One of Harrison's best films in a long time. I think what did it for me was the film being set on the island of Kuaii. Quinn and Robin's personalities may have been different but it just proves that in paradise, anything can happen. I would recommend this to anyone that's looking for a light- hearted romantic comedy.

When a hard-working career woman by the name of Robin Monroe (Anne Heche) works for a popular woman magazine. When her nice boyfriend Frank Martin (David Schwimmer) purposed to her to married him. Also to come with him for a week at a tropical island. Once they get there... they meet a gruff, rough cargo pilot Quinn Harris (Harrison Ford). Once the pilot brings them to the island, Robin and Frank start enjoying their vacation. But the trouble starts when her boss (Allison Janney) calls her from their trip to take a photo shoot. Robin asks Quinn to bring her to the location, where she has to go. But once they left the ground to fly, they ended being hit by lighting and crashing to a deserted island and trying to find a way to get back to the tropical island. While Robin and Quinn dislike each other with plenty of problems and troubles. They find themselves chased by pirates (Temuera Morrison, Cliff Curtis and Danny Trejo). Slowly Robin and Quinn start falling for each other.

Directed by Ivan Reitman (Ghostbusters 1 & 2, Junior, Twins) made this amusing, nicely filmed romantic/comedy/adventure with fun performances by Ford and Heche. This wasn't a huge hit at the box office but it should play well on video. Although involving pirate in the subplot seems out of place with the story. It's entertaining enough to overcome certain flaws in the movie. Probably the best thing of the picture is Ford, which he's especially loose and funny. Certainly worth viewing. Panavision. (****/*****).

Ivan Reitman's comedy-drama is as entertaining as it is undemanding. Harrison Ford and Anne Heche are convincing and funny as crabby airline pilot Quinn Harris and jet-setting fashion magazine editor Robin Monroe, contending with being lost on a Pacific island, and battling with some modern-day pirates. Though their course from mutual dislike, through respect and friendship, to the finishing line of love, is familiar, they run it with style. There are the added pleasures of spectacular scenery, realistic flying sequences, and some nifty cutting between a hula dance performance and a crash landing. (Even David Schwimmer, as Robin's waiting boyfriend with a roving eye, is for once reasonably cast.)

In some respects this is a remake of the 1951 classic The African Queen - both involve a snooty woman and a tough guy thrown together in adversity. But a big difference is that, whereas Bogart and Hepburn were aged 52 and 44 when their movie was made, Ford and Heche were 56 and 29. It seems ironic that in those far off pre-feminist-movement days both movie-makers and audiences could accept older leading ladies; while now female stars over 40 can't find roles, and have to watch older male counterparts romancing women young enough to be their daughters.

But most viewers will ignore such considerations, relax, and simply enjoy this cinematic equivalent of "easy listening" music.